Pedals

Dynamic Crunch Preamp-Inspired by the famous Soldano SLO-100 Crunch Channel. Made In France.

Dynamic Hi-Gain Preamp-Inspired by the famous Soldano SLO-100 Overdrive Channel. Made In France.

The Talons is an ultra flexible dirt machine that can go from clean to crunch and everything in between with a swift turn of the gain control. Add to that a powerful active 3 band equalization sector and some top end contour via the presence control and you’ve got one versatile little buddy at your disposal. Unlike all our other overdrives, the Talons was not designed to emulate any specific sound or era. It can be glassy and open, scooped and chunky, gritty and wild, light and airy, drunk and unhinged…

With Box EC+

• Adds fuzz to your signal and then duplicates it two octaves down.
• Control the mix of the dry signal and the effect.
• Used by Jimmy Page for the solo in Led Zeppelin's "Fool in the Rain."

• All-analog bucket-brigade circuitry.
• Create classically lush, liquid textures.
• Ultimate tone control.

• Germanium-powered, soft-clipped distortion.
• Classic 70s distortion.
• The tone that made Randy Rhoads famous.

The Boss OD-3 OverDrive Pedal gives you one of the most versatile overdrives on the planet. Features classic 3-knob configuration with level, drive, and tone controls that let you dial in everything from sweet bluesy sounds to screaming monkeys, and more. The OD-3 Overdrive is backed by a 5-year warranty from Boss.

The Boss GEB-7 Bass Equalizer Pedal is compact in size but features a wide frequency range -- from 50Hz all the way up to 10kHz. It has 7 sliders, 3 of which cover the critical midrange (400Hz, 500Hz, and 800Hz) where the character of the bass sound is determined. Each slider on the Boss GEB-7 equalizer pedal boosts or cuts over a +/-15dB range, allowing for substantial tone-shaping capability.

The secret of the Boss MD-2 Mega Distortion Pedal is a dual-stage distortion circuit with an added Gain Boost, plus Bottom and Tone controls for crushing distortion with massive low end. If new-school metal is your thing, the Boss Mega Distortion is your pedal.

The Boss MT-2 Metal Zone Effects Pedal offers precision control over tone. Dual-gain circuits scream with super-long sustain and seething distortion. A 3-band EQ includes High/Low shelving knobs plus a midband parametric EQ. The Boss MT-2 Metal Zone Effects Pedal has separate Level and Distortion knobs to put just the right amount of edge on your signal.

Housed in BOSS' popular twin-pedal chassis, the RC-30's new features include true stereo ins/outs and up to three hours of onboard stereo recording and loop storage. The new dual-phrase loop feature lets you create and play two completely independent stereo loops in perfect sync.

LOOP FX is for processing your loops in real time, with 99 memory slots for storage. The RC-30 also boasts a USB 2.0 port for swapping and managing WAV loops with your computer. A mic input with phantom power, aux in jack for portable devices, and a key selection of onboard rhythms including real audio drum loops come standard.

The Lift is a clean, linear, adjustable 9db boost with buffered Low Imp Output. Whether you need a number or two more clean headroom, or to go from 4 to 8 on the volume knob, or 6 to over-the-top compressed, sustaining overdrive, all is available with the Lift.

Like the Dyna-Ranger, the Joyride is a highly-adjustable, 3 discreet transistor, warm, organic, and very amp-like sounding overdrive pedal that offers everything from a subtle bump-up with hair, to punishing, highly-boosted over-the-top overdrive. With Volume, Treble, Bass and "Drive" controls, it is very flexible.

The Pedal is Red in color  not white

We are the first to put out an exact copy of the legendary Vintage'60's Univibe on a large scale. Ours has that dripping Phase-Chorused tone that made Jimi's "Machine Gun" so epic! In beautiful vintage cream color with maroon lettering housed in a sturdy 16 gauge steel housing that measures ONLY 4" x 5.75". Now it's tiny enough to fit on the most cluttered pedalboard, and because of the mini-DV's unique voltage doubling circuit you can use any standard 9 volt DC adapter (Fulltone FPS-1 adapter is included). And inside the MDV the power is ramped up to the original Univibe's 18+ volts DC!

Features also include a mini-toggle switch to choose between Vintage/Modern settings allowing for warm original '60's Univibe grind (Vintage) and louder, with more output (Modern).

Listen do you hear that? That sound coming from your amp vaguely like a swarm of African killer bees coming to chase away your audience? The Electro-Harmonix Hum Debugger Hum Eliminator Pedal completely and totally eliminates hum from any audio source. It is not a suppressor. It is not a noise gate. It is absolute silence. Small and compact so it won't take up valuable space on your pedalboard. Green LED indicates when it's engaged.

• Dual-mode design offers two distinct wah sounds in a single pedal
• Wah One is classic VOX; with that decidedly sweet UK tone
• Wah Two provides Joe Satriani's original drive and voice controls, delivering a wide range of sound-creation possibilities.

• Takes you from crisp "bathroom" slap echoes to epic, Gilmour-esque delays.
• Completely analog audio path is made possible by old-school bucket brigade technology.

The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same factory, same components, same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. Guitar Player called it the best. Plug it in. Crank it up. You'll hear what all the fuss is about. Tone, drive, and level controls.

The Ibanez TS808 Vintage Tube Screamer Reissue is back. This is the incomparable overdrive pedal that vintage gear hounds are always hoping to find. The 2004 TS808 reissue features the same famous square footswitch and the warm tones of the JRC4558 chip used in most of the original TS808s. Ignore look-alikes. If your tone is suffering from a lack of real warmth, the TS808 is the real, nongeneric prescription.

The Disaster Transport Jr. is an analog voiced digital delay with 625ms delay time, all analog dry signal path and true bypass. It was designed as an anti-modern delay for those who appreciate a nice tape echo with all it’s peculiarities. It’s unique tone control doubles as a noise filter on longer delay settings and really helps the delay shine with a dirty signal. The mix control allows you to boost the effected signal to nearly 4x the original signal level and the repeats control goes from one signal repeat to near infinite repeats all the way through to self oscillation.

New

New In Box

The T Jauernig 1-800-Gain is Tim's take on what the best of the JCM800s would sound like in a pedal form. The 1-800-Gain does that Brit thing with authority. From "woman tone" to flat out making your hair grow!

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!

Version 3

The Gristle King has been updated per the request of Greg Koch, for whom the DGTM and Gristle King were originally created. This new version now has more gain on tap than the previous versions, yet still cleans up incredibly well with your guitar volume control. The original version was geared towards single coil pickups, but Rev. 3 works equally well with single coils or humbuckers, which makes it a more universal and versatile pedal than ever before. The Tone control now has an increased range. The Phat control is Phatter than before. There is more output, or as we like to say "Gravy" that can be applied with this new version as well. The boost circuit and pre/post switch of the previous versions also remain intact. You say you want the boost before the overdrive, no problem. But wait, there are times when post may be the choice because you want a bump in volume for a lead, but not any more gain. No problem! As always, the boost and overdrive can be used together, or seperately, allowing for a range of tones unmatched by other overdrive pedals.

The finish of the pedals has been upgraded to powdercoat as standard, instead of the baked enamel of the previous versions. These pedals can take a beating on a pedal board, so Tim upgraded the finish. As always, the Gristle King is true bypass, and completely handmade.

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!

The T Jauernig Luxury Drive is a clean boost designed specifically to be used along with your dirt boxes. Put the Luxury Drive before or after your favorite OD, for some extra tone. The Luxury Drive is also one of the finest stand alone boosts you'll ever hear. Step on it to add some fat, and just the right amount of treble. It's "treble-licious".

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!

The T Jauernig Sweet POI Overdrive is a variation on the Gristle king overdrive circuit. The Sweet POI is an overdrive that can be very smooth, or at the flick of a switch, more crunchy. There is also a low end boost switch that substantially increases the bass for those of you who like it FAT!

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!

POD^® HD400

POD^® HD500

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass.

The RV-5 Digital Reverb offers six of BOSS’ best reverbs in an all-new stereo effects pedal. New reverbs include convincing spring reverb emulation and a high-quality gate reverb, plus an all-new Modulate mode for spacious detuned reverb sounds.

BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM® modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

The CE-5 Chorus Ensemble is BOSS' ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect--from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.

The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.

Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.

With its extreme gain, the ML-2 is the most potent and heavy distortion pedal ever created by BOSS. It easily delivers massive distortion and gain with heavy lows for playing Nu Metal, Grind Core, Industrial, Hard Core, or any genre that requires crushing sound. The ML-2’s ferocious and biting tone will complement and cut through any blast beats your rhythm section can create.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

The DN-2 is an exciting new type of overdrive pedal that reacts to the intensity of your performance. This unique BOSS pedal comes equipped with the acclaimed Dyna Amp technology recently introduced in Roland’s popular CUBE-60 amp, letting you create unique tone transitions based on picking dynamics. It’s possible to get a transparent clean output sound by playing softly, or a powerful heavy overdrive sound by picking aggressively.

The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects--all with simple, knob-based control.

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Discrete F.E.T Hi-Gain Distortion and Overdrive Booster in ONE BOX. Think of them either as two separate pedals or as stages to be linked together for endless combinations. The Hi-Gain side has Volume and Distortion knobs with Bass, Mid, and Highs minipots. The Booster side has Volume and Overdrive knobs with Bass and Highs minipots. (These new Hi-Q sealed minipots don't break BTW.)

Hard clipped distortion (the way most pedals achieve distortion) at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amp-like, has ridiculous amounts of sustain even at low volume, does the great chunky low string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The GT500 contains 9 x FETs, 2 Mosfets and 1 x Transistor with no opamps or clipping diodes used.

• Raises the volume of quiet notes and levels off peaks to create rich, full sustain.
• Old school CA3080 “metal can” IC for optimum performance.
• Output and Sensitivity controls.

• "Q" Control varies the intensity of the wah.
• Volume Boost for up to +15dB of added gain.
• Auto-Return function automatically engages effect.

• 100Hz EQ knob to cut or boost your low end by ±12dB.
• Curve control to fine-tune the corner frequencies of your tone.
• Crystal clear leads and punchy, dynamic rhythm tones.

• CHT™ Constant Headroom Technology for clear, clean performance.
• True bypass.
• Sounds great on guitar.

POD® HD Desktop Multi-effect

• Vintage-style Halo Inductor for added harmonic content and growl
• Internal switch for True Bypass or non-True Bypass operation
• Lightweight aluminum housing

• Classic envelope filter sounds.
• Separate Dry and Effect signal controls.
• Organic analog tone.

The T Jauernig Reverie Reverb is a design that uses a Belton Reverb Module. The pedal simulates a long decay spring reverb. Controls are Level, Tone, and Depth. A very natural sounding reverb pedal. Runs on 9VDC external supply only.

• Modeled after Slash's legendary wah-wah tone.
• Searing high gain distortion and Fasel-loaded Classic circuit.

• Both Clean and Distortion channels.
• Run direct to the PA or straight to the mixing board.
• Smart “noise gate” and optimized EQ.

• Reproduces Jimi's unmistakable and legendary wah-wah tone.
• The tone heard on famous Hendrix wah-wah classics like "Voodoo Child (Slight Return)".

• Ranges from tube-like growl to high-gain distortion.
• Overdrive is strongest in the midrange, retaining low-and high-end frequencies.
• Active 3-band EQ with 3-position mid shift.

• Original Wah Wah.
• True to 1966 Thomas Organ Design.
• Put your foot down and be heard!

• Dynamic overdrive/distortion.
• Sensitive and responsive to touch and picking dynamics.
• Up to +20dB of uncolored clean boost.

POD HD300 represents a giant leap forward for amp modeling. It is the only multi-effect pedal to boast 16 state-of-the-art Line 6 HD amp models, 80+ modern and vintage-styled M-class effects, and a comprehensive digital and analog I/O.

HD amp modeling: sound and feel like never before
HD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.

Compression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that “studio” quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding dynamics, flavor and sustain no matter what rig you play.

• Original bucket-brigade design.
• Incredibly controllable parameters.
• Use the EVH switch for instant "Unchained" tone.

• Super high-gain fuzz with smooth low end.
• Tone stack Scoop control.
• Adjustable compression intensity.

• 100HZ cut and boost control allows tonal fine-tuning.
• BUMP switch engages alternate voicing for a low and mid-range boost.

True Bypass.

The Java Boost is a germanium based Treble Booster designed to give you classic tones from the 60's and 70's. It is not a clean boost.

It must be used with a cranked amp that is overdriven or distorting a bit already. Cranking the amp and pedal will result in more creamy, beautiful, sustaining distortion with the Java Boost.

The Java Boost is most widely used with a tube amp set to a bit of overdrive or clipping which is the key to getting a great sound from this pedal. Setting the java boost in front of a very clean amp with the volume on 1-2 will surely result in a fairly weak guitar tone! Set the amp for some breakup, then click the Java on. There, you'll have a fantastic sound and see why people rave about the Java Boost.

• A hot-rodded classic circuit.
• Roars with huge amp stack tones and old school distortion.
• Delivers soaring leads and rich, saturated rhythms.
• CRUNCH button boosts harmonic content of distortion.

Want a mirror image of your tone, only louder? This is it. The Katana is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.

Obsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!

The Katana circuit is Robert Keeley's first guitar effect design for Keeley Electronics. It was originally designed for Legendary Tones for the Time Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert's very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. Delay times could be input via a keypad to enter the amount of delay in milliseconds or by potentiometers. The Katana is no less stunning in its beautiful simplicity and stunning sound quality.

This little wonder is only 1.5 inches wide and 3 2/3 inches long. This will fit in the tightest of pedal boards and offer you a dramatic improvement in tone. Connect any effect to this unit that is "old school" and not true-bypass. In particular Vintage wahs, echoes, phasers, fuzz face type pedals, or even new effects that might have a weak bypass system. These elderly effects rob tone when they are off. Now you can make them truly bypassed when off with this little box.

The True Bypass Looper works with or without power. When you add a DC supply to this unit the two LED let you know if the loop is active or not. BLUE LED indicates your signal is passing through the vintage effect, RED LED indicates true-bypass. STOP TONE DRAIN! You can use it as a multiple effects switcher and add several effects in a chain and then switch them all on at once. You can also use it as a tuner mute switch. Plug a tuner in this box and not only prevent the tuner from draining away your tone, but tune in silence!

• Meticulously faithful reproduction of Jimi's 1969-70 Dallas Arbiter Fuzz Face.
• Built around the toneful BC108 silicon transistor. Carefully matched to the original specs.

• Analog bucket brigade technology.
• High and Low filter cut controls for detailed tone sculpting.
• Two outputs for a wide and sweeping stereo spread.

ECT is the result of my wish to rectify a few issues I’ve had with other fuzz boxes, notably a mid scoop. “But Old Pal Aen, some times I need to scoop teh midz for my metal tonez!”

While I can’t say that I ever find that useful, ECT will do that as well. When stomping on the “BYPASS” switch, you will be in familiar fuzzbox territory. Volume, Tone, and Distortion are all active, as well as the “TIMEWARP” toggle, which flips between the traditional hi-fi type sound and a more blunted, ummm, stoner-rocky type sound. (A note: if your amp has a lot of treble rolled off, you may not hear much difference between the time warp positions. Because you have your amp set up wrong.)

“TONEBLAST” bypasses the tone control, giving you more mids and a bunch more volume. At any time, you can tap the “feedback” stomper to trigger a momentary integrated feedback loop, because I like noise, so back off, it’s cool.

“Trim” allows you to roll back your input signal, incase of muddiness caused by hotter pickups.

This has the most bass (well, it’s a tie with Hair of the Dog) of any DC Device. It is amazing on bass guitar.

• Designed after Eric's personal prized Fuzz Faces
• Custom vintage-style hammertone finish

Custom reproduction '68-'69 knobs

The original Dwarfcraft Device!  and still a superstar! 3 squarewave oscillators a-bumpin-and-a-grindin to your hearts content.  With an independent mix knob for each little voice on board.  It’ll sing, it’ll scream, it’ll fight with itself.  You don’t play it, you play with it.

In the footsteps of the classic Marshall Gov’ner this monster was born. Just like its big brother Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone but one thing sets them apart. This ones a little more Angry… If you want high gain Marshall tones reminiscent of a JCM-800, than this is the pedal for you.

The gain knob has an unbelievable range of overdrive to head-on heavy grind and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but "realistic" sounding pedal than look no further!

From the 60’s came an effect that had a serious impact on the way guitarist expressed themselves. It was an effect that when used right had that “wow” factor and it was a tool that helped make the “Star Spangled” banner relative to a new generation in the hands of a man named Jimi. Some of the most influential guitarist ever have consistently found a way to express their voice with this circuit and we feel you will too.

With a large speed control that is easily controlled with your foot, live performance changes are ease. The Speed LED blinks in time with the speed even when the unit is off so you always know what is going on inside. Controls for Mix (blend of clean and effect), Volume (raise or lower the overall volume) and vibrato/chorus toggle (gives you the classic chorus or vibrato settings with the flick of a switch). The Warble-Tron is internally turning your standard 9v into 15v so there is no need to have a funky adapter.

Fender introduces its first ever multi-effects unit in the form of the Mustang Floor-a versatile high-performance floor unit that delivers pro-level amp modeling, effects and artist preset sounds in a richly varied wealth of musical styles. And you don’t have to be a tech expert to use the Mustang Floor-it’s easy to use right out of the box.

A natural offshoot of our Mustang series amplifiers (basically a Mustang amp without the power amp and speaker), the Mustang Floor is designed for a variety of applications, only one of which is a great multi-effects unit for any basic guitar amp that puts more than three dozen digital effects at your feet. It’s also a modeling preamp with low-impedance speaker-emulated outputs for running direct to a PA system, a modeling preamp with line-level outputs for use with a power amp and speakers, a silent practice system with stereo headphone output and auxiliary input perfect for playing along with an iPod or other media player, and a fantastic tone machine for direct-to-digital USB recording.

Mustang Floor features include nine footswitches and a solid aluminum treadle-style control pedal, intuitive Mustang III control panel and LCD window, 12 amp models, 37 effects, 100 onboard factory and user presets, “individual stompbox” mode in which amp models can be bypassed, headphone output and auxiliary input, dual XLR and dual 1/4" line outputs with level control (outputs can be programmed for optimal response with PA system, power amp or guitar amp), chromatic tuner, and easy USB connectivity for high-quality low-latency audio output and interface with free Fender FUSE™ application. Fender FUSE™ software, included as a free download, offers on-screen parameter control, deep editing, “hidden” parameters, unlimited preset storage, easy firmware upgrades and additional free content from Fender, Fender artists and other users worldwide. Additional control available with optional EXP-1 pedal.