Newly Listed Items

Natural, Ash body, A 4-way Tele switch has been installed, EC+

BLKS (Black Satin) finish, Set-thru-Body Construction, Mahogany body, Rosewood fingerboard on a Thin U Contour Maple neck, 25.5” scale length, EMG 808 bridge and neck pickup, Fixed bridge, ESP tuners, Case not included

Black finish, Bolt-On Construction, Basswood body, Rosewood fingerboard on a Thin U Contour Maple neck, 25.5” scale length, ESP LH-308 bridge and neck pickups, Fixed bridge, ESP tuners, Case not included

Black finish, Bolt-On Construction, Alder body, Rosewood fingerboard on an Extra Thin Flat Contour Maple neck, 25.5” scale length, EMG 81 bridge and neck pickups, Floyd Rose Original bridge, Gotoh tuners, Case not included

Raspberry, Made in Japan, Missing the tremelo cover, With gig bag, EC

On its 1951 introduction, the Telecaster was a revolutionary instrument that would usher in whole new eras of musical innovation and excitement. Sixty years later, it is an archetypal electric guitar with a long and storied history. The rich history of Fender guitars begins with the Telecaster, and Fender is celebrating its 60th anniversary all year with 12 very special “Tele-bration” models that stay inside the Telecaster’s famously elegant lines while offering the finest and most unusual takes on the instrument’s past, present and future. Here are the details: Natural finish, Ash body with a Stratocaster style arm contour, Modern C shaped Maple neck with a 7.25” radius Maple fingerboard and vintage size frets, 1970’s era Black Block inlays,’62 Tele Custom single coil bridge pickup and a Wide Range humbucking neck pickup, Vintage style 3 saddle string thru body bridge, Vintage “F” style tuners, With hardshell case

Bahama Blue, Mahogany neck, With hardshell case

Sunburst, Made in China, With gig bag, EC

Lake Placid Blue with the racing stripe, Made in Korea, Single Seymour Duncan humbucker and locking tuners, Graphtech saddles have been installed, With gig bag, EC-, ON HOLD!

AHB (Aged Honeyburst) finish, Set-Neck Construction, Flame Maple top on a Mahogany body, Rosewood fingerboard on a Thin U Contour Mahogany neck, 24.75” scale length, Seymour Duncan JB bridge and ‘59 neck pickups, Gotoh TOM bridge and tailpiece, Gotoh Magnum Lock tuners, Case not included

Black finish, Set-Neck Construction, Maple top on a Mahogany body, Ebony fingerboard on a Thin U Contour Mahogany neck, 24.75” scale length, EMG 81 bridge and EMG 60 neck pickups, Floyd Rose Original bridge, Gotoh tuners, Case not included

Black Camo finish, Neck-thru-Body Construction, Mahogany body, Ebony fingerboard on a Thin U Contour Maple neck, 24.75” scale length, Seymour Duncan JB bridge and ’59 neck pickups, Tonepros locking TOM bridge and tailpiece, ESP locking tuners, Case not included

The Elvis Costello “Century of Progress” is fashioned after Costello’s beloved original 1936 model and it is a painstaking recreation that was made possible by using photos of Costello’s original and also the original Gibson blueprints from the 1930’s. Here are the details: Number 129 of the 300 that are being made, Sunburst, Nitrocellulose lacquer finish, Adirondack Red Spruce top, X bracing, Firestripe L-00 pickguard, AAA Flame Maple back and sides, Vintage V shaped Mahogany neck with a Madagascar Rosewood fingerboard, Pearloid fingerboard overlay with the Mother of Pearl diamond inlays, 24.75” scale length, 1.77” width at the nut, With hardshell case

Natural, Grand Concert body size, Sitka Spruce top, Nylon series bracing pattern, Sapele back and sides, Ebony fingerboard with the 4mm Dot inlays on a Tropical American Mahogany neck, 25.5″ scale length, 1 28/32nd” width at the nut, With the ES-N pickup system and hardshell case

Steel top, back and sides, 9.5″ Hand spun resonator, Maple Biscuit bridge, Ebony fingerboard with the Mother of Pearl position markers on a Honduras Mahogany neck, 25″ scale length, 1.825” width at the nut, With hardshell case

Natural, Miniature Grand Symphony body size, 4 7/16th” body depth, Solid Mahogany top, Laminated Sapele back and sides, Ebony fingerboard on a Sapele neck, 23.5” scale length, 1 11/16^th” width at the nut, With gigbag

Natural, From its inaugural appearance in 1937, Gibson’s J-200 set a standard others have been trying to match ever since. Today—nearly 71 years later—the legacy of Gibson’s “King of the Flat-tops” lives on in the new J-200 Standard. Upon its introduction in the late 1930s, the J-200 immediately filled a need for a deeper, more balanced and powerful sound. It gave purveyors of the new American music scene of the 1930s a reliable, well-built instrument, capable of projecting the sound of the guitar well beyond that of any other acoustic on the market—a fact that still holds true today. It is simply the world’s most famous acoustic guitar, and certainly one of most popular, as evidenced by the list of players that have made it their primary acoustic instrument, among them Ray Whitley, Emmylou Harris, Roy Rogers, Gene Autry, Gram Parsons, and Pete Townshend. With hardshell case

EC

Eriza Verde, Tremelo, 7.4 pounds, With hardshell case

Natural, With hardshell case, EC

Antique Vintage Sunburst, Made in the Memphis Custom Shop, With hardshell case

Cherry, Glossy finish, With hardshell case