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Honey Sunburst, With hardshell case, EC

Oxidized Rust Burst, Custom Shop, From the limited run of 30 guitars that we had built in 2011 to celebrate our 30th Anniversary, DGS hand selected top, Single layer Rosewood fingerboard, With the Dave’s Guitar Shop 30th Anniversary certificate, pickguard, and hardshell case, EC+

Natural, 000-14 Fret Cutaway body size, Solid Sitka Spruce top, Hybrid X scalloped bracing, Two Ring Rosette, Black Boltaron binding, Solid Sapele back and sides, Performing Artist Profile neck shape, Black Richlite fingerboard with the White ABS offset dot position markers, 25.4” scale length, 1 3/4″ width at the nut, With the Fishman F1 Analog pickup system and hardshell case

Want a mirror image of your tone, only louder? This is it. The Katana is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.

Obsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else!

The Katana circuit is Robert Keeley’s first guitar effect design for Keeley Electronics. It was originally designed for Legendary Tones for the Time Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert’s very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. Delay times could be input via a keypad to enter the amount of delay in milliseconds or by potentiometers. The Katana is no less stunning in its beautiful simplicity and stunning sound quality.

Historic ’61 Truss Rod Cover.  “Les Paul” Engraved on cover

The Mustang I is a 20 watt closed back combo with an 8” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate on board amp presets with tones from vintage Fender sparkle to outrageous Modern Metal Distortion, and a bank of 24 built in effects including Chorus, Flanging, Phasing, Tremolo, Vibratone, Step Filter, Reverb, Echo, Octaver and more — 12 modulation effects and 12 Delay and Reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect the Mustang I to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single button footswitch controls two quick access presets.

Natural, Grand Auditorium body size, Solid Sitka Spruce top, X bracing, Laminated Indian Rosewood back and sides, Ebony fingerboard on a Sapele neck, 25.5” scale length, With gig bag

Natural, Dreadnought body size, Sitka Spruce top, X bracing, Laminated Indian Rosewood back and sides, Ebony fingerboard on a Sapele neck, 25.5” scale length, With the ES-T pickup system and gig bag

Available in 2 Tone Sunburst and Black, Made in Mexico, Built to look, sound and feel like it’s got more than just a few miles on it, Alder body, Nitrocellulose lacquer finish, Tex Mex pickups, Soft V shaped Maple neck with a 7.25” radius fingerboard and Dunlop 6105 frets, Vintage style synchronized tremelo, With gig bag

This little wonder is only 1.5 inches wide and 3 2/3 inches long. This will fit in the tightest of pedal boards and offer you a dramatic improvement in tone. Connect any effect to this unit that is “old school” and not true-bypass. In particular Vintage wahs, echoes, phasers, fuzz face type pedals, or even new effects that might have a weak bypass system. These elderly effects rob tone when they are off. Now you can make them truly bypassed when off with this little box.

The True Bypass Looper works with or without power. When you add a DC supply to this unit the two LED let you know if the loop is active or not. BLUE LED indicates your signal is passing through the vintage effect, RED LED indicates true-bypass. STOP TONE DRAIN! You can use it as a multiple effects switcher and add several effects in a chain and then switch them all on at once. You can also use it as a tuner mute switch. Plug a tuner in this box and not only prevent the tuner from draining away your tone, but tune in silence!

Natural, Adjustable bridge, With soft case, EC-

• Meticulously faithful reproduction of Jimi’s 1969-70 Dallas Arbiter Fuzz Face.
• Built around the toneful BC108 silicon transistor. Carefully matched to the original specs.

• Analog bucket brigade technology.
• High and Low filter cut controls for detailed tone sculpting.
• Two outputs for a wide and sweeping stereo spread.

Goldtop, 8.0 pounds, With hardshell case

Gibson historic pointer washers in nickel.

The Mustang II is a 40 watt closed back combo with a 12” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate onboard amp presets with tones from vintage Fender sparkle to outrageous Modern Metal Distortion, and a bank of 24 built in effects including Chorus, Flanging, Phasing, Tremolo, Vibratone, Step Filter, Reverb, Echo, Octaver and more — 12 modulation effects and 12 Delay and Reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect the Mustang II to your computer with free Fender FUSE software. Open up a world of possibilities, including on screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single button footswitch controls two quick access presets.

Ruby Red, With hardshell case

ECT is the result of my wish to rectify a few issues I’ve had with other fuzz boxes, notably a mid scoop. “But Old Pal Aen, some times I need to scoop teh midz for my metal tonez!”

While I can’t say that I ever find that useful, ECT will do that as well. When stomping on the “BYPASS” switch, you will be in familiar fuzzbox territory. Volume, Tone, and Distortion are all active, as well as the “TIMEWARP” toggle, which flips between the traditional hi-fi type sound and a more blunted, ummm, stoner-rocky type sound. (A note: if your amp has a lot of treble rolled off, you may not hear much difference between the time warp positions. Because you have your amp set up wrong.)

“TONEBLAST” bypasses the tone control, giving you more mids and a bunch more volume. At any time, you can tap the “feedback” stomper to trigger a momentary integrated feedback loop, because I like noise, so back off, it’s cool.

“Trim” allows you to roll back your input signal, incase of muddiness caused by hotter pickups.

This has the most bass (well, it’s a tie with Hair of the Dog) of any DC Device. It is amazing on bass guitar.

• Designed after Eric’s personal prized Fuzz Faces
• Custom vintage-style hammertone finish

Custom reproduction ’68-’69 knobs

Historic Non-Wire ABR-1 Bridge in Nickel for Custom Shop Gibson guitars.

The Blues Junior is a 15 watt, warm toned, long time favorite, the perfect grab and go tube amp for the stage or studio. It’s got the fat mid tone characteristics of an EL84 output tube section, warm 12AX7 preamp tube overdrive, real spring reverb, a simple control layout, and a footswitchable FAT boost. New features include an easier to read black control panel, Rattle reducing shock absorbers for the output tubes, the “Sparkle” mod, and a super sensitive Fender Design 12” “Lightning Bolt” speaker by Eminence

Deep Burgundy Stain, Still reverberating throughout Shea Stadium, one of the most recognizable ’60s pop icons returns! With its vintage HiLo’Tron™ pickups, “rocking” bar bridge, Gretsch by Bigsby® B6C vibrato tailpiece and simulated f-holes, the thinline G6119-1962HT Chet Atkins Tennesse Rose is complete, With hardshell case

Hand wired in Stevensville, Maryland. The PRS Sweet 16 amp couples 16 watts of cathode biased 6V6 output tube power and includes Reverb, a full TMB tone stack, and PRS’s transparent master volume circuit. The tones can run from sparkly cleans with single coils to humbucking crunch. At the appropriate volume set, a full range of crunching cleans are accessible using just the guitar’s volume knob. Here are the details: 16 watts of power using 6V6 tubes, Volume, Bass, Mid, Treble, Reverb, and Bright switch

The perfect recreation of the ’59 Bassman! The Victoria capacitors are designed specifically to sound like a slightly degraded 40 year old cap. This is one complex, detailed, and dynamic amplifier that responds to pick attack like no other amp. 45 watts of power, 5F6-A type circuit, Class A-B adjustable fixed bias push/pull operation, 1-GZ34, 2-5881, 2-12AX7, and 1-12AY7 tube configuration, and 4 Jensen P10R speakers