Amp

The Ivy League is a loving recreation of the classic 5F10 Fender Harvard style amplifier. Every aspect of the original model is reproduced in the Ivy League. 14 watts of power, 5F10 type circuit, 1-5Y3GT or 5V4GT, 2-6V6GT, 1-12AX7WA, 1-GAT6 or GAV6 tube configuration, and 2 Eminence Legend 10” speakers

Handmade in Stevensville, Maryland, the PRS 2 Channel Custom 50 & 100 amplifiers take the popular 2 Channel “H” to the next level by adding several additional features to help shape your tone. These versatile and articulate amplifiers are well suited for today’s modern music where alternate tunings are a must. Here are details: 50 watts of power, Solo boost, Reverb assign, Presence Control, Switchable power amp Bass boost, Switchable Mid shift, 6L6 Tubes, Global Reverb, Volume, Treble, Mid, Bass and Bright Switch for each channel, Lead Master Volume, Clean Master Volume, 4, 8 and 16 Ohm Selection, Two Output Jacks, Fixed Bias, Effects Loop (send and receive level controls on back panel), Footswitch - Controls channel selection and reverb on/off

Hand wired in Stevensville, Maryland. The PRS Sweet 16 amp couples 16 watts of cathode biased 6V6 output tube power and includes Reverb, a full TMB tone stack, and PRS’s transparent master volume circuit. The tones can run from sparkly cleans with single coils to humbucking crunch. At the appropriate volume set, a full range of crunching cleans are accessible using just the guitar's volume knob. Here are the details: 16 watts of power using 6V6 tubes, Volume, Bass, Mid, Treble, Reverb, and Bright switch, and a 16 ohm Celestion G12H-30 speaker

Here is a reverent take on the rare “Narrow Panel” Tweed Super. Only a bias trim pot and test points have been added to the design. 28 watts of power, 5F4 type circuit, Class A-B adjustable fixed bias push/pull operation, 1-5U4GB, 2-6L6GC, 2-12AX7, 1-12AY7 tube configuration, and 2 Jensen P10R 10” speakers

80 watts with dual 6.5" speakers and tweeter

Duo-Class Power Amp (Patent 7,173,488) allows you to select either 1 power tube in pure Class A (single-ended) producing 5 watts or switching to 2 power tubes in Class A/B to produce 25 watts via a 5/25 Power Switch / 2xEL-84 & 5x12AX7 • Fixed Bias for consistent, maintenance free performance • 2 Fully Independent Channels with 4 Style Modes (Channel 1 = Clean or Crunch, Channel 2 = Blues or Burn) • Independent Gain, Treble, Mid, Bass, Reverb, Master and Contour Controls per Channel • Footswitchable Variable Contour Control on each channel provides the power of our 5-band graphic EQ all from 1 rotary control • All-Tube, Long Spring Reverb • Fully Buffered FX Loop • External Switching Jacks for Channel 1/2, Contour 1, Contour 2, Reverb • 3 Button Footswitch (Channel 1/2, Reverb & Contour) • Slip Cover

Closed back Pine cabinet with a stained figured Maple fascia and a 16 ohm Celestion Vintage 30 speaker

Dallas based blues guitarist, Bugs Henderson played with everyone from BB King, Eric Clapton, Muddy Waters, and Stevie Ray Vaughan. He was also a dear friend to Paul Reed Smith and PRS Guitars. This is a 50 watt 1-12 combo with brilliant cleans that can reach a healthy distortion when pushed. Because the foundation of the amplifier is clean, it takes pedals well. Across the spectrum, the Dallas offers sweet highs, solid lows, and modest midrange tones. The Bugs Henderson mods add a custom tone circuit for extended high end and takes this already articulate amp to soaring tonal territory. Here are the details: 50 watts using 6L6 power tubes, Top Controls: Input, Bright, Volume, Reverb, Treble, Middle, Bass, Master Volume, Rear Controls: Power and Standby Switches, 4, 8, and 16 Ohm Selection with 5 Output Jacks, Fixed Bias with Bias Test Jacks and Bias Adjustment Pot, and an 8 ohm Warehouse "British Invasion" 12" speaker

The late 50’s Tweed covered Fender Bandmaster combined great looks with sweet tone and powerful performance. Hailed as one of the true holy grail amps among guitarists and collectors, vintage examples are rare and highly sought after. Fender has faithfully reproduced the classic 5E7 circuit, which pumps about 26 watts through three 10" Alnico magnet speakers. Fender enlisted Jensen to help create the P10R-F driver (a Fender exclusive), which is voiced for warm, sensitive response. The Bandmaster amp's harmonically rich clean tones are perfect for vintage rock, blues and country styles, and its naturally touch sensitive overdrive tone sounds electrifying - especially when cranked up.

The GB Hot Rod Deluxe is a 40 watt 1x12 combo especially fine tuned for world famous jazz guitar virtuoso and pop artist George Benson. It has the full bottom end characteristic of 6L6 tubes, and a versatile all tube preamp including a 12AT7 up front for cleaner tone; especially with humbucking pickups. A 100 watt Jensen C12K speaker handles the immediacy of Benson’s singing soloing style with clarity and range, and the solid pine cabinet increases tonal resonance while reducing weight. Standard features include clean and "drive/more-drive" channels, resounding Fender spring reverb, effects loop and more. Personalized exterior touches specified by Benson himself include gray/black vinyl covering, silver strand grille cloth and "GB" logo badge.

Lacquered Tweed, The famous all tube Fender Reverb Unit has been a staple of virtually every "Surf" performance and recording since the early ’60s. Features include: Controls for Dwell, Mix, and Tone, 1-12AX7 and 1-12AT7 preamp tubes, 1 Groove Tubes 6V6 power tube, and an on/off footswitch

The original was used on countless hits over the years, and the new ’65 Princeton® Reverb is easily versatile enough to go from your living room to the recording studio to small gigs. It’s got the vintage vibe that Fender die-hards know and love, but the ’65 Princeton® Reverb isn’t only for the old-school guys who played ’em 30 or 40 years ago—it’s for anybody who craves top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring Fender Reverb and tube Vibrato.

The “Narrow Panel” Deluxe has long been considered the consummate Blues amp for small to medium sized venues, 14 watts of power, 5E3 type circuit, Class A cathode bias push/pull operation, 1-5Y3/GZ34, 2-6V6GT, 1-12AX7, 1-12AY7 tube configuration, and an Eminence Legend 12” speaker

Blonde tolex, 22 watts into an 8 ohm load, 2-6V6, 3-12AX7, and 2-12AT7 tube configuration, and the Long Spring Fender Reverb. Vintage and Burn channels (Vintage channel has two switchable voices), Vintage Channel: Volume, Treble, Bass, Voicing switch (Normal/Fat). Burn Channel: Gain 1, Gain 2, Treble, Bass, Middle, Volume, Master Reverb, With the four button footswitch

20 watt 8 ohm closed back cab with an 8" speaker

Black tolex, 22 watt output, 6V6 power tubes, Pull Bright control, Active buffered effects loop, Spring reverb with send and return controls, and a 12″ WGS 65 watt 8 ohm speaker

Blonde tolex, 35 watt output, 6L6 power tubes, Pull Bright/Mid/Deep and Contour controls, Active buffered effects loop, Spring reverb with send and return controls, and a 12″ WGS 65 watt 8 ohm speaker

Black tolex, Open back Birch cab loaded with a 12" WGS 65 watt 8 ohm speaker

20 watts, Tube preamp, Solid state power amp

15 watt all tube head

Available with either Orange or Black tolex, Loaded with a 12" Celestion Vintage 30 speaker

12 watt solid state amp with Overdrive, 3 band EQ, Master volume, Headphone jack, and a 6" speaker

Simul-Class™ Power Amp (Patents 4,532,476 & 4,593,251) featuring a 45/90 Watt Power Switch that incorporates concept elements from our Patented Multi-Watt™ and Duo-Class™ technologies (Patent Numbers 7,602,927 & 7,173,488) providing two power and two operating class options: Choose 2 power tubes operating in time-honored Class A/B producing 45 Watts or 4 tubes run­ning in Mesa’s legendary, Patented Simul-Class Power that blends the best of Class A and Class A/B simultaneously to produce 90 Watts of pure tonal magic / 4x6L6 (or 4xEL-34), 7x12AX7 • Bias Select Switch (6L6 / EL34) • Fixed Bias for Consistent, Maintenance Free Performance • Single Channel simplicity with the performance versatility of a Multi-Channel amp through 3 Footswitchable Modes (Classic Boogie Clean, Vintage Low Gain, Vintage Hi Gain) • Channel Control Features: Volume (Gain), Treble, Mid, Bass, Presence & Master Volume • Clean Level Control • Gain Trim Switch • All-Tube, Long Spring Reverb with Auto Reverb Defeat Switch for Vintage Hi & Lo Modes (Defeat Mode removes Reverb from Vintage Hi & Low Modes but retains Reverb on Clean Mode – Normal Mode applies Reverb to all Modes) • Reverb Hard-Bypass Switch removes entire Reverb Circuit from amp • Fully Buffered FX Loop w/Automatic Hard-Bypass to completely remove when not in use • Slave Out w/Level Control • External Switching Jacks for Vintage Low/Hi (Clean is default) & Reverb • 17” Aluminum Chassis (rack-mountable option available) • 2 Button Footswitch (Classic Clean, Vintage Low/Hi) • Slip Cover

The Super Champ X2 puts an incredible variety of tones at your fingertips with 16 different amp modules and it is powered by a pair of 6V6 power tubes and a single 12AX7 preamp tube. A Fender Special Design 10" speaker captures that vintage tone. This combo also packs in 15 effects, and has a USB output for speaker emulated digital recording. You can also take advantage of the included Fender FUSE software allowing even more tonal versatility. This is perfect for performing in smaller settings or home practicing, where a lower volume is required. You will still be able to find that ‘sweet spot’ when dialing in your tone without the excessive volume.

Two watts of power, One 12AX7 preamp tube, One 12AT7 output tube, 4" Special Design speaker, VU meter with “CLEAN to OVERLOAD” indicator, Volume and Tone controls, 1/4" instrument input, 1/4" line out for using as a preamp with another amplifier, 1/4" speaker out for using with an external speaker enclosure, 1/8" AUX input for hi-fi tube amplification of external music playback device.

30 watt tube combo with two 10" speakers

120 watt two channel tube head

30 watt tube combo with one 15″ speaker

50 watt tube combo with four 10" speakers

50 watt tube combo with two 12" speakers

This is a faithful recreation of Leo Fender's 5F1 circuit that was used in the “Champ” from 1957 thru 1961. Five watts of power, 5F1 type circuit, Single ended operation, Cathode bias design, 1-5Y3WGTA, 1-6V6GT, 1-12AX7 tube configuration, and an Eminence Legend 12" speaker

The 35/310 is a very versatile amp that delivers more pure tube distortion rather than speaker breakup, yet it also produces plenty of lush, clean headroom and is a big favorite with our gigging customers. 28 watts of power, 5E7 type circuit, Class A/B adjustable fixed bias, 1-5U4GB, 1-6L6GC, 2-12AX7, and 1-12AY7 tube configuration, and 3 Jensen P10R speakers

Blonde tolex. The Super Sonic 60 212 enclosure mates perfectly with the Super Sonic 60 head or any other quality tube amplifier. Unlike most other 2x12” enclosures, this classic Fender design includes an oversized baffle board with a slight tilt and internal insulation for a uniquely rich and resonant response. Two Celestion Vintage 30 speakers, 8 ohm load and 120 watt power handling. With the casters and cover.

13 watts of output power, Two 6V6 output tubes, Two 12AX7 preamp tubes, 15" Special Design speaker, GTR, Microphone, and Accordion inputs, Each with individually optimized circuitry, Bottom loaded primary chassis with a top loaded control chassis for low noise and operating convenience, Volume control, Tremolo with speed control, and a Treble/Bass tone switch.

Open Back • Front Ported • 90 watt power handling • 12” Celestion speaker • 8 Ohm

Proprietary Multi-Soak™, Channel Assignable Power Attenuator provides each Channel Mode with a 5-position power attenuation switch (-16db, -12db, -8db, -4db & 0db) for Power Ratings ranging from 3 Watts to 100 Watts of Class A/B Power / All Tube Amplifier: 4xEL-34 (or 6L6’s), 7x12AX7 • Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance • 2 Channels, 3 Footswitchable Modes each with Independent Channel Master & Multi-Soak Power Controls - Channel 1 (Clean Mode) features Gain, Treble, Mid, Bass, Master & Multi-Soak (on back panel) – Channel 2 (Footswitchable Vintage Lo-Gain & Vintage Hi-Gain Modes) features Gain, Treble, Mid, Bass, Master-Lo, Master-Hi, Multi-Soak Lo & Multi-Soak Hi (on back panel) • All-Tube, Long Spring Reverb with Auto Reverb Defeat Switch for Vintage Hi or Vintage Hi & Lo Modes (Defeat Mode removes Reverb from the selected mode or modes – “On” Mode applies Reverb to all Modes) • Reverb Hard-Bypass Switch removes entire Reverb Circuit from amp (all modes) • Fully Buffered FX Loop w/Automatic Hard-Bypass completely removes itself when not in use • Slave Out w/Level Control • Fan Cooled • External Switching Jacks for Vintage Low/Hi (Clean is default) • 22” Aluminum Chassis • 2 Button Footswitch (Clean, Vintage Low/Hi) • Slip Cover

Limited Edition Silver/Noir tolex. The Blues Junior is a 15 watt, warm toned, long time favorite, the perfect grab and go tube amp for the stage or studio. It’s got the fat mid tone characteristics of an EL84 output tube section, warm 12AX7 preamp tube overdrive, real spring reverb, a simple control layout, and a footswitchable FAT boost. New features include an easier to read black control panel, Rattle reducing shock absorbers for the output tubes, the “Sparkle” mod, and an Eminence Red Coat 12” speaker

Limited Editon Silver/Noir tolex. The Hot Rod Deluxe III is a 40 watt single 12 combo, the world standard for gigging guitarists everywhere. It has the bottom and headroom characteristics of 6L6 tubes and a versatile all 12AX7 preamp, luscious Fender spring reverb, effects loop, and more. New features include an easier to read black control panel, new badge logo, new footswitch, Graduated volume and treble pot tapers, a “thighter” overdrive, and an Eminence Red Coat 12" speaker

Celestion Vintage 30 speakers • Closed Back • 8 Ohm Mono/4 Ohm Stereo • Casters

Multi-Watt™ Power Amp (Patent 7,602,927) featuring Duo-Class™ (Patent 7,173,488) allows you three power options that are channel assignable via 10/50/100 Watt Power Switches: Choose 2 power tubes operating in pure Class A (single-ended), producing 10 watts, or 2 or 4 power tubes running in time-honored Class A/B, producing 50 or 100 watts respectively / 4x6L6 (or 4xEL-34), 5x12AX7, 1x5U4 • Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance • Selectable Dual Rectifier with Recto Tracking™ (Tube/Diode - Patents 5,168,438 & 7,193,458) • 2 Fully Independent Channels each with Gain, Treble, Mid, Bass, Presence, Reverb & Master Controls • Channel 1=Boutique Vintage Clean/Classic Breakup - Channel 2=Clone of Ch 1 or Cascading High Gain • Drive/Clean Switch activates Ch 2 “Drive” Control (Multi-Stage Cascading Gain Circuit) • Thick/Normal/Thicker Voicing Switch (Channel 2) • Full Power/Tweed™ “Variac” Switch (Patent 5,091,700) • All-Tube, Long Spring Reverb with Bright/Warm Reverb Tone Switch • Output Level Control (over all channels when activated) • Footswitchable Solo Level Control - Patent 6,724,897 (over all channels when activated) • Fully Buffered FX Loop with Send Level Control (over all channels when activated) • True “Hard” Bypass Switch that removes FX Loop, Output Level & Solo Level Controls from signal path • Slave Out w/Level Control • Fan Cooled with On/Off Switch • External Switching Jacks for Channels 1/2, Solo & Reverb • All Aluminum Chassis • 2 Button Footswitch (Channel 1/2 & Solo) • Casters • Slip Cover

Multi-Watt™, Channel Assignable Power Amp (Patent 7,602,927) featuring Duo-Class™ and Dyna-Watt™ (Patent 4,713,624) technologies providing three power and two operating class options that are channel assignable via independent 15/30/40 Watt Power Switches: Choose 2 power tubes operating in pure Class A Push-Pull, producing 15 Watts - 4 tubes operating in pure Class A Push-Pull, producing 30 Watts or 4 tubes operating in Mesa’s Patented Dyna-Watt™ Power that maximizes the power and punch of time-honored Class A/B power, producing 40 Watts • All Tube Amplifier: 4xEL-84 Power Tubes & 6x12AX7 Preamp Tubes • Fixed Bias for consistent, maintenance free performance • 2 Fully Independent Channels with 5 Style Modes: Channel 1 features: Normal (Brit Clean) or Top Boost (Brit Overdrive) Modes with Multi-Watt Power Switch (15/30/40 Watt), FX Loop & Reverb Assignment Switch (On/Off True Bypass), Volume (Gain), Treble, Bass, Reverb & Cut w/Pull Master (Patent Applied For) - Channel 2 features: Tweed (American Clean), Hi 1 (Brit Gain) & Hi 2 (Boogie Gain) Modes with Multi-Watt Power Switch (15/30/40 Watt), FX Loop & Reverb Assignment Switch (On/Off True Bypass), Gain w/Pull Boost, Treble, Bass, Reverb & Master • Channel Assignable, All-Tube, Long Spring Reverb with Independent Channel Controls • Channel Assignable, Fully Buffered FX Loop • Channel Independent True Bypass Switches fully remove FX Loop & Reverb from signal path • Fan Cooled • External Switching Jack for Reverb • All Aluminum Chassis • 2 Button Footswitch (Channel 1/2 & FX Loop) • Casters • Slip Cover

Dyna-Watt™ Power Amp featuring Channel Assignable, Multi-Watt™ technology (Patent 7,602,927) providing two power levels with different wiring configurations via independent 10/25 Watt Power Switches: Choose 2 power tubes operating in Class A/B Triode for a sweet, liquid feel at lower volumes, producing 10 Watts, or 2 tubes operating in Mesa's Patented Dyna-Watt™ Class A/B Power for maximum power, punch and tighter attack, producing 25 watts • All Tube Amplifier: 2xEL-84 Power Tubes & 5x12AX7 Preamp Tubes • Fixed Bias for consistent, maintenance free performance • 2 Fully Independent Channels with 4 Style Modes: Channel 1 features Clean or Pushed Modes - Channel 2 features Vintage High Gain or Modern High Gain Modes • Each Channel Features a Multi-Watt Power Switch (10/25 Watts) and Independent Gain, Treble, Middle, Bass, Presence & Master Controls • All-Tube, Fully Buffered FX Loop with True "Hard" Bypass Switch that fully removes FX Loop from signal path • All Aluminum Chassis • 1 Button Footswitch (Channel 1/2) • Padded Gig Bag w/Strap

Simul-Class™ Power Amp (Patents 4,532,476 & 4,593,251) featuring Multi-Watt™ (Patent 7,602,927) and Duo-Class™ (Patent 7,173,488) technologies which provide three power and three operating class options that are channel assignable via 10/45/90 Watt Power Switches: Choose 2 power tubes operating in pure vintage Class A (single-ended), producing 10 Watts - 2 tubes running in time-honored Class A/B producing 45 Watts or 4 tubes running in Mesa’s legendary, patented Simul-Class Power that blends the best of Class A and Class A/B simultaneously to produce 90 Watts of pure tonal magic / 4x6L6 (or 4xEL-34), 7x12AX7, 1x5U4 • Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance • Full Power/Variac Power™ Switch (Patent 5,091,700) • 3 Fully Independent Channels with 9 Modes (Channel 1 = Clean, Fat or Tweed™, Channel 2 = Edge, Crunch or Mark I™, Channel 3 = Mark IIC+™, Mark IV™ or Extreme) • Normal/Bold Switch on Channel 1, Normal/Thick Switch on Channel 2 (Mark I mode only), Normal/Bright Switch & Pentode/Triode Switch on Channel 3 • Each Channel features: Independent Gain, Treble, Mid, Bass, Presence, Master, Footswitchable or Auto-Assignable Contour Depth Control, Footswitchable All-Tube, Long Spring Reverb Control, Rectifier Tracking™ (Auto-selects Tube for all 10 Watt Modes, Diode for all 90 Watt Modes, selectable Tube or Diode for 45 Watt Modes on Channels 1 and 2, Diode for 45 Watt Mode on Channel 3 - Patents 5,168,438 & 7,193,458) • 5 Band Graphic EQ is Footswitchable, Channel Assignable and Selectable between 1 group of 5-Band Sliders or 3 channel specific, variable depth Contour Controls • Footswitchable, Channel Assignable or True Bypassable Fully Buffered FX Loop with Send Level Control (over all channels when activated) • Output Level Control (over all channels when activated) • Footswitchable Solo Level Control – Patent 6,724,897 (over all channels when activated) • True “Hard” Bypass Switch removes FX Loops, Output Level & Solo Level Controls from signal path • Tuner Output w/Footswitchable Mute • Slave Out w/Level Control • Fan Cooled with On/Off Switch • External Switching Jacks for Channels 2, 3 (channel 1 is default), EQ & Solo • Aluminum Chassis • New 4x4 - 8 Button Footswitch (Bottom Row: Channel 1, Channel 2, Channel 3, Solo – Top Row: Reverb, FX Loop, EQ & Tuner Mute) • Slip Cover

Ultra Compact, Portable Design with Massive Tone & Amazing New Styling - 12 3/8”W x 6 3/4”D x 5 7/8” H – Weighs Only 12 Pounds! • Multi-Watt™, Channel Assignable Power Amp (Patent 7,602,927) featuring Duo-Class™ (Patent 7,173,488) and Dyna-Watt™ (Patent 4,713,624) technologies providing three power and operating class options that are channel assignable via independent 5/15/25 Watt Power Switches: Choose 1 power tube operating in pure Class A Single-Ended, producing 5 Watts - 2 tubes operating in pure Class A Push-Pull, producing 15 Watts or 2 tubes operating in Mesa’s Patented Dyna-Watt™ Power that maximizes the power and punch of time-honored Class A/B power, producing 25 Watts / 2xEL-84 & 4x12AX7 • Fixed Bias for consistent, maintenance free performance • 2 Fully Independent Channels with 5 Style Modes - Channel 1 features Normal (Brit Clean) or Top Boost (Brit Overdrive) Modes with Multi-Watt Power Switch (5/15/25 Watt), Volume (gain), Treble, Bass, Cut w/Pull Master - Channel 2 features Tweed (American Clean), Hi 1 (Brit Gain) & Hi 2 (Boogie Gain) Modes with Multi-Watt Power Switch (5/15/25 Watt), Gain, Treble, Bass & Master • 1 Button Footswitch (Channel 1/2) • Padded Gig Bag w/Strap

Multi-Watt™, Channel Assignable Power Amp (Patent 7,602,927) allows you to assign either 2 or all 4 Power Tubes to each Channel for Power Ratings of 50 or 100 Watts of Class A/B Power via independent 50/100 Watt Power Switches / 4x6L6 (or 4xEL-34), 6x12AX7, 2x5U4 • Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance • 4 Fully Independent Channels with 12 Modes (Channel 1 = Clean, Fat or Tweed™, Channel 2 = Clean, Fat or Brit, Channels 3 & 4 = Raw, Vintage High Gain or Modern High Gain) • Each Channel features Independent Gain, Treble, Mid, Bass, Presence, Master, All-Tube Long Spring Reverb, Channel Assignable Dual Rectification with Recto Tracking™ (Diode or Tube Tracking – Patents 5,168,438 & 7,193,458), Fully Buffered FX Loop with Send Level Control (over all channels when activated) • Output Level Control (over all channels when activated) • Footswitchable Solo Level Control – Patent 6,724,897 (over all channels when activated) • Bold/Spongy “Variac” Switch (Patent 5,091,700) • True “Hard” Bypass Switch that removes FX Loop, Output Level & Solo Level Controls from signal path • Tuner Output w/Footswitchable Mute • Slave Out w/Level Control • Fan Cooled (combo only) • External Switching Jacks for Channels 1, 2, 3, 4, Solo, Reverb, Tuner Mute, FX Loop • 8 Button Footswitch (Channel 1, Channel 2, Channel 3, Channel 4, Reverb, Tuner Mute, FX Loop & Solo) • Slip Cover

Multi-Watt™, Channel Assignable Power Amp (Patent 7,602,927) allows you to assign either 2 or all 4 Power Tubes to each Channel for Power Ratings of 50 or 100 Watts of Class A/B Power via independent 50/100 Watt Power Switches / 4x6L6 (or 4xEL-34), 5x12AX7, 2x5U4 • Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance • 3 Fully Independent Channels with 8 modes (Channel 1 = Clean or Pushed, Channel 2 & Channel 3 = Raw, Vintage High Gain or Modern High Gain) • Each Channel features: Multi-Watt Power Switch (50/100 Watt), Independent Gain, Treble, Mid, Bass, Presence, Master, Channel Assignable Dual Rectification with Recto Tracking™ (Diode or Tube Tracking – Patents 5,168,438 & 7,193,458) • Footswitchable or Completely Bypass-able Fully Buffered FX Loop with Send Level Control • Output Level Control (over all channels when activated) • Footswitchable Solo Level Control (Patent 6,724,897 - over all channels when activated) • Bold/Spongy “Variac” Switch (Patent 5,091,700) • True “Hard” Bypass Switch that removes FX Loop, Output Level & Solo Level Controls from signal path • Tuner Output w/Footswitchable Mute • Slave Out w/Level Control • External Switching Jacks for Channels 2, 3 (Ch 1 is default), Solo & FX Loop • New 3x3 - 6 Button Footswitch (Bottom Row: Channel 1, Channel 2, Channel 3, Top Row: Tuner Mute, FX Loop & Solo) • Slip Cover

With EL84 tubes

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

Clapton recorded some of his biggest hits with a tweed Champ; a late 1950s practice amp and Fender classic prized by countless pros for its great low-output sound and easy-to-record performance. He still uses one today, and we’ve answered his call for a special model with several distinctive features by introducing the EC Vibro-Champ. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Champ designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). It’s a must for Clapton fans and guitarists who want the ultimate in low-power tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Champ amp model 5F1 (about 5 watts); tremolo speed control and footswitch jack (footswitch optional); single 8” Weber® Signature speaker with alnico magnet for dynamic, sensitive response; Groove Tubes® 6V6GT output tube, two 12AX7 preamp tubes and 5Y3GT rectifier tube; Schumacher custom transformers; internal speaker disconnect (allows use of external 4-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

1950s-era Deluxe and Tremolux amps are prized for the warm, rich compressed tones of blues and early rock ‘n’ roll. Clapton often uses a Deluxe when playing traditional blues, and we’ve answered his call for a special model with several distinctive features by introducing the EC Tremolux amp. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Deluxe designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). A pinnacle of personally inspired amp tone for stage and studio alike, it’s a must for Clapton fans and guitarists who want the ultimate in tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Deluxe amp model 5E3 (about 12 watts); single channel with high-gain and low-gain inputs; tremolo speed control and footswitch; fixed bias for increased headroom; single 12” Celestion® Heritage G12-65 speaker for increased high-gain playing definition; two Groove Tubes® 6V6GT output tubes, three 12AX7 preamp tubes and 5Y3GT rectifier tube; Mercury Magnetics custom transformers; internal speaker disconnect (allows use of external 8-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

A new take on the classic mid 1950’s Fender Tremolux, 14 watts of power, 5E9A-type circuit, Class A cathode biased push/pull operation, 1-5U4GB, 2-6V6GT, 2-12AX7, 1-12AY7 tube configuration, Footswitchable tremolo, and an Eminence Legend 15” speaker

The 5E8A “Low Power” Twin remains the most coveted 50 watt tone monster in the history of guitar amplifiers. 50 watts of power, 5E8A type circuit, Class A/B adjustable fixed bias push/pull operation, 1-5AR4, 2-6L6GC, 2-12AX7, and 2-12AY7 tube configuration, and 2 Eminence Legend 12” speakers

This pure single ended class A design utilizes a new 'Adaptive Transformer Technology' that allows for the use of one or two power tubes at the same time. Plus it has Tremelo and Reverb! 5 to 35 Watts of power, “Vintage Voicing” all tube circuitry, Single ended Class A operation, 1-5U4, 2-6l6GC/5881, 3-12AX7, 1-12AT7 (NOS) tube configuration, Tube driven transformer coupled Reverb with a full size USA Accutronics tank, and 1 Eminence/Victoria OEM 15 inch speaker

Super-Sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious Fender clean tones and expressive modern high-gain tones—all with one no-nonsense tube amp.

The VINTAGE channel of the Super-Sonic 60 Combo is based on two legendary Fender favorites (the Vibrolux® and the Bassman®), and the awesome BURN channel ignites musical inspiration with overdrive flavors ranging from bluesy to flamethrower. The Super-Sonic 60 has been tweaked for increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine-tuned without masking the tonal character of your guitar. And by popular demand, the new Super-Sonic 60 model is available in two classic cosmetic treatments: Black/Silver and the iconic 1961 Blonde/Oxblood look, with glorious ivory knobs and flowing Fender logo on each front panel.

Fender tube combos are considered the most treasured guitar amplifiers of all time. Popular models like the Deluxe Reverb® and Hot Rod Deluxe™ are easily as desirable now as when they were first introduced!

Countless guitarists reach for some version of a Fender Deluxe™ amp when they do a session or a gig, thanks to its grab-and-go 1x12 combo portability, ease of use and great tone. The Deluxe VM amplifier takes the sought-after Deluxe formula into a new era of “Vintage Modified” performance by combining a real tube amp with a complement of essential effects. The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ.

An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies.

The venerable Vibro-King amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing “1964 Transitional” Blackface™/White knob look. We’ve added a pair of powerful 6L6 Groove Tubes for rich, full tone. The 60-watt Vibro-King Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring.

Other premium features include: ’63 Fender Reverb® with dwell, mix and tone controls; three 10” Jensen P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

2-12 combo

1-12 combo

Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12" Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

This faithful recreation of the legendary Blackface™ Super from the 1963-1968 era is a must-have for vintage enthusiasts and Strat® guitar slingers, but players of all styles enjoy its shimmering tone. The 45-watt (at 2 ohms) Super Reverb amp’s medium output and stage-filling sound makes it the perfect amp to crank up for unmiked club gigs or on a concert stage.

Features include a pair of 6L6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, four 10” 8-ohm Jensen® P10R speakers with alnico magnets, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering with silver grille cloth, and tilt-back legs.

This amp has seen action in every imaginable musical venue and continues its musical legacy today! Whether you play rock, jazz, country, or whatever, this is what a clean electric guitar sounds like! Or add an upside-down Stratocaster® guitar and a fuzz box ...

Our 85-watt (at 4 ohms) Vintage Reissue of the ’65 Twin Reverb features four 6L6 Groove Tube™ output tubes, four 12AX7 preamp tubes, two 12AT7 preamp tubes, two 12” 8-ohm Jensen® C-12K speakers, dual channels (normal and vibrato), Fender reverb, vibrato, two-button reverb and vibrato on-off footswitch, tilt-back legs, black textured vinyl covering and silver grille cloth.

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.

The 22-watt (at 8 ohms) ’65 Deluxe Reverb amp is for rock, country or blues players who want a moderately powered amp they can crank up on the gig or in the studio. The fat, snappy guitar tones heard on many of our favorite recordings, from Memphis to Abbey Road, were made using the Deluxe amp.

Features include a pair of 6V6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, one 12” 8-ohm Jensen® C-12K speaker, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering and silver grille cloth.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues Deluxe—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod Deluxe, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues Deluxe sends 40 watts of juice into a single 12” Special Design Eminence® speaker, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues DeVille 410—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod DeVille, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues DeVille pours 60 watts into four 10” blue Alnico-Magnet Eminence® speakers, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Not a reissue, but rather a modern interpretation of a classic Fender. Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive all-tube amp. The more dynamic your style, the more you’ll love the 40-watt (at 4 ohms) Custom Vibrolux Reverb’s ability to whisper or scream in reply to changes in your pick attack. Connoisseurs call this one the “Little Vibro-King®!”

Features include a pair of 6L6 Groove Tube™ output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10” 8-ohm Jensen® P10R speakers with alnico magnets, two independent channels (normal and bright), reverb (functions in both channels), vibrato (functions in both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

The Mustang III is a 100 watt open back combo with a 12” Celestion speaker that sound great and pump serious volume. It contains 100 amp presets derived from 12 different amp models that deliver tones from vintage Fender sparkle to outrageous modern metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb), all easily and instantly accessed. It’s great for rehearsing, jamming and larger gigs, and the 1/8” headphone jack doubles as speaker emulated line out. Further, connect the Mustang III to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang III’s included programmable two button footswitch controls preset up/down, quick access, effects on/off, and tap tempo. An optional four button footswitch also available.

The Mustang IV is a 150 watt open back combo with two 12” Celestion speakers that sound great and pump serious volume. It contains 100 amp presets derived from 12 different amp models that deliver tones from vintage Fender sparkle to outrageous modern metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb), all easily and instantly accessed. It’s great for rehearsing, jamming and larger gigs, and the 1/8” headphone jack doubles as speaker emulated line out. Further, connect Mustang IV to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang IV’s included four button footswitch controls quick access, preset/bank select, effects on/off and tuner. An optional programmable two button footswitch also available.

Adjustable .1 to 40 watt output, 4-6V6GT, 4-12AX7, 12AT7, and 5AR4 tube configuration, Independent master volume for each channel, 3 spring long pan reverb, and a 12" custom designed Eminence speaker

Two Deluxes in one cabinet and it features 4 6V6GT power tubes, 30 or 40 watts of power depending on if the 5Y3 or the 5AR4 rectifier tube is used, 5E3-type circuit, Class A cathode bias push/pull operation, 1-5AR4, 4-6V6GT, 1-12AX7, 1-12AY7 tube configuration, and 2 Eminence Legend 12” speakers

12 watt output, 2-6V6GT and 2-12AX7 tube configuration, Rhythm, Tweed, and Lead Voicing controls, Built in “Ironman” attenuator, and a 10″ custom designed Ceramic Eminence speaker

The Victoriette possesses the warmth and clean headroom of a Blackface Deluxe and the character, charm, and the dynamic response of a Class A British amp. 20 Watts of Power, 1-5AR4, 2-6L6 or 2-EL84, 3-12AX7, and 1-12AT7 tube configuration, Footswitchable Reverb and Tremolo, And an Eminence Legend 12” speaker

The Pro Junior III is a simple and uncluttered 15 watt tone machine, a great grab and go tube amp for stage and studio. It delivers the fat mid tones characteristics of EL84 output tubes, a dual 12AX7 tube preamp, and a 10” Fender Special Design speaker. It all adds up to incredibly touch sensitive dynamic response that experienced players prefer. New features include an easier to read black control panel, a unique clean to drive volume control, vintage size jewel light, lower noise shielding, rattle reducing shock absorbers for the EL84 tubes, and heavy duty set screw “chicken head” knobs

The Mustang I is a 20 watt closed back combo with an 8” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate on board amp presets with tones from vintage Fender sparkle to outrageous Modern Metal Distortion, and a bank of 24 built in effects including Chorus, Flanging, Phasing, Tremolo, Vibratone, Step Filter, Reverb, Echo, Octaver and more — 12 modulation effects and 12 Delay and Reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect the Mustang I to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single button footswitch controls two quick access presets.

The Mustang II is a 40 watt closed back combo with a 12” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate onboard amp presets with tones from vintage Fender sparkle to outrageous Modern Metal Distortion, and a bank of 24 built in effects including Chorus, Flanging, Phasing, Tremolo, Vibratone, Step Filter, Reverb, Echo, Octaver and more — 12 modulation effects and 12 Delay and Reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect the Mustang II to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single button footswitch controls two quick access presets.

The Blues Junior is a 15 watt, warm toned, long time favorite, the perfect grab and go tube amp for the stage or studio. It’s got the fat mid tone characteristics of an EL84 output tube section, warm 12AX7 preamp tube overdrive, real spring reverb, a simple control layout, and a footswitchable FAT boost. New features include an easier to read black control panel, Rattle reducing shock absorbers for the output tubes, the “Sparkle” mod, and a super sensitive Fender Design 12” “Lightning Bolt” speaker by Eminence

Hand wired in Stevensville, Maryland. The PRS Sweet 16 amp couples 16 watts of cathode biased 6V6 output tube power and includes Reverb, a full TMB tone stack, and PRS’s transparent master volume circuit. The tones can run from sparkly cleans with single coils to humbucking crunch. At the appropriate volume set, a full range of crunching cleans are accessible using just the guitar's volume knob. Here are the details: 16 watts of power using 6V6 tubes, Volume, Bass, Mid, Treble, Reverb, and Bright switch

The perfect recreation of the '59 Bassman! The Victoria capacitors are designed specifically to sound like a slightly degraded 40 year old cap. This is one complex, detailed, and dynamic amplifier that responds to pick attack like no other amp. 45 watts of power, 5F6-A type circuit, Class A-B adjustable fixed bias push/pull operation, 1-GZ34, 2-5881, 2-12AX7, and 1-12AY7 tube configuration, and 4 Jensen P10R speakers

The new Hot Rod Deluxe III is a 40 watt single 12 combo, the world standard for gigging guitarists everywhere. It has the bottom and headroom characteristics of 6L6 tubes and a versatile all 12AX7 preamp, luscious Fender spring reverb, effects loop, and more. New features include an easier to read black control panel, new badge logo, new footswitch, Graduated volume and treble pot tapers, a “thighter” overdrive, and a Celestion G12P-80 speaker

The new Hot Rod DeVille 212 III is a 60 watt combo with the classic 2 x 12 speaker configuration borrowed from the legendary Twin Reverb amp, the bottom end headroom characteristics of 6L6 tubes and a versatile all 12AX7 tube preamp, with amazing clean and overdriven tones, luscious Fender spring reverb, effects loop, and more. New features include an easier to read black control panel, new badge logo, new footswitch, Graduated volume and treble pot tapers, and two Celestion G12P-80 speakers

The new Hot Rod DeVille 410 III is a 60 watt combo with the classic 4 x 10 speaker configuration borrowed from the legendary Super Reverb and the ’59 Bassman amps, the bottom end headroom characteristics of 6L6 tubes and a versatile all 12AX7 tube preamp, with amazing clean and overdriven tones, luscious Fender spring reverb, effects loop and more. New features include an easier to read black control panel, new badge logo, new footswitch, and Graduated volume and treble pot tapers

Blonde tolex, 22 watts, 3-12AX7, 2-12AT7, and 2-6V6 tube configuration, The Vintage channel has pre-gain tone controls and two switchable voices. The Burn channel has dual gain controls and post gain EQ. Other features include a Fender long spring Reverb by Accutronics, a 12” 50 Watt Fender "Lightning Bolt" speaker by Eminence, Ivory "radio" knobs, and a 4 button footswitch for Channel, Fat, Reverb, and the Effects loop

The Golden Melody is a full range combo that features the same true 'harmonic vari-tone' Vibrato and Reverb found on Victoria's renowned Reverberato unit. 50 Watts of Power, Fixed bias A/B push pull power, 1-5AR4, 2-6L6GC, 5-12AX7, 1-12AT7 (NOS) tube configuration, All tube harmonic filter Vibrato, Transformer coupled tube Reverb, Full size USA Accutronics tank, and 2 Britlead WGS 12” inch speakers

Handmade in Stevensville, Maryland using the Original Sewell amp as a starting point. The MDT mod takes both the British and the boutique American amp styles and merges them into a unique Tweed style tone stack. This is the latest refinement of Paul and Doug's quest for tone and is the ultimate evolution of the amp that ultimately landed Doug Sewell at PRS. Here are the details: 50 watts with two EL34 power tubes, Three 12AX7 preamp tubes, Fixed bias operation, Gain, Treble, Bass, Presence, Bright switch, Master volume controls, and  4, 8, or 16 ohm speaker jacks