Pedals

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.

Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.

With its extreme gain, the ML-2 is the most potent and heavy distortion pedal ever created by BOSS. It easily delivers massive distortion and gain with heavy lows for playing Nu Metal, Grind Core, Industrial, Hard Core, or any genre that requires crushing sound. The ML-2’s ferocious and biting tone will complement and cut through any blast beats your rhythm section can create.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

The DN-2 is an exciting new type of overdrive pedal that reacts to the intensity of your performance. This unique BOSS pedal comes equipped with the acclaimed Dyna Amp technology recently introduced in Roland’s popular CUBE-60 amp, letting you create unique tone transitions based on picking dynamics. It’s possible to get a transparent clean output sound by playing softly, or a powerful heavy overdrive sound by picking aggressively.

The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects--all with simple, knob-based control.

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Discrete F.E.T Hi-Gain Distortion and Overdrive Booster in ONE BOX. Think of them either as two separate pedals or as stages to be linked together for endless combinations. The Hi-Gain side has Volume and Distortion knobs with Bass, Mid, and Highs minipots. The Booster side has Volume and Overdrive knobs with Bass and Highs minipots. (These new Hi-Q sealed minipots don't break BTW.)

Hard clipped distortion (the way most pedals achieve distortion) at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amp-like, has ridiculous amounts of sustain even at low volume, does the great chunky low string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The GT500 contains 9 x FETs, 2 Mosfets and 1 x Transistor with no opamps or clipping diodes used.

• Raises the volume of quiet notes and levels off peaks to create rich, full sustain.
• Old school CA3080 “metal can” IC for optimum performance.
• Output and Sensitivity controls.

• "Q" Control varies the intensity of the wah.
• Volume Boost for up to +15dB of added gain.
• Auto-Return function automatically engages effect.

EC

• 100Hz EQ knob to cut or boost your low end by ±12dB.
• Curve control to fine-tune the corner frequencies of your tone.
• Crystal clear leads and punchy, dynamic rhythm tones.

• CHT™ Constant Headroom Technology for clear, clean performance.
• True bypass.
• Sounds great on guitar.

POD® HD Desktop Multi-effect

• Vintage-style Halo Inductor for added harmonic content and growl
• Internal switch for True Bypass or non-True Bypass operation
• Lightweight aluminum housing

• Classic envelope filter sounds.
• Separate Dry and Effect signal controls.
• Organic analog tone.

The T Jauernig Reverie Reverb is a design that uses a Belton Reverb Module. The pedal simulates a long decay spring reverb. Controls are Level, Tone, and Depth. A very natural sounding reverb pedal. Runs on 9VDC external supply only.

• Modeled after Slash's legendary wah-wah tone.
• Searing high gain distortion and Fasel-loaded Classic circuit.

• Both Clean and Distortion channels.
• Run direct to the PA or straight to the mixing board.
• Smart “noise gate” and optimized EQ.

• Reproduces Jimi's unmistakable and legendary wah-wah tone.
• The tone heard on famous Hendrix wah-wah classics like "Voodoo Child (Slight Return)".

• Ranges from tube-like growl to high-gain distortion.
• Overdrive is strongest in the midrange, retaining low-and high-end frequencies.
• Active 3-band EQ with 3-position mid shift.