Amp

50 watts, 6L6 power tubes, High-gain and clean channels, Onboard digital reverb, 12” Celestion speaker, Midrange notch control, Adjustable speaker damping, XLR output with switchable speaker muting and cabinet emulation, Push-pull pots for bright boost and gain boost on the rhythm channel, Black vinyl covering with inlaid white piping, Gray vinyl “steering wheel grip” accents and Black Silver Strand grille cloth, 4 button footswitch is included

The Super Champ X2 puts an incredible variety of tones at your fingertips with 16 different amp modules and it is powered by a pair of 6V6 power tubes and a single 12AX7 preamp tube. A Fender Special Design 10" speaker captures that vintage tone. This combo also packs in 15 effects, and has a USB output for speaker emulated digital recording. You can also take advantage of the included Fender FUSE software allowing even more tonal versatility. This is perfect for performing in smaller settings or home practicing, where a lower volume is required. You will still be able to find that ‘sweet spot’ when dialing in your tone without the excessive volume.

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

Clapton recorded some of his biggest hits with a tweed Champ; a late 1950s practice amp and Fender classic prized by countless pros for its great low-output sound and easy-to-record performance. He still uses one today, and we’ve answered his call for a special model with several distinctive features by introducing the EC Vibro-Champ. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Champ designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). It’s a must for Clapton fans and guitarists who want the ultimate in low-power tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Champ amp model 5F1 (about 5 watts); tremolo speed control and footswitch jack (footswitch optional); single 8” Weber® Signature speaker with alnico magnet for dynamic, sensitive response; Groove Tubes® 6V6GT output tube, two 12AX7 preamp tubes and 5Y3GT rectifier tube; Schumacher custom transformers; internal speaker disconnect (allows use of external 4-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

1950s-era Deluxe and Tremolux amps are prized for the warm, rich compressed tones of blues and early rock ‘n’ roll. Clapton often uses a Deluxe when playing traditional blues, and we’ve answered his call for a special model with several distinctive features by introducing the EC Tremolux amp. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Deluxe designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). A pinnacle of personally inspired amp tone for stage and studio alike, it’s a must for Clapton fans and guitarists who want the ultimate in tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Deluxe amp model 5E3 (about 12 watts); single channel with high-gain and low-gain inputs; tremolo speed control and footswitch; fixed bias for increased headroom; single 12” Celestion® Heritage G12-65 speaker for increased high-gain playing definition; two Groove Tubes® 6V6GT output tubes, three 12AX7 preamp tubes and 5Y3GT rectifier tube; Mercury Magnetics custom transformers; internal speaker disconnect (allows use of external 8-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

Built to the exacting specifications of Clapton himself, the EC Twinolux is a fascinating variation on the tweed ’57 Twin amp and our answer to his call for a special model with several distinctive features. Handmade in the United States with ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output and can disable one speaker for even lower output), it presents the pinnacle of personally inspired amp tone for stage and studio alike and is a must for Clapton fans and guitarists who want the ultimate in tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Twin amp model 5E8-A (about 40 watts); single channel with high-gain and low-gain inputs; tremolo with speed and intensity controls (can be selected with included footswitch); dual Special Design 12” Weber® speakers (by Eminence®) with alnico magnets for dynamic, sensitive response; two Groove Tubes® 6L6GE output tubes, four 12AX7 preamp tubes and two 5U4 rectifier tubes; Mercury Magnetics custom transformers; finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

Lacquered Tweed, The famous all tube Fender Reverb Unit has been a staple of virtually every "Surf" performance and recording since the early ’60s. Features include: Controls for Dwell, Mix, and Tone, 1-12AX7 and 1-12AT7 preamp tubes, 1 Groove Tubes 6V6 power tube, and an on/off footswitch

The Super-Sonic 100 412 Slant cabinet is the partner of the 100 watt Super-Sonic 100 Head and features four 12” Celestion Vintage 30 speakers, slant design enclosure with high grade Baltic birch ply construction for increased resonance, casters and included cover. Available in Black/Silver and Blonde/Oxblood.

The new 100 watt Super-Sonic Twin combo contains several sonically versatile new features, including an Arena/Club switch that takes the power down to 25 watts (to preserve its great high volume tube tone at lower “club gig” volume levels); a Notch Tune control that lets you move the midrange notch and fine tune the distortion characteristics for a variety of American and British amp sounds; a rear panel damping control that lets you select “normal,” “loose” or “tight” speaker response for sounds ranging from warm and loose to tight and focused; and the new Fender Automatic Bias control, which lets you easily set the output tubes to the recommended factory setting and to your preference of “hotter” or “cooler” bias with no need for meters or tools. Other features include a Vintage channel for shimmering clean tone derived from Fender Twin Reverb and Showman amps or the thick, punchy sound of a 1960s era Bassman amp; a Burn channel for edgy breakup and distortion with variable compression, thickness and sustain; dual 12” Celestion Vintage 30 speakers; tube driven Fender long spring reverb; effects loop with level control that also works as a footswitch operated boost; custom Schumacher transformers; and a choice of Black/Silver or Blonde/Oxblood cosmetic treatments. Cover and pedalboard friendly four button footswitch included.

The 100 preset 15 watt G-DEC 3 Fifteen with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

The 100 preset 30 watt G-DEC 3 Thirty with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12" Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

The Fender Champ amp of the late 1950s is well known as the small-but-mighty tone machine that belongs in every serious guitarist’s collection. The release of the '57 Champ adds this iconic, one-of-a-kind product to Fender's '57 Tweed Series.

The tweed Champ is a terrific practice amp, and has been a prized possession of countless pro players for its great sounding, low-output, easy-to-record capabilities. It's well documented that this model has been used on recordings by Johnny Cash, Keith Richards and Eric Clapton (it’s the “Layla” amp). And with its rich tone and touch-sensitive response, the Champ is great for making cool new music today.

This faithful hand-wired recreation of the 1957 Champ amp is not just for collectors or retro-minded guitarists. Any player seeking the ultimate in low-powered, top-quality tube performance need look no further!

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.

Our legendary all-tube Fender Reverb unit has been a staple of virtually every surf performance and recording since the early ’60s. Blues and experimental players love it too! Add it on to any amp.

Features include one 6V6 Groove Tube™, one 12AX7 preamp tube, one 12AT7 tube, on-off footswitch, brown textured vinyl covering with wheat grille cloth, and controls for dwell, mix and tone.

The 22-watt (at 8 ohms) ’65 Deluxe Reverb amp is for rock, country or blues players who want a moderately powered amp they can crank up on the gig or in the studio. The fat, snappy guitar tones heard on many of our favorite recordings, from Memphis to Abbey Road, were made using the Deluxe amp.

Features include a pair of 6V6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, one 12” 8-ohm Jensen® C-12K speaker, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering and silver grille cloth.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues Deluxe—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod Deluxe, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues Deluxe sends 40 watts of juice into a single 12” Special Design Eminence® speaker, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues DeVille 410—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod DeVille, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues DeVille pours 60 watts into four 10” blue Alnico-Magnet Eminence® speakers, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

A fun and affordable tribute to a rare and historic Fender amp. Our new Champion 600 is a 5-watt tube amp with a 6” speaker and 1950 “two-tone” looks. We added a higher-gain preamp circuit to let the overdriven tone exceed that of the original, and we added a choice of high- or low-gain inputs. Internal speaker jack enables use of a larger speaker cabinet.

Not a reissue, but rather a modern interpretation of a classic Fender. Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive all-tube amp. The more dynamic your style, the more you’ll love the 40-watt (at 4 ohms) Custom Vibrolux Reverb’s ability to whisper or scream in reply to changes in your pick attack. Connoisseurs call this one the “Little Vibro-King®!”

Features include a pair of 6L6 Groove Tube™ output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10” 8-ohm Jensen® P10R speakers with alnico magnets, two independent channels (normal and bright), reverb (functions in both channels), vibrato (functions in both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

Our Super Champ XD takes the vintage Champ into a new era with classic styling, simple controls, a good variety of clean and distorted tones and unmistakable tube feel and performance at a remarkable price.

Features include a real tube amp combined with up-to-date extras including versatile amp voicing and superb DSP effects. Its solid-state overdrive and distortion eliminate many of the preamp tube problems that plague tube lovers while providing exemplary tones for rock, blues, country, jazz, metal and more.

The Mustang III is a 100 watt open back combo with a 12” Celestion speaker that sound great and pump serious volume. It contains 100 amp presets derived from 12 different amp models that deliver tones from vintage Fender sparkle to outrageous modern metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb), all easily and instantly accessed. It’s great for rehearsing, jamming and larger gigs, and the 1/8” headphone jack doubles as speaker emulated line out. Further, connect the Mustang III to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang III’s included programmable two button footswitch controls preset up/down, quick access, effects on/off, and tap tempo. An optional four button footswitch also available.

The Mustang IV is a 150 watt open back combo with two 12” Celestion speakers that sound great and pump serious volume. It contains 100 amp presets derived from 12 different amp models that deliver tones from vintage Fender sparkle to outrageous modern metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb), all easily and instantly accessed. It’s great for rehearsing, jamming and larger gigs, and the 1/8” headphone jack doubles as speaker emulated line out. Further, connect Mustang IV to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang IV’s included four button footswitch controls quick access, preset/bank select, effects on/off and tuner. An optional programmable two button footswitch also available.

The Pro Junior III is a simple and uncluttered 15 watt tone machine, a great grab and go tube amp for stage and studio. It delivers the fat mid tones characteristics of EL84 output tubes, a dual 12AX7 tube preamp, and a 10” Fender Special Design speaker. It all adds up to incredibly touch sensitive dynamic response that experienced players prefer. New features include an easier to read black control panel, a unique clean to drive volume control, vintage size jewel light, lower noise shielding, rattle reducing shock absorbers for the EL84 tubes, and heavy duty set screw “chicken head” knobs

The Mustang I is a 20 watt closed back combo with an 8” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate on board amp presets with tones from vintage Fender sparkle to outrageous Modern Metal Distortion, and a bank of 24 built in effects including Chorus, Flanging, Phasing, Tremolo, Vibratone, Step Filter, Reverb, Echo, Octaver and more — 12 modulation effects and 12 Delay and Reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect the Mustang I to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single button footswitch controls two quick access presets.