Left Handed Guitars

Kurt Cobain liked Mustangs a lot. For one, he preferred offbeat guitars that didn’t cost zillions of dollars, and the Mustang certainly fit those two criteria. Also, being somewhat physically diminutive himself, he liked to perform live with slightly more diminutive guitars, like Fender Mustangs and Jaguars, which better fit his hands and his reach. Just go back and watch the famous 1991 video for “Smells Like Teen Spirit,” and there he is and there it is slung over his shoulder. Or think back to when you saw them on the ’93-’94 In Utero tour, when he seldom went onstage with anything but a Mustang. Quite often and especially later on, Mustangs were a big part of what Kurt Cobain was all about, musically. Here are the details: Available in Dark Lake Placid Blue with the racing stripe, Sonic Blue, and Fiesta Red, Made in Japan, Alder body, C shaped Maple neck with a 7.25” radius Rosewood fingerboard and Vintage style frets, 24” scale length, Direct mounted Seymour Duncan JB Humbucking bridge Pickup and a Mustang single coil neck pickup, On/off slider and an In/out phase switch for each pickup, Adjusto-Matic bridge with the dynamic vibrato tailpiece, No case

Available in 3 Color Sunburst, and Olympic White, Alder body, Modern C shaped Maple neck with either a Maple or a Rosewood 9.5” radius fingerboard, American Strat single coil pickups, No Load tone control, 2 point Synchronized tremolo with the Vintage style bent steel saddles, With hardshell case

3 Color Sunburst, Alder body, New body contour, Modern C shaped Maple neck with a 9.5” radius Maple fingerboard and medium jumbo frets, Fender Custom Shop Twisted Tele neck and Broadcaster bridge pickups, No load Delta tone control, American Standard bridge with the bent Steel saddles and the stamped Brass plate, With hardshell case

8.6 pounds, With hardshell case

Natural, Miniature Grand Symphony body size, 4 7/16th" body depth, Solid Mahogany top, Laminated Sapele back and sides, Ebony fingerboard on a Sapele neck, 23.5” scale length, 1 11/16^th” width at the nut, With gig bag

Surf Green, Limited Edition, Alder body, Modern C shaped Maple neck with a 9.5” radius Maple fingerboard, American Strat single coil pickups, No Load tone control, 2 point synchronized tremolo with the vintage style bent steel saddles, With hardshell case

Natural, Miniature Grand Symphony body size, 4 7/16th" body depth, Solid Sitka Spruce top, Laminated Sapele back and sides, Ebony fingerboard on a Sapele neck, 23.5” scale length, 1 11/16^th” width at the nut, With gigbag

Natural, Dreadnought body size, Sitka Spruce top, X bracing, Laminated Indian Rosewood back and sides, Ebony fingerboard on a Sapele neck, 25.5” scale length, With the ES-T pickup system and gig bag

Natural, Grand Auditorium body size, Solid Sitka Spruce top, X bracing, Laminated Indian Rosewood back and sides, Ebony fingerboard on a Sapele neck, 25.5” scale length, With the ES-T pickup system and gig bag

Natural, Dreadnought body size, Sitka Spruce top, X bracing, Laminated Sapele back and sides, Ebony fingerboard on a Sapele neck, 25.5” scale length, With the ES-T pickup system and gig bag

Fender introduces one of its most distinctive signature models ever, the Kurt Cobain Jaguar that is meticulously modeled on the battered and highly unusual 1965 Jaguar that Cobain wielded during the heady early-’90s era when Nirvana ruled rock and led a musically stunning and culturally subversive movement. Fender craftsmen have reproduced Cobain’s battle hardened left handed Jaguar down to the last unusual detail, including its worn finish, dual humbucking pickups and unique electronics and controls which were already in place when Kurt acquired the guitar in summer 1991. Unique features include an Alder body with Road Worn aged finish and hardware treatment, Bound fretboard with Pearloid dot markers, Stratocaster headstock shape with 1950s style “spaghetti” logo, DiMarzio humbucking DP103 PAF 36th Anniversary neck pickup and DP100 Super Distortion bridge pickup, Triple knurled “chrome-dome” knob configuration (volume, volume, tone), Three position toggle switch, Black chrome Adjusto-Matic bridge and Gotoh sealed tuners. Accessories include a black textured vinyl hardshell case and an exclusive Fender Kurt Cobain book with photos and commentary by Charles Peterson and an insightful interview with Nirvana guitar tech Earnie Bailey. Made in Mexico and available in right and left hand versions.

Faded Cherry, VOS specs, 7.0 pounds, With hardshell case

Vintage Sunburst, Black, and Cherry are in stock, Glossy finish, With hardshell case

Honey Sunburst, Figured Maple top, Sapele back and sides, 12” radius Ebony fingerboard with the 4mm Dot inlays on a Sapele neck, 24 7/8th" scale length, 1 11/16th” width at the nut, With the Taylor HD humbuckers and hardshell case

Lake Placid Blue, Limited Edition, Alder body, Modern C shaped Maple neck with a 9.5” radius Rosewood fingerboard, American Strat single coil pickups, No Load tone control, 2 point Synchronized tremolo with the Vintage style bent steel saddles, With hardshell case

Available in 2 Color Sunburst, Alder body, V shaped Maple neck with a 7.25” radius Maple fingerboard and vintage size frets, American Vintage Strat single coil pickups, American Vintage Synchronized tremolo bridge, With Tweed case

Natural, Grand Auditorium body size, Sitka Spruce top, CV Sitka bracing with Relief Rout, Abalone Soundhole Rosette, Indian Rosewood back and sides, Maple binding, Ebony fingerboard with the Pearl 800 series inlay on a Tropical American Mahogany neck, 25.5” scale length, With the Expression system and hardshell case

Butterscotch Blonde, Crafted in China, One piece modern C shaped Maple neck with a 9.5” radius Maple fingerboard and medium jumbo frets, Custom vintage style single coil pickups with Alnico V magnets, Vintage style string thru body bridge with the 3 Brass barrel saddles, No case

Sunburst, With hardshell case

Sunburst, With hardshell case

Western Orange, The ’59 Gretsch® 6120 Chet Atkins Hollow Body made the sound that defined a generation. This model has special touches including trestle bracing, dual TV Jones® Classic pickups and a lacquer finish. Features include bound archtop body with bound oversized f holes, two-piece maple neck, bound ebony fingerboard with zero fret and Neo-Classic™ thumbnail inlays, three-position pickup switch, three-position master tone switch, gold plexi pickguard with “Chet Atkins” signature signpost, chrome “rocking bar” bridge, gold-plated hardware, gold-plated Grover® Sta-Tite™ tuners, bound headstock with curly maple overlay, and Bigsby® B6C vibrato tailpiece, With hardshell case

Natural, D-14 Fret body size, Solid Sitka Spruce top, Standard X bracing, Solid East Indian Rosewood back and sides, Black Ebony fingerboard, Low profile neck shape, 25.4" scale length, 1 11/16th" width at the nut, With hardshell case

Walnut, From driving rhythm to ripping leads, the classic double-cutaway G6122-1962 Country Gentleman Classic has it all! Features include dual High Sensitive Filter'Tron™ pickups, "tone switch" circuitry, "action-flow" neck, double mutes, back pad and Bigsby® B6G vibrato tailpiece, With hardshell case

Available in 3 Color Sunburst, Alder body, Modern C shaped Maple neck with either a Maple or a Rosewood 9.5" thru 14" compound radius fingerboard and medium jumbo frets, Noiseless N3 pickups, No Load tone control and the S1 switch, Deluxe 2 point synchronized tremolo with the pop in arm, Deluxe staggered cast/sealed locking tuners, With hardshell case