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Viewing 1676 – 1700 of 1962View All

 

$85.00

Area 59 Hysteric Parts Slant Mushroom Aged

Great reproduction of the Gibson 50′s tuner bushings, Set of 6, Historic size

Condition: New

 

$135.00

Area 59 Hysteric Parts T-Bar59 Aged

Great reproduction of the late 50′s Gibson stop tailpiece

Condition: New

 

$135.00

Area 59 Hysteric Parts T-Bar59WA Aged

Great reproduction of the 50′s Gibson stop tailpiece as used on Les Paul Junior or Special with adjustable length screws

Condition: New

 

Minimum Advertised Price $3,639.00

Fender Custom Shop 1956 Relic Strat Active

Black, 10/56 V neck shape with a 9.5″ radius fingerboard and medium jumbo frets, Vintage Noiseless pickups and the Clapton mid boost electronics, 7.6 pounds, With Tweed case

Condition: New

 

$999.00

Fender EC Vibro-Champ

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

 

Clapton recorded some of his biggest hits with a tweed Champ; a late 1950s practice amp and Fender classic prized by countless pros for its great low-output sound and easy-to-record performance. He still uses one today, and we’ve answered his call for a special model with several distinctive features by introducing the EC Vibro-Champ. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Champ designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). It’s a must for Clapton fans and guitarists who want the ultimate in low-power tube performance.

 

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Champ amp model 5F1 (about 5 watts); tremolo speed control and footswitch jack (footswitch optional); single 8” Weber® Signature speaker with alnico magnet for dynamic, sensitive response; Groove Tubes® 6V6GT output tube, two 12AX7 preamp tubes and 5Y3GT rectifier tube; Schumacher custom transformers; internal speaker disconnect (allows use of external 4-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

 

Click here for more information:

 

http://www.fender.com/products/clapton/index.php

Condition: New

 

$1,999.00

Fender EC Tremolux

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

 

1950s-era Deluxe and Tremolux amps are prized for the warm, rich compressed tones of blues and early rock ‘n’ roll. Clapton often uses a Deluxe when playing traditional blues, and we’ve answered his call for a special model with several distinctive features by introducing the EC Tremolux amp. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Deluxe designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). A pinnacle of personally inspired amp tone for stage and studio alike, it’s a must for Clapton fans and guitarists who want the ultimate in tube performance.

 

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Deluxe amp model 5E3 (about 12 watts); single channel with high-gain and low-gain inputs; tremolo speed control and footswitch; fixed bias for increased headroom; single 12” Celestion® Heritage G12-65 speaker for increased high-gain playing definition; two Groove Tubes® 6V6GT output tubes, three 12AX7 preamp tubes and 5Y3GT rectifier tube; Mercury Magnetics custom transformers; internal speaker disconnect (allows use of external 8-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

 

Click here for more information:

 

http://www.fender.com/products/clapton/index.php

Condition: New

 

$129.00

TC Jauernig 1-800-Gain Distortion

The T Jauernig 1-800-Gain is Tim’s take on what the best of the JCM800s would sound like in a pedal form. The 1-800-Gain does that Brit thing with authority. From “woman tone” to flat out making your hair grow!

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you’re purchasing a hand made instument of tone!

Condition: New

 

$229.00

TC Jauernig Gristle King Overdrive

Version 3

The Gristle King has been updated per the request of Greg Koch, for whom the DGTM and Gristle King were originally created. This new version now has more gain on tap than the previous versions, yet still cleans up incredibly well with your guitar volume control. The original version was geared towards single coil pickups, but Rev. 3 works equally well with single coils or humbuckers, which makes it a more universal and versatile pedal than ever before. The Tone control now has an increased range. The Phat control is Phatter than before. There is more output, or as we like to say “Gravy” that can be applied with this new version as well. The boost circuit and pre/post switch of the previous versions also remain intact. You say you want the boost before the overdrive, no problem. But wait, there are times when post may be the choice because you want a bump in volume for a lead, but not any more gain. No problem! As always, the boost and overdrive can be used together, or seperately, allowing for a range of tones unmatched by other overdrive pedals.

The finish of the pedals has been upgraded to powdercoat as standard, instead of the baked enamel of the previous versions. These pedals can take a beating on a pedal board, so Tim upgraded the finish. As always, the Gristle King is true bypass, and completely handmade.

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you’re purchasing a hand made instument of tone!

Condition: New

 

$109.00

TC Jauernig Luxury Drive Boost

The T Jauernig Luxury Drive is a clean boost designed specifically to be used along with your dirt boxes. Put the Luxury Drive before or after your favorite OD, for some extra tone. The Luxury Drive is also one of the finest stand alone boosts you’ll ever hear. Step on it to add some fat, and just the right amount of treble. It’s “treble-licious”.

All T. Jauernig Electronics pedals are made by hand, one at a time, in the USA. There are no mass-produced products here, no outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you’re purchasing a hand made instument of tone!

Condition: New

 

Minimum Advertised Price

Gibson 57 Classic Humbucker

Multiple colors or weights available

With its “Patent Applied For” decal on the baseplate, the ’57 Classic and ’57 Classic Plus are faithful replicas of the famous Gibson humbuckers that helped define the music of the late 1950s.

Condition: New

 

$139.00

Boss BF-3

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth–even Slicer-type effects and sounds that seem to “swirl” around the listener. An instant classic.

Condition: New

 

$99.00

Boss CEB-3

The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It’s the perfect chorus pedal for bassists.

Condition: New

 

$99.00

Boss CS-3

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Condition: New

 

$79.00

Boss LMB-3

The LMB-3 affords complete control over a bass guitar’s dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass.

Condition: New

 

$159.00

Boss RV-5

The RV-5 Digital Reverb offers six of BOSS’ best reverbs in an all-new stereo effects pedal. New reverbs include convincing spring reverb emulation and a high-quality gate reverb, plus an all-new Modulate mode for spacious detuned reverb sounds.

Condition: New

 

$129.00

Boss AC-3

BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM® modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.

Condition: New

 

$119.00

Boss AW-3

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new “Humanizer” effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

Condition: New

 

$99.00

Boss BD-2

The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

Condition: New

 

$99.00

Boss CE-5

The CE-5 Chorus Ensemble is BOSS’ ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect–from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.

Condition: New

 

$99.00

Boss CH-1

The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers

Condition: New

 

$109.00

Boss GE-7

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Condition: New

 

$129.00

Boss OC-3

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.

Condition: New

 

$129.00

Boss PH-3

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new “Rise” and “Fall” modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3′s Rate, Filter and Tempo.

Condition: New

 

$109.00

Boss TR-2

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated “Wave,” “Rate,” and “Depth” knobs provide a multitude of effect possibilities.

Condition: New

 

$119.00

Boss FBM-1

Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.

Condition: New

 

   

Viewing 1676 – 1700 of 1962View All

 
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