Amp

The Ivy League is a loving recreation of the classic 5F10 Fender Harvard style amplifier. Every aspect of the original model is reproduced in the Ivy League. 14 watts of power, 5F10 type circuit, 1-5Y3GT or 5V4GT, 2-6V6GT, 1-12AX7WA, 1-GAT6 or GAV6 tube configuration, and 2 Eminence Legend 10” speakers

Handmade in Stevensville, Maryland, the PRS 2 Channel Custom 50 & 100 amplifiers take the popular 2 Channel “H” to the next level by adding several additional features to help shape your tone. These versatile and articulate amplifiers are well suited for today’s modern music where alternate tunings are a must. Here are details: 50 watts of power, Solo boost, Reverb assign, Presence Control, Switchable power amp Bass boost, Switchable Mid shift, 6L6 Tubes, Global Reverb, Volume, Treble, Mid, Bass and Bright Switch for each channel, Lead Master Volume, Clean Master Volume, 4, 8 and 16 Ohm Selection, Two Output Jacks, Fixed Bias, Effects Loop (send and receive level controls on back panel), Footswitch - Controls channel selection and reverb on/off

Hand wired in Stevensville, Maryland. The PRS Sweet 16 amp couples 16 watts of cathode biased 6V6 output tube power and includes Reverb, a full TMB tone stack, and PRS’s transparent master volume circuit. The tones can run from sparkly cleans with single coils to humbucking crunch. At the appropriate volume set, a full range of crunching cleans are accessible using just the guitar's volume knob. Here are the details: 16 watts of power using 6V6 tubes, Volume, Bass, Mid, Treble, Reverb, and Bright switch, and a 16 ohm Celestion G12H-30 speaker

Here is a reverent take on the rare “Narrow Panel” Tweed Super. Only a bias trim pot and test points have been added to the design. 28 watts of power, 5F4 type circuit, Class A-B adjustable fixed bias push/pull operation, 1-5U4GB, 2-6L6GC, 2-12AX7, 1-12AY7 tube configuration, and 2 Jensen P10R 10” speakers

80 watts with dual 6.5" speakers and tweeter

Duo-Class Power Amp (Patent 7,173,488) allows you to select either 1 power tube in pure Class A (single-ended) producing 5 watts or switching to 2 power tubes in Class A/B to produce 25 watts via a 5/25 Power Switch / 2xEL-84 & 5x12AX7 • Fixed Bias for consistent, maintenance free performance • 2 Fully Independent Channels with 4 Style Modes (Channel 1 = Clean or Crunch, Channel 2 = Blues or Burn) • Independent Gain, Treble, Mid, Bass, Reverb, Master and Contour Controls per Channel • Footswitchable Variable Contour Control on each channel provides the power of our 5-band graphic EQ all from 1 rotary control • All-Tube, Long Spring Reverb • Fully Buffered FX Loop • External Switching Jacks for Channel 1/2, Contour 1, Contour 2, Reverb • 3 Button Footswitch (Channel 1/2, Reverb & Contour) • Slip Cover

Closed back Pine cabinet with a stained figured Maple fascia and a 16 ohm Celestion Vintage 30 speaker

Dallas based blues guitarist, Bugs Henderson played with everyone from BB King, Eric Clapton, Muddy Waters, and Stevie Ray Vaughan. He was also a dear friend to Paul Reed Smith and PRS Guitars. This is a 50 watt 1-12 combo with brilliant cleans that can reach a healthy distortion when pushed. Because the foundation of the amplifier is clean, it takes pedals well. Across the spectrum, the Dallas offers sweet highs, solid lows, and modest midrange tones. The Bugs Henderson mods add a custom tone circuit for extended high end and takes this already articulate amp to soaring tonal territory. Here are the details: 50 watts using 6L6 power tubes, Top Controls: Input, Bright, Volume, Reverb, Treble, Middle, Bass, Master Volume, Rear Controls: Power and Standby Switches, 4, 8, and 16 Ohm Selection with 5 Output Jacks, Fixed Bias with Bias Test Jacks and Bias Adjustment Pot, and an 8 ohm Warehouse "British Invasion" 12" speaker

The late 50’s Tweed covered Fender Bandmaster combined great looks with sweet tone and powerful performance. Hailed as one of the true holy grail amps among guitarists and collectors, vintage examples are rare and highly sought after. Fender has faithfully reproduced the classic 5E7 circuit, which pumps about 26 watts through three 10" Alnico magnet speakers. Fender enlisted Jensen to help create the P10R-F driver (a Fender exclusive), which is voiced for warm, sensitive response. The Bandmaster amp's harmonically rich clean tones are perfect for vintage rock, blues and country styles, and its naturally touch sensitive overdrive tone sounds electrifying - especially when cranked up.

The GB Hot Rod Deluxe is a 40 watt 1x12 combo especially fine tuned for world famous jazz guitar virtuoso and pop artist George Benson. It has the full bottom end characteristic of 6L6 tubes, and a versatile all tube preamp including a 12AT7 up front for cleaner tone; especially with humbucking pickups. A 100 watt Jensen C12K speaker handles the immediacy of Benson’s singing soloing style with clarity and range, and the solid pine cabinet increases tonal resonance while reducing weight. Standard features include clean and "drive/more-drive" channels, resounding Fender spring reverb, effects loop and more. Personalized exterior touches specified by Benson himself include gray/black vinyl covering, silver strand grille cloth and "GB" logo badge.

Lacquered Tweed, The famous all tube Fender Reverb Unit has been a staple of virtually every "Surf" performance and recording since the early ’60s. Features include: Controls for Dwell, Mix, and Tone, 1-12AX7 and 1-12AT7 preamp tubes, 1 Groove Tubes 6V6 power tube, and an on/off footswitch

The original was used on countless hits over the years, and the new ’65 Princeton® Reverb is easily versatile enough to go from your living room to the recording studio to small gigs. It’s got the vintage vibe that Fender die-hards know and love, but the ’65 Princeton® Reverb isn’t only for the old-school guys who played ’em 30 or 40 years ago—it’s for anybody who craves top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring Fender Reverb and tube Vibrato.

The “Narrow Panel” Deluxe has long been considered the consummate Blues amp for small to medium sized venues, 14 watts of power, 5E3 type circuit, Class A cathode bias push/pull operation, 1-5Y3/GZ34, 2-6V6GT, 1-12AX7, 1-12AY7 tube configuration, and an Eminence Legend 12” speaker

Blonde tolex, 22 watts into an 8 ohm load, 2-6V6, 3-12AX7, and 2-12AT7 tube configuration, and the Long Spring Fender Reverb. Vintage and Burn channels (Vintage channel has two switchable voices), Vintage Channel: Volume, Treble, Bass, Voicing switch (Normal/Fat). Burn Channel: Gain 1, Gain 2, Treble, Bass, Middle, Volume, Master Reverb, With the four button footswitch

20 watt 8 ohm closed back cab with an 8" speaker

Black tolex, 22 watt output, 6V6 power tubes, Pull Bright control, Active buffered effects loop, Spring reverb with send and return controls, and a 12″ WGS 65 watt 8 ohm speaker

Blonde tolex, 35 watt output, 6L6 power tubes, Pull Bright/Mid/Deep and Contour controls, Active buffered effects loop, Spring reverb with send and return controls, and a 12″ WGS 65 watt 8 ohm speaker

Black tolex, Open back Birch cab loaded with a 12" WGS 65 watt 8 ohm speaker

20 watts, Tube preamp, Solid state power amp

15 watt all tube head

Available with either Orange or Black tolex, Loaded with a 12" Celestion Vintage 30 speaker

12 watt solid state amp with Overdrive, 3 band EQ, Master volume, Headphone jack, and a 6" speaker

Simul-Class™ Power Amp (Patents 4,532,476 & 4,593,251) featuring a 45/90 Watt Power Switch that incorporates concept elements from our Patented Multi-Watt™ and Duo-Class™ technologies (Patent Numbers 7,602,927 & 7,173,488) providing two power and two operating class options: Choose 2 power tubes operating in time-honored Class A/B producing 45 Watts or 4 tubes run­ning in Mesa’s legendary, Patented Simul-Class Power that blends the best of Class A and Class A/B simultaneously to produce 90 Watts of pure tonal magic / 4x6L6 (or 4xEL-34), 7x12AX7 • Bias Select Switch (6L6 / EL34) • Fixed Bias for Consistent, Maintenance Free Performance • Single Channel simplicity with the performance versatility of a Multi-Channel amp through 3 Footswitchable Modes (Classic Boogie Clean, Vintage Low Gain, Vintage Hi Gain) • Channel Control Features: Volume (Gain), Treble, Mid, Bass, Presence & Master Volume • Clean Level Control • Gain Trim Switch • All-Tube, Long Spring Reverb with Auto Reverb Defeat Switch for Vintage Hi & Lo Modes (Defeat Mode removes Reverb from Vintage Hi & Low Modes but retains Reverb on Clean Mode – Normal Mode applies Reverb to all Modes) • Reverb Hard-Bypass Switch removes entire Reverb Circuit from amp • Fully Buffered FX Loop w/Automatic Hard-Bypass to completely remove when not in use • Slave Out w/Level Control • External Switching Jacks for Vintage Low/Hi (Clean is default) & Reverb • 17” Aluminum Chassis (rack-mountable option available) • 2 Button Footswitch (Classic Clean, Vintage Low/Hi) • Slip Cover

The Super Champ X2 puts an incredible variety of tones at your fingertips with 16 different amp modules and it is powered by a pair of 6V6 power tubes and a single 12AX7 preamp tube. A Fender Special Design 10" speaker captures that vintage tone. This combo also packs in 15 effects, and has a USB output for speaker emulated digital recording. You can also take advantage of the included Fender FUSE software allowing even more tonal versatility. This is perfect for performing in smaller settings or home practicing, where a lower volume is required. You will still be able to find that ‘sweet spot’ when dialing in your tone without the excessive volume.

Two watts of power, One 12AX7 preamp tube, One 12AT7 output tube, 4" Special Design speaker, VU meter with “CLEAN to OVERLOAD” indicator, Volume and Tone controls, 1/4" instrument input, 1/4" line out for using as a preamp with another amplifier, 1/4" speaker out for using with an external speaker enclosure, 1/8" AUX input for hi-fi tube amplification of external music playback device.