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Volume and gain to pummel the input of amp.
Anger knob adjusts the gain with six Fists of Fury positions.
Volume knob regulates the overall output level.
Based on old school, analog synth technology.
Five different waves of Low Frequency Oscillator (LFO) lunacy.
Runs on 18 Volts for high headroom and clear performance.
Reissue of the first and highly coveted Way Huge pedal
Boutique style overdrive with a small Tweed Amp style tone
Transparent and responsive to playing dynamics
Innovative multi-stage clipping circuit.
Passive tone stack.
Tuned to bring out the “sweet spot” with any guitar and amp combination.
600ms of delay
Fully tweakable LFO modulation circuit
The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.
Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.
The first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching.
Vintage spring reverb emulation capable of providing a little atmosphere all the way through to vast depths in one tiny box. The attack control sets the delay of the initial pick attack on the wet signal only. When playing staccato this registers as a slap back type echo hitting the reverb but when playing fluid lines it adds a massive depth and “fattens” up the sound. The dwell control is a fine tune function that enhances the decay and the depth controls the intensity of the reverb. All analog dry path, true bypass and handmade one at a time in mystical Akron, Ohio.
his might be what you've been looking for in an overdrive/fuzz box! The blend between the two is simply wonderful! The Fuzz Head is designed to work like Fuzz Face pedals that many players use as a LEAD BOOST. A Fuzz Face can be muddy, lacking note definition, too bassy, and lacking sustain. An overdrive sometimes doesn't give enough or is too smooth. In contrast, our design is transparent, has a better frequency response, and gives you that cutting edge for lead breaks.
The Fuzz Head Pedal is very transparent and dynamic. It takes the best qualities of the germanium designs and the overdrives. Roll back the volume on your guitar for clean sounds and a variety of tones, textures, and natural fuzz/overdrive!
After years of modifying overdrives, we have engineered our own unique overdrive pedal! I wanted Keeley Fans to have the best possible overdrive pedal at their feet.
Two and a half years in the making, this is the sum of my ideas and thoughts on overdrive and distortion. Endless tonal possibilities are what I strived for and I think you'll agree. Enjoy!
Sandwiched in between the two styles of overdrive is a high fidelity modified Baxandall tone control, beautifully tuned to a guitar players creative needs. The Luna Overdrive combines modern OP-Amp clipping with tube-like JFET gain stages
The Keeley Electronics Phaser is a 100% analog signal path pedal with modern features like tap tempo.
Perfection to your own tone with the edge control, now you can be in a unique place...from the first most mellow Phasers to the edgiest ones ever thought of.
Our newest effect pedal, the Keeley Phaser! Swirl with deep rich phasing or rock out to some cutting, aggressive phasing. You can speed it up or slow it down with a brake-like function and tap in a phase rate/tempo.
The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.
The GRID SLAMMER™ Overdrive is an overdrive pedal that produces a variable boost in gain over a wide range with a classic, guitar-centric midrange bump that enhances many different playing styles. It’s a true overdrive “specialist” that covers an amazing array of what many top players consider the most expressive and musical ranges of overdrive. From sweet, subtle breakup to a harmonically smoldering overdrive that can both sting and sing, the GRID SLAMMER sets a new bar in legendary overdrive!
The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!
The FLUX-DRIVE™ Overdrive+ is an overdrive for those who want more of all the best things from an overdrive! It has more liquid gain and enhanced sustain that easily feeds into rich harmonic overtones making it incredibly addictive and inspiring to play, especially to enhance a crunch or higher gain amp channel! It also offers a more complete tone-shaping network with individual Treble and Bass controls. This architecture makes the FLUX-DRIVE a more complete preamp with added versatility beyond that of most overdrive pedals.
The THROTTLE BOX™ Distortion serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our instruments. While its main strengths lie in higher-gain sounds, it’s also versatile and the lower gain options shouldn’t be overlooked for classic rock or howling blues. It also features a unique Mid Cut that scoops out midrange to produce the signature Boogie “V” EQ-curve that so many artists have employed in our amps to create the world’s heaviest guitar tones!
Dynamic Crunch Preamp-Inspired by the famous Soldano SLO-100 Crunch Channel. Made In France.
Dynamic Hi-Gain Preamp-Inspired by the famous Soldano SLO-100 Overdrive Channel. Made In France.
The Talons is an ultra flexible dirt machine that can go from clean to crunch and everything in between with a swift turn of the gain control. Add to that a powerful active 3 band equalization sector and some top end contour via the presence control and you’ve got one versatile little buddy at your disposal. Unlike all our other overdrives, the Talons was not designed to emulate any specific sound or era. It can be glassy and open, scooped and chunky, gritty and wild, light and airy, drunk and unhinged…
- Adds fuzz to your signal and then duplicates it two octaves down.
- Control the mix of the dry signal and the effect.
- Used by Jimmy Page for the solo in Led Zeppelin's "Fool in the Rain."
- All-analog bucket-brigade circuitry.
- Create classically lush, liquid textures.
- Ultimate tone control.
- Germanium-powered, soft-clipped distortion.
- Classic 70s distortion.
- The tone that made Randy Rhoads famous.
The Boss OD-3 OverDrive Pedal gives you one of the most versatile overdrives on the planet. Features classic 3-knob configuration with level, drive, and tone controls that let you dial in everything from sweet bluesy sounds to screaming monkeys, and more. The OD-3 Overdrive is backed by a 5-year warranty from Boss.
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