Browse our Products.

Natural, D-14 Fret Cutaway body size, Solid Sitka Spruce top, Hybrid X scalloped bracing, Koa pattern HPL textured finish back and sides, Performing Artist profile neck shape, Black Richlite fingerboard on a Brown Stratabond neck, 25.4″ scale length, 1 3/4” width at the nut, With the Fishman F1 Aura pickup system, Case not included

Square output jack cover in creme.

Optional Tobacco Sunburst finish, Grand Auditorium body size, Sitka Spruce top, CV bracing pattern with Relief Rout, Three Ring Abalone Rosette, Indian Rosewood back and sides, Curly Maple binding, Ebony fingerboard with the 800 series inlay on a Tropical Mahogany neck, 25.5” scale length, 1 3/4” width at the nut, With the Expression system and hardshell case

The original Dwarfcraft Device!  and still a superstar! 3 squarewave oscillators a-bumpin-and-a-grindin to your hearts content.  With an independent mix knob for each little voice on board.  It’ll sing, it’ll scream, it’ll fight with itself.  You don’t play it, you play with it.

The new Hot Rod Deluxe III is a 40 watt single 12 combo, the world standard for gigging guitarists everywhere. It has the bottom and headroom characteristics of 6L6 tubes and a versatile all 12AX7 preamp, luscious Fender spring reverb, effects loop, and more. New features include an easier to read black control panel, new badge logo, new footswitch, Graduated volume and treble pot tapers, a “thighter” overdrive, and a Celestion G12P-80 speaker

Vintage Sunburst, Part of the “Custom Crimson” series of Custom Shop guitars that are now built under the direction of Phillip Whorton, With hardshell case

Lee Ranaldo and Thurston Moore with Fender Jazzmasters slung across seminal shoulders. In the hands of both men, the sound of Sonic Youth is the sound of that guitar used as part paintbrush and part cluster bomb. If anybody ought to have a signature Jazzmaster model, it’s those two guys. Here are the details: Sapphire Blue Transparent, Alder body, Satin Nitrocellulose lacquer finish, C shaped Maple neck with a 7.25” radius Rosewood fingerboard and vintage size frets, Fender Wide Range humbucking bridge and neck pickups, American Vintage Jazzmaster tremolo with the Mustang bridge and lock button, With hardshell case

In the footsteps of the classic Marshall Gov’ner this monster was born. Just like its big brother Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone but one thing sets them apart. This ones a little more Angry… If you want high gain Marshall tones reminiscent of a JCM-800, than this is the pedal for you.

The gain knob has an unbelievable range of overdrive to head-on heavy grind and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but “realistic” sounding pedal than look no further!

Historic Toggle Switch Washer in creme

The new Hot Rod DeVille 212 III is a 60 watt combo with the classic 2 x 12 speaker configuration borrowed from the legendary Twin Reverb amp, the bottom end headroom characteristics of 6L6 tubes and a versatile all 12AX7 tube preamp, with amazing clean and overdriven tones, luscious Fender spring reverb, effects loop, and more. New features include an easier to read black control panel, new badge logo, new footswitch, Graduated volume and treble pot tapers, and two Celestion G12P-80 speakers

Vintage Sunburst, Part of the “Custom Crimson” series of Custom Shop guitars that are now built under the direction of Phillip Whorton, With hardshell case

Faded Tobacco Burst, Lightly figured top, Aniline Dye used on the body and neck, Accurate vintage color fingerboard and body binding that is a darker Cream to match the original 50’s era binding, Hide Glue neck fit, Single layer Rosewood fingerboard, New Historic truss rod assembly without the tube surround, Custom Bucker pickups, Kluson “Deluxe” Green tuning keys, 8.8 pounds, With hardshell case

Natural, Grand Concert body size, Sitka Spruce top, Standard II forward shifted pattern bracing with Relief Rout, Sapele back and sides, Ebony fingerboard on a Tropical American Mahogany neck, 24 7/8” scale length, With the Expression system and hardshell case

From the 60’s came an effect that had a serious impact on the way guitarist expressed themselves. It was an effect that when used right had that “wow” factor and it was a tool that helped make the “Star Spangled” banner relative to a new generation in the hands of a man named Jimi. Some of the most influential guitarist ever have consistently found a way to express their voice with this circuit and we feel you will too.

With a large speed control that is easily controlled with your foot, live performance changes are ease. The Speed LED blinks in time with the speed even when the unit is off so you always know what is going on inside. Controls for Mix (blend of clean and effect), Volume (raise or lower the overall volume) and vibrato/chorus toggle (gives you the classic chorus or vibrato settings with the flick of a switch). The Warble-Tron is internally turning your standard 9v into 15v so there is no need to have a funky adapter.

With its “Patent Applied For” decal on the baseplate, the ’57 Classic and ’57 Classic Plus are faithful replicas of the famous Gibson humbuckers that helped define the music of the late 1950s.

The new Hot Rod DeVille 410 III is a 60 watt combo with the classic 4 x 10 speaker configuration borrowed from the legendary Super Reverb and the ’59 Bassman amps, the bottom end headroom characteristics of 6L6 tubes and a versatile all 12AX7 tube preamp, with amazing clean and overdriven tones, luscious Fender spring reverb, effects loop and more. New features include an easier to read black control panel, new badge logo, new footswitch, and Graduated volume and treble pot tapers

Vintage Sunburst, Part of the “Custom Crimson” series of Custom Shop guitars that are now built under the direction of Phillip Whorton, With hardshell case

Washed Cherry Sunburst, Lightly figured top, Aniline Dye used on the body and neck, Accurate vintage color fingerboard and body binding that is a darker Cream to match the original 50’s era binding, Hide Glue neck fit, Single layer Rosewood fingerboard, New Historic truss rod assembly without the tube surround, Custom Bucker pickups, Kluson “Deluxe” Green tuning keys, 8.8 pounds, With hardshell case

Natural, Grand Concert body size, Sitka Spruce top, Standard II forward shifted pattern bracing with Relief Rout, Sapele back and sides, Ebony fingerboard on a Tropical American Mahogany neck, 24 7/8” scale length, With the Expression System and hardshell case

Fender introduces its first ever multi-effects unit in the form of the Mustang Floor-a versatile high-performance floor unit that delivers pro-level amp modeling, effects and artist preset sounds in a richly varied wealth of musical styles. And you don’t have to be a tech expert to use the Mustang Floor-it’s easy to use right out of the box.

A natural offshoot of our Mustang series amplifiers (basically a Mustang amp without the power amp and speaker), the Mustang Floor is designed for a variety of applications, only one of which is a great multi-effects unit for any basic guitar amp that puts more than three dozen digital effects at your feet. It’s also a modeling preamp with low-impedance speaker-emulated outputs for running direct to a PA system, a modeling preamp with line-level outputs for use with a power amp and speakers, a silent practice system with stereo headphone output and auxiliary input perfect for playing along with an iPod or other media player, and a fantastic tone machine for direct-to-digital USB recording.

Mustang Floor features include nine footswitches and a solid aluminum treadle-style control pedal, intuitive Mustang III control panel and LCD window, 12 amp models, 37 effects, 100 onboard factory and user presets, “individual stompbox” mode in which amp models can be bypassed, headphone output and auxiliary input, dual XLR and dual 1/4″ line outputs with level control (outputs can be programmed for optimal response with PA system, power amp or guitar amp), chromatic tuner, and easy USB connectivity for high-quality low-latency audio output and interface with free Fender FUSE™ application. Fender FUSE™ software, included as a free download, offers on-screen parameter control, deep editing, “hidden” parameters, unlimited preset storage, easy firmware upgrades and additional free content from Fender, Fender artists and other users worldwide. Additional control available with optional EXP-1 pedal.

Cherry, No case

This set of historic spec .22 mfd bumble bee capacitors look and sound just like the originals used on the late ’50s Les Pauls.  These specially made capacitors help you achieve that famous, vintage sound.

Blonde tolex, 22 watts, 3-12AX7, 2-12AT7, and 2-6V6 tube configuration, The Vintage channel has pre-gain tone controls and two switchable voices. The Burn channel has dual gain controls and post gain EQ. Other features include a Fender long spring Reverb by Accutronics, a 12” 50 Watt Fender “Lightning Bolt” speaker by Eminence, Ivory “radio” knobs, and a 4 button footswitch for Channel, Fat, Reverb, and the Effects loop

Historic Burst, Blistered Maple top and back, Historic center block, Cedar rim lining and Spruce bracing, More correct “Mickey Mouse Ear” style cutaway horns, Burst Bucker #1 and #2 pickups, Bumblebee capacitors, Lightweight stop tailpiece, With hardshell case

Available in 3 Color Sunburst and Black with Alder bodies, Made in Mexico, Modern C shaped Maple neck with a 9.5” radius fingerboard and medium jumbo frets, Fideli’Tron humbucking bridge and neck pickups, Six saddle string thru body hardtail bridge, With gig bag