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$199.97

Wampler PlexiDrive

From Wampler’s Website: Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi HendrixLed ZeppelinCream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall Amplifiers ® into rock legendary status. With these huge influential musicians and tones in mind, Brian Wampler sat down and designed a pedal that could help him produce the same guitar tones of some of his rock heroes – without costing him an arm and a leg by shelling out the money for a vintage Marshall® stack. Enter the Plexi-Drive. The Plexi-Drive’s unique gain structure is capable of running the tonal rock gamut! From bluesy style 18-watt Marshall tones to the all out massive rock tones of a JTM-45® cranked to ten (or 11), the Plexi-Drive can handle it all with ease. With the bass boost option, you can emulate the feeling of the low-end thump of a 4x12” cabinet (or two) at the flick of a switch. The bass boost will allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To this day, the Plexi-drive is still one Brian’s favorite pedals and never leaves his personal pedal board. For a man who is said to be never satisfied with his tone, the Plexi-Drive has stayed with him throughout and is still inspiring him gig after gig. Your search for the perfect M.I.A.B. (Marshall® in a Box) can finally be over. The Plexi-Drive will give you the crunch, response, and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive will inspire you to create your own flavor of rock!

Condition: New

 

$5,199.00

Gibson Memphis 1959 ES-175D VOS

Vintage Burst, Fully hollow 3 ply Maple/Poplar/Maple body, Adirondack Spruce bracing, Tan binding, Bound 12” radius Rosewood fingerboard with the aged Celluloid Split Parallelogram inlays on a soft C profile shaped Mahogany neck, MHS Alnico II bridge and Alnico III neck pickups, Sprague Bumblebee tone capacitors, Compensated Rosewood bridge and base with the Zig-Zag Trapeze tailpiece, Kluson tuners, With hardshell case

Condition: New

 

$199.97

Wampler Pinnacle Distortion

From Wampler’s Website: Zeke Clark, Edward Van Halen’s longtime renowned guitar tech played through a pinnacle and this is what he had to say: “I’ve played tons of pedals that promised that “Brown Sound”… this pedal NAILS it better than anything I’ve ever heard or played.” -Zeke Clark, former tech for Eddie Van Halen Sometimes you need extreme gain, sometimes you need mild overdrive…this pedal does that with an awesome “Brown Sound”! It has an extremely tweakable EQ – from scooped mids to tons of warm mids, all with the turn of 2 knobs. This pedal has 4 knobs — two separate tone controls that act as a sort of parametric EQ, gain and volume. It also has a ‘bright’ switch that adds a ton of variety and is very handy when playing a dark sounding amp, as well as another toggle switch that will give you high gain “Brown Sound” tones.

Condition: New

 

$239.97

Wampler Lattitude Tremolo Deluxe

From Wampler’s Website “From the sweet shimmering tremolo of yesteryear to helicopter choppiness of today, the tremolo has been a staple for guitar effects. With one foot in sweet vintage tremolo tones and one foot in more modern helicopter chops, the Wampler Latitude Tremolo Deluxe offers the best of both worlds. Finally there is a Tremolo with all the bells and whistles. This tremolo pedal was designed for the player that wants a plethora of tremolo options underfoot. The Latitude utilizes digital technology to control a completely analog guitar signal path; bringing you the best of both worlds. With its tap tempo controls and multiple time divisions – the Latitude is easy to sync with whatever song you are playing. Have a drummer whose time keeping is a little off? The tap tempo control will regulate your tremolo speed on the fly. The Latitude Deluxe offers players the choice of four divided sub-divisions: Quarter notes, eighth notes, dotted eighth notes, and triplets. With your choice of 3 waves forms (Peak, Sine, and Square) you can keep your tremolo classy or get it as nasty as you want. Thanks to the volume control option, your tremolo effect won’t get lost in the mix. The Latitude also features the Wampler standard true by-pass so your guitar’s natural tone won’t be affected when your pedal is not engaged.”

Condition: New

 

$219.97

Wampler Faux Tape Echo

From Wampler’s Website: “The Faux Tape Echo delay has become a staple in Nashville and beyond, from masterful session guitarists to studio “house sound” collections and of course seen on stages worldwide! Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux AnalogEcho and Faux Tape Echo circuits allowed Brian to combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry. With our hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The “delay line” is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can’t really match. But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too. So when we say it’s the best of both worlds, we absolutely mean it. From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach lets Brian make one pedal that can do it all. The Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have been asking for, as well as Brian’s new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for – and we’ve all worked hard to make sure you’re going to love it!”

Condition: New

 

$229.97

Wampler Faux Spring Reverb

The great thing about the Faux Spring Reverb is that it retains the Analog base tone, doesn’t send your signal through digital/analog converters and back again (wrecking your tone completely) allowing you to be as springy as you like without your sound becoming lifeless, dull and… well, bad. With the tone control, you can control your sound completely and have your reverb be as bright as day, or dark as night… As lively and bright as a small hall, or as deep as the biggest cathedrals.

Condition: New

 

$199.97

Wampler Faux Analog Echo

From Wampler’s Website: “Whether you choose a long drawn out delay time, a short slap back, or just enough delay and echo to fatten up your rhythm section – a great delay pedal can take your guitar playing to the next level.  The Wampler Faux Analog Echo is a pure sounding, straight ahead delay pedal that will allow your tone to remain intact note after note – without coloration. For this reason, the Faux Analog Echo has found its way on to the boards of countless musicians. From the weekend warrior to country playing greats like Brad Paisley and Brent Mason – the Faux Analog Echo will be your go to delay pedal night after night.  The Faux Analog Echo is based around the industry leading pt2399 chip. The industry standard for delay pedals. We treat the signal path in such a way that the dry path and the core signal are completely unaltered, we only use the chip to make a digital replication. Simply put, your tone remains pure and intact, without thin and brittle sounding repeats. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for a more natural and organic tone.”

Condition: New

 

$199.97

Wampler Euphoria Overdrive

From Wampler’s Website: “When Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding “gritty” tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can’t work with him dynamically, then he just can’t use it. The Euphoria is his take on that elusive tone and feel made famous by “D style Amplifiers” – smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other “D sounding” pedals. Very responsive tone controls that interact with the pedal – they don’t just “color” the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp. If you love the sound of your clean tone, and just wish you could have more “hair” on the note… a little bit of grit without any change in tonality, the Euphoria will do that with ease. PLUS it’s extremely flexible… with the toggle switch in the down position you’ll get a hint of fuzz along with the overdrive, it’s reminiscent of the tones that “Eric Johnson” may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. This is reminiscent to the famous “D style” tone, though it’s really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that’s extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down.”

Condition: New

 

$199.97

Wampler Wampler Ego Compressor

From Wampler’s Website: From silky smooth sustain to full out country chicken-picken territory, the Wampler Ego Compressor is the most versatile compressor pedal on the market. A great tube amp when driven into its sweet spot will naturally compress. Many budget compressors give you the squash and squeeze of a driven amp, but more often than not you tend to lose most of your playing dynamics and expression. The Ego Compressor will give that element of squash and squeeze, but will also allow you to be able to control the effect so that your playing can shine through with that great feel. One of the ways the Ego Compressor lets you have control over your tonal clarity is by the use of the “Blend” knob. The “Blend” knob is a dry mix, which sweeps between a fully effected signal to zero effect across the sweep of the pot. Your unaffected signal can be added back into your overall output. As little or as much as you want, the choice is yours.

Condition: New

 

$254.97

Wampler Tom Quayle’s Dual Fusion

From Wampler’s Website: When we first met Tom in early 2012, he was already using our Euphoria and Paisley Drive stacked together to give him the tones he required. But something wasn’t quite right; those pedals are voiced for other genres of music altogether so we set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.
Over a year later, we have the Dual Fusion. With two independent circuits that are based, but are completely modified, on the Euphoria and Paisley Drive.

Condition: New

 

$219.97

Wampler Paisley Drive

From Wampler’s Website: Since late 2009, we discovered that Brad Paisley was using Wampler Pedals. He started with the Faux AnalogEcho, then got an Ego Compressor and then had the Underdog overdrive. Brads requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal…! The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned.

Condition: New

 

$7,999.00

Gibson Custom Shop 1960 Les Paul Reissue “Heavy Aged” Benchmark Limited Run

Kentucky Bourbon Fade, Figured Maple top, Accurate vintage color fingerboard and body binding that is a darker Cream to match the original 50’s era binding, Hide Glue neck fit, New Historic truss rod assembly without the tube surround, Single layer Rosewood fingerboard on a .820″ at the first fret to .940″ at the 12th fret 1960 slim profile shaped Mahogany neck, Custom wound Custom Bucker bridge and neck pickups, Kluson “Deluxe” Green tuning keys, 8.8 pounds, With hardshell case

Condition: New

 

$199.97

Wampler Clarksdale Overdrive

From Wampler’s Website: “The Clarksdale Overdrive. Blues and non-blues guitar players have used Tube Screamer® type circuits for years to help them create their own signature sound. Over the years, countless players have been asking Brian to create that world famous vintage mid-range overdrive – well he finally did it! The Clarksdale is Brian’s take on that world famous lime green overdrive many of us have come to love– with a few great Wampler styled improvements of course. The world of Boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done? Brian wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options – to satisfy even the biggest tone chasers out there. The addition of a 3 band EQ (Bass, Mids, and Treble) allows a player to have a more tailored tonal pallet than the original. The Lift/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also unlike the original “green giant” the Clarksdale will not “fizz out” as much at low or high gain settings.”

Condition: New

 

8.0 pounds! $1,750.00

Paul Reed Smith David Grissom DGT Standard ’12

McCarty Tobacco Sunburst, Bird inlays, With hardshell case, EC+

Condition: Used

 

8.4 pounds! $2,495.00

Paul Reed Smith Single Cut Tremolo Artist Brazilian ’07

Grey Black, Artist Grade Quilt top, Brazilian Rosewood fingerboard and headstock overlay, Wide/Fat neck carve, Paua Bird inlays and headstock logo, Gold hardware, Number 6 bridge and neck pickups, With the Artist Leather hardshell case, EC+

Condition: Used

 

8.0 pounds! $2,495.00

Paul Reed Smith Custom 24 Artist Brazilian ’07

Royal Blue, Artist Grade top, Brazilian Rosewood fingerboard and headstock overlay, Wide/Thin neck carve, Paua Bird inlays and headstock logo, Gold hardware, HFS bridge and Vintage Bass neck pickups and the 5 way rotary switch, With the Artist Leather hardshell case, EC+

Condition: Used

 

$2,999.00

Taylor “First Edition” 616CE 2015 Model

3.5 Mil gloss finish, Natural top w/Brown Sugar back and sides, Grand Symphony body size, Torrefied Sitka Spruce top, Single Ring Ebony/Grained Ivoroid/Abalone Rosette, Ebony binding with Grained Ivoroid top edge trim, Striped Ebony pickguard, Advanced Performance pattern bracing with Relief Rout, Figured Maple back and sides, Ebony fingerboard with the Grained Ivoroid Wing inlays on a Hard Rock Maple neck, 25.5” scale length, 1 3/4” width at the nut, With the Expression 2 system and hardshell case

Condition: New

 

7.8 pounds! $2,495.00

Paul Reed Smith McCarty 58 ’12

Tobacco Sunburst, Artist Grade top, Pattern neck carve, ME2 birds, 57/08 bridge and neck pickups, With the Tapestry hardshell case, EC+

Condition: Used

 

6.4 pounds! $3,499.00

Gibson Memphis ES Les Paul w/Bigsby

Light Burst, Semi-hollow 3 ply figured Maple/Poplar/Maple body with an ES/LP center block, Cream binding, Bound 12” radius Rosewood fingerboard with the Pearloid Trapezoid inlays on a rounded C shaped Mahogany neck, PAF style MHS Alnico II bridge and Alnico III neck pickups, Tone Pros AVR-II bridge and Bigsby B-7 tailpiece, Kluson tuners, With hardshell case

Condition: New

 

$3,199.00

Gibson Memphis ES Les Paul

Available in Lemon Burst and Heritage Cherry Sunburst, Semi-hollow 3 ply figured Maple/Poplar/Maple body with an ES/LP center block, Cream binding, Bound 12” radius Rosewood fingerboard with the Pearloid Trapezoid inlays on a rounded C shaped Mahogany neck, PAF style MHS Alnico II bridge and Alnico III neck pickups, Tone Pros AVR-II bridge and lightweight stop tailpiece, Kluson tuners, With hardshell case

Condition: New

 

5.8 pounds! $3,499.00

Gibson Memphis ES Les Paul

Cobra Burst, Semi-hollow 3 ply figured Maple/Poplar/Maple body with an ES/LP center block, Cream binding, Bound 12” radius Rosewood fingerboard with the Pearloid Trapezoid inlays on a rounded C shaped Mahogany neck, PAF style MHS Alnico II bridge and Alnico III neck pickups, Tone Pros AVR-II bridge and lightweight stop tailpiece, Kluson tuners, With hardshell case

Condition: New

 

7.8 pounds! $850.00

Fender American Standard Strat ’10

Olympic White, Maple fingerboard, With hardshell case, EC+

Condition: Used

 

7.8 pounds! $2,495.00

Paul Reed Smith McCarty 58 ’12

Fire Red Burst, Artist Grade top, Pattern neck carve, ME2 birds, 57/08 bridge and neck pickups, With the Tapestry hardshell case, EC+

Condition: Used

 

7.6 pounds! $2,250.00

Paul Reed Smith Santana ’12

Teal Black, Bird inlays, With hardshell case, EC+

Condition: Used

 

7.8 pounds! $2,495.00

Paul Reed Smith Single Cut Tremolo Artist Brazilian ’07

Dark Cherry Sunburst, Artist Grade Quilt Maple top, Brazilian Rosewood fingerboard and headstock overlay, Wide/Fat neck carve, Paua Bird inlays and headstock logo, Gold hardware, Number 6 bridge and neck pickups, With the Artist Leather hardshell case, EC+

Condition: Used

 

   

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