Pedals

• Original bucket-brigade design.
• Incredibly controllable parameters.
• Use the EVH switch for instant "Unchained" tone.

• Super high-gain fuzz with smooth low end.
• Tone stack Scoop control.
• Adjustable compression intensity.

• 100HZ cut and boost control allows tonal fine-tuning.
• BUMP switch engages alternate voicing for a low and mid-range boost.

True Bypass.

The Java Boost is a germanium based Treble Booster designed to give you classic tones from the 60's and 70's. It is not a clean boost.

It must be used with a cranked amp that is overdriven or distorting a bit already. Cranking the amp and pedal will result in more creamy, beautiful, sustaining distortion with the Java Boost.

The Java Boost is most widely used with a tube amp set to a bit of overdrive or clipping which is the key to getting a great sound from this pedal. Setting the java boost in front of a very clean amp with the volume on 1-2 will surely result in a fairly weak guitar tone! Set the amp for some breakup, then click the Java on. There, you'll have a fantastic sound and see why people rave about the Java Boost.

• A hot-rodded classic circuit.
• Roars with huge amp stack tones and old school distortion.
• Delivers soaring leads and rich, saturated rhythms.
• CRUNCH button boosts harmonic content of distortion.

Want a mirror image of your tone, only louder? This is it. The Katana is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.

Obsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!

The Katana circuit is Robert Keeley's first guitar effect design for Keeley Electronics. It was originally designed for Legendary Tones for the Time Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert's very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. Delay times could be input via a keypad to enter the amount of delay in milliseconds or by potentiometers. The Katana is no less stunning in its beautiful simplicity and stunning sound quality.

This little wonder is only 1.5 inches wide and 3 2/3 inches long. This will fit in the tightest of pedal boards and offer you a dramatic improvement in tone. Connect any effect to this unit that is "old school" and not true-bypass. In particular Vintage wahs, echoes, phasers, fuzz face type pedals, or even new effects that might have a weak bypass system. These elderly effects rob tone when they are off. Now you can make them truly bypassed when off with this little box.

The True Bypass Looper works with or without power. When you add a DC supply to this unit the two LED let you know if the loop is active or not. BLUE LED indicates your signal is passing through the vintage effect, RED LED indicates true-bypass. STOP TONE DRAIN! You can use it as a multiple effects switcher and add several effects in a chain and then switch them all on at once. You can also use it as a tuner mute switch. Plug a tuner in this box and not only prevent the tuner from draining away your tone, but tune in silence!

• Meticulously faithful reproduction of Jimi's 1969-70 Dallas Arbiter Fuzz Face.
• Built around the toneful BC108 silicon transistor. Carefully matched to the original specs.

• Analog bucket brigade technology.
• High and Low filter cut controls for detailed tone sculpting.
• Two outputs for a wide and sweeping stereo spread.

ECT is the result of my wish to rectify a few issues I’ve had with other fuzz boxes, notably a mid scoop. “But Old Pal Aen, some times I need to scoop teh midz for my metal tonez!”

While I can’t say that I ever find that useful, ECT will do that as well. When stomping on the “BYPASS” switch, you will be in familiar fuzzbox territory. Volume, Tone, and Distortion are all active, as well as the “TIMEWARP” toggle, which flips between the traditional hi-fi type sound and a more blunted, ummm, stoner-rocky type sound. (A note: if your amp has a lot of treble rolled off, you may not hear much difference between the time warp positions. Because you have your amp set up wrong.)

“TONEBLAST” bypasses the tone control, giving you more mids and a bunch more volume. At any time, you can tap the “feedback” stomper to trigger a momentary integrated feedback loop, because I like noise, so back off, it’s cool.

“Trim” allows you to roll back your input signal, incase of muddiness caused by hotter pickups.

This has the most bass (well, it’s a tie with Hair of the Dog) of any DC Device. It is amazing on bass guitar.

• Designed after Eric's personal prized Fuzz Faces
• Custom vintage-style hammertone finish

Custom reproduction '68-'69 knobs

The original Dwarfcraft Device!  and still a superstar! 3 squarewave oscillators a-bumpin-and-a-grindin to your hearts content.  With an independent mix knob for each little voice on board.  It’ll sing, it’ll scream, it’ll fight with itself.  You don’t play it, you play with it.

In the footsteps of the classic Marshall Gov’ner this monster was born. Just like its big brother Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone but one thing sets them apart. This ones a little more Angry… If you want high gain Marshall tones reminiscent of a JCM-800, than this is the pedal for you.

The gain knob has an unbelievable range of overdrive to head-on heavy grind and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but "realistic" sounding pedal than look no further!

From the 60’s came an effect that had a serious impact on the way guitarist expressed themselves. It was an effect that when used right had that “wow” factor and it was a tool that helped make the “Star Spangled” banner relative to a new generation in the hands of a man named Jimi. Some of the most influential guitarist ever have consistently found a way to express their voice with this circuit and we feel you will too.

With a large speed control that is easily controlled with your foot, live performance changes are ease. The Speed LED blinks in time with the speed even when the unit is off so you always know what is going on inside. Controls for Mix (blend of clean and effect), Volume (raise or lower the overall volume) and vibrato/chorus toggle (gives you the classic chorus or vibrato settings with the flick of a switch). The Warble-Tron is internally turning your standard 9v into 15v so there is no need to have a funky adapter.

Fender introduces its first ever multi-effects unit in the form of the Mustang Floor-a versatile high-performance floor unit that delivers pro-level amp modeling, effects and artist preset sounds in a richly varied wealth of musical styles. And you don’t have to be a tech expert to use the Mustang Floor-it’s easy to use right out of the box.

A natural offshoot of our Mustang series amplifiers (basically a Mustang amp without the power amp and speaker), the Mustang Floor is designed for a variety of applications, only one of which is a great multi-effects unit for any basic guitar amp that puts more than three dozen digital effects at your feet. It’s also a modeling preamp with low-impedance speaker-emulated outputs for running direct to a PA system, a modeling preamp with line-level outputs for use with a power amp and speakers, a silent practice system with stereo headphone output and auxiliary input perfect for playing along with an iPod or other media player, and a fantastic tone machine for direct-to-digital USB recording.

Mustang Floor features include nine footswitches and a solid aluminum treadle-style control pedal, intuitive Mustang III control panel and LCD window, 12 amp models, 37 effects, 100 onboard factory and user presets, “individual stompbox” mode in which amp models can be bypassed, headphone output and auxiliary input, dual XLR and dual 1/4" line outputs with level control (outputs can be programmed for optimal response with PA system, power amp or guitar amp), chromatic tuner, and easy USB connectivity for high-quality low-latency audio output and interface with free Fender FUSE™ application. Fender FUSE™ software, included as a free download, offers on-screen parameter control, deep editing, “hidden” parameters, unlimited preset storage, easy firmware upgrades and additional free content from Fender, Fender artists and other users worldwide. Additional control available with optional EXP-1 pedal.