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Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12″ Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best “bang-for-the-buck” amps you’ll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels (“normal” and “drive”), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

This faithful recreation of the legendary Blackface™ Super from the 1963-1968 era is a must-have for vintage enthusiasts and Strat® guitar slingers, but players of all styles enjoy its shimmering tone. The 45-watt (at 2 ohms) Super Reverb amp’s medium output and stage-filling sound makes it the perfect amp to crank up for unmiked club gigs or on a concert stage.

Features include a pair of 6L6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, four 10” 8-ohm Jensen® P10R speakers with alnico magnets, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering with silver grille cloth, and tilt-back legs.

This amp has seen action in every imaginable musical venue and continues its musical legacy today! Whether you play rock, jazz, country, or whatever, this is what a clean electric guitar sounds like! Or add an upside-down Stratocaster® guitar and a fuzz box …

Our 85-watt (at 4 ohms) Vintage Reissue of the ’65 Twin Reverb features four 6L6 Groove Tube™ output tubes, four 12AX7 preamp tubes, two 12AT7 preamp tubes, two 12” 8-ohm Jensen® C-12K speakers, dual channels (normal and vibrato), Fender reverb, vibrato, two-button reverb and vibrato on-off footswitch, tilt-back legs, black textured vinyl covering and silver grille cloth.

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4×10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.

The 22-watt (at 8 ohms) ’65 Deluxe Reverb amp is for rock, country or blues players who want a moderately powered amp they can crank up on the gig or in the studio. The fat, snappy guitar tones heard on many of our favorite recordings, from Memphis to Abbey Road, were made using the Deluxe amp.

Features include a pair of 6V6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, one 12” 8-ohm Jensen® C-12K speaker, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering and silver grille cloth.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues Deluxe—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod Deluxe, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues Deluxe sends 40 watts of juice into a single 12” Special Design Eminence® speaker, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues DeVille 410—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod DeVille, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues DeVille pours 60 watts into four 10” blue Alnico-Magnet Eminence® speakers, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Not a reissue, but rather a modern interpretation of a classic Fender. Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive all-tube amp. The more dynamic your style, the more you’ll love the 40-watt (at 4 ohms) Custom Vibrolux Reverb’s ability to whisper or scream in reply to changes in your pick attack. Connoisseurs call this one the “Little Vibro-King®!”

Features include a pair of 6L6 Groove Tube™ output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10” 8-ohm Jensen® P10R speakers with alnico magnets, two independent channels (normal and bright), reverb (functions in both channels), vibrato (functions in both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

Russet, Walnut, and Black in stock

Vintage Blonde and Vintage Black in stock

Ebony, Mahogany body, Richlite fingerboard with the Block inlays on a ’59 Rounded profile .880″ at the first fret to .990″ at the 12th fret Mahogany neck, Custom wound Custom Bucker pickups, 7.6 pounds, With hardshell case

Sunburst, No breaks or stories, With the original hardshell case, EC

All Gold, Custom Shop, 2 pickup version, Gold hardware, Rosewood fingerboard, With the certificate and hardshell case, EC+

Vintage Sunburst, Limited run of 50 guitars to be built in 2013, Round Shoulder Dreadnought body size, Nitrocellulose lacquer finish, Premium Adirondack Red Spruce top, Rosewood back and sides, Rosewood fingerboard on a V profile Mahogany neck, 25.5″ scale length, 1.725″ width at the nut, With hardshell case

Historic Burst, Cedar rim lining and Spruce bracing, Burst Bucker #1 and #2 pickups, Black Beauty capacitors, Period correct wiring harness, ABR-1 bridge with the nylon saddles, With hardshell case

Vintage Burst, 2 pickup version, With hardshell case

Optional Tobacco Sunburst finish, Grand Auditorium body size, Sitka Spruce top, Forward shifted pattern bracing with Relief Rout, Single Ring Abalone Rosette, Big Leaf Maple back and sides, Ebony fingerboard with the Twisted Oval inlays on a Hard Rock Maple neck, 25.5” scale length, 1 3/4” width at the nut, With the Expression system and hardshell case

Ember Red, Historic Collection, Maestro tremolo, 8.4 pounds, With hardshell case

The Golden Age 1930’s SJ-200 captures the essence of this icon model as it traveled on its original journey in 1938 into the hands of the players, forever earning its place in music as “The King of The Flat Tops.” A limited run of 75 Maple 1930′s SJ-200 guitars will be built. Here are the details: Double Antique Vintage Sunburst finish, Jumbo body style, Red Adirondack Spruce top, Hide glued bracing, Multi-layer Prewar Rosette, Hand painted replica 1938 pickguard, Figured Maple back and sides, Four bar Prewar Moustache bridge, Ebony fingerboard with the Mother of Pearl Crown inlays on a Maple neck, 1938 era headstock shape and 1938 Script logo, 25.5” scale length, With hardshell case

Golden Orange Tea Burst, Glossy finish, DGS hand selected top, Single layer Rosewood fingerboard, 8.8 pounds, With hardshell case

Pelham Blue, Historic Collection, 7.6 pounds, With hardshell case

Tobacco Sunburst, Flame Maple top, Parallelogram inlays, Black/White top purfling, With hardshell case

Vintage Sunburst, Historic Collection, With hardshell case

Kerry Green, Historic Collection, Special ordered without the Maestro tremolo, 7.4 pounds, With hardshell case