Pedals

Dynamic Crunch Preamp-Inspired by the famous Soldano SLO-100 Crunch Channel. Made In France.

Dynamic Hi-Gain Preamp-Inspired by the famous Soldano SLO-100 Overdrive Channel. Made In France.

The Talons is an ultra flexible dirt machine that can go from clean to crunch and everything in between with a swift turn of the gain control. Add to that a powerful active 3 band equalization sector and some top end contour via the presence control and you’ve got one versatile little buddy at your disposal. Unlike all our other overdrives, the Talons was not designed to emulate any specific sound or era. It can be glassy and open, scooped and chunky, gritty and wild, light and airy, drunk and unhinged…

With Box EC+

• Adds fuzz to your signal and then duplicates it two octaves down.
• Control the mix of the dry signal and the effect.
• Used by Jimmy Page for the solo in Led Zeppelin's "Fool in the Rain."

• All-analog bucket-brigade circuitry.
• Create classically lush, liquid textures.
• Ultimate tone control.

• Germanium-powered, soft-clipped distortion.
• Classic 70s distortion.
• The tone that made Randy Rhoads famous.

The Boss OD-3 OverDrive Pedal gives you one of the most versatile overdrives on the planet. Features classic 3-knob configuration with level, drive, and tone controls that let you dial in everything from sweet bluesy sounds to screaming monkeys, and more. The OD-3 Overdrive is backed by a 5-year warranty from Boss.

The Boss GEB-7 Bass Equalizer Pedal is compact in size but features a wide frequency range -- from 50Hz all the way up to 10kHz. It has 7 sliders, 3 of which cover the critical midrange (400Hz, 500Hz, and 800Hz) where the character of the bass sound is determined. Each slider on the Boss GEB-7 equalizer pedal boosts or cuts over a +/-15dB range, allowing for substantial tone-shaping capability.

The secret of the Boss MD-2 Mega Distortion Pedal is a dual-stage distortion circuit with an added Gain Boost, plus Bottom and Tone controls for crushing distortion with massive low end. If new-school metal is your thing, the Boss Mega Distortion is your pedal.

The Boss MT-2 Metal Zone Effects Pedal offers precision control over tone. Dual-gain circuits scream with super-long sustain and seething distortion. A 3-band EQ includes High/Low shelving knobs plus a midband parametric EQ. The Boss MT-2 Metal Zone Effects Pedal has separate Level and Distortion knobs to put just the right amount of edge on your signal.

Housed in BOSS' popular twin-pedal chassis, the RC-30's new features include true stereo ins/outs and up to three hours of onboard stereo recording and loop storage. The new dual-phrase loop feature lets you create and play two completely independent stereo loops in perfect sync.

LOOP FX is for processing your loops in real time, with 99 memory slots for storage. The RC-30 also boasts a USB 2.0 port for swapping and managing WAV loops with your computer. A mic input with phantom power, aux in jack for portable devices, and a key selection of onboard rhythms including real audio drum loops come standard.

The Lift is a clean, linear, adjustable 9db boost with buffered Low Imp Output. Whether you need a number or two more clean headroom, or to go from 4 to 8 on the volume knob, or 6 to over-the-top compressed, sustaining overdrive, all is available with the Lift.

Like the Dyna-Ranger, the Joyride is a highly-adjustable, 3 discreet transistor, warm, organic, and very amp-like sounding overdrive pedal that offers everything from a subtle bump-up with hair, to punishing, highly-boosted over-the-top overdrive. With Volume, Treble, Bass and "Drive" controls, it is very flexible.

The Pedal is Red in color  not white

We are the first to put out an exact copy of the legendary Vintage'60's Univibe on a large scale. Ours has that dripping Phase-Chorused tone that made Jimi's "Machine Gun" so epic! In beautiful vintage cream color with maroon lettering housed in a sturdy 16 gauge steel housing that measures ONLY 4" x 5.75". Now it's tiny enough to fit on the most cluttered pedalboard, and because of the mini-DV's unique voltage doubling circuit you can use any standard 9 volt DC adapter (Fulltone FPS-1 adapter is included). And inside the MDV the power is ramped up to the original Univibe's 18+ volts DC!

Features also include a mini-toggle switch to choose between Vintage/Modern settings allowing for warm original '60's Univibe grind (Vintage) and louder, with more output (Modern).

Listen do you hear that? That sound coming from your amp vaguely like a swarm of African killer bees coming to chase away your audience? The Electro-Harmonix Hum Debugger Hum Eliminator Pedal completely and totally eliminates hum from any audio source. It is not a suppressor. It is not a noise gate. It is absolute silence. Small and compact so it won't take up valuable space on your pedalboard. Green LED indicates when it's engaged.

• Dual-mode design offers two distinct wah sounds in a single pedal
• Wah One is classic VOX; with that decidedly sweet UK tone
• Wah Two provides Joe Satriani's original drive and voice controls, delivering a wide range of sound-creation possibilities.

• Takes you from crisp "bathroom" slap echoes to epic, Gilmour-esque delays.
• Completely analog audio path is made possible by old-school bucket brigade technology.

The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same factory, same components, same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. Guitar Player called it the best. Plug it in. Crank it up. You'll hear what all the fuss is about. Tone, drive, and level controls.

The Ibanez TS808 Vintage Tube Screamer Reissue is back. This is the incomparable overdrive pedal that vintage gear hounds are always hoping to find. The 2004 TS808 reissue features the same famous square footswitch and the warm tones of the JRC4558 chip used in most of the original TS808s. Ignore look-alikes. If your tone is suffering from a lack of real warmth, the TS808 is the real, nongeneric prescription.

The Disaster Transport Jr. is an analog voiced digital delay with 625ms delay time, all analog dry signal path and true bypass. It was designed as an anti-modern delay for those who appreciate a nice tape echo with all it’s peculiarities. It’s unique tone control doubles as a noise filter on longer delay settings and really helps the delay shine with a dirty signal. The mix control allows you to boost the effected signal to nearly 4x the original signal level and the repeats control goes from one signal repeat to near infinite repeats all the way through to self oscillation.

New

New In Box

The T Jauernig 1-800-Gain is Tim's take on what the best of the JCM800s would sound like in a pedal form. The 1-800-Gain does that Brit thing with authority. From "woman tone" to flat out making your hair grow!

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!

Version 3

The Gristle King has been updated per the request of Greg Koch, for whom the DGTM and Gristle King were originally created. This new version now has more gain on tap than the previous versions, yet still cleans up incredibly well with your guitar volume control. The original version was geared towards single coil pickups, but Rev. 3 works equally well with single coils or humbuckers, which makes it a more universal and versatile pedal than ever before. The Tone control now has an increased range. The Phat control is Phatter than before. There is more output, or as we like to say "Gravy" that can be applied with this new version as well. The boost circuit and pre/post switch of the previous versions also remain intact. You say you want the boost before the overdrive, no problem. But wait, there are times when post may be the choice because you want a bump in volume for a lead, but not any more gain. No problem! As always, the boost and overdrive can be used together, or seperately, allowing for a range of tones unmatched by other overdrive pedals.

The finish of the pedals has been upgraded to powdercoat as standard, instead of the baked enamel of the previous versions. These pedals can take a beating on a pedal board, so Tim upgraded the finish. As always, the Gristle King is true bypass, and completely handmade.

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!