Browse our Products.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

The DN-2 is an exciting new type of overdrive pedal that reacts to the intensity of your performance. This unique BOSS pedal comes equipped with the acclaimed Dyna Amp technology recently introduced in Roland’s popular CUBE-60 amp, letting you create unique tone transitions based on picking dynamics. It’s possible to get a transparent clean output sound by playing softly, or a powerful heavy overdrive sound by picking aggressively.

The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects–all with simple, knob-based control.

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Fender tube combos are considered the most treasured guitar amplifiers of all time. Popular models like the Deluxe Reverb® and Hot Rod Deluxe™ are easily as desirable now as when they were first introduced!

Countless guitarists reach for some version of a Fender Deluxe™ amp when they do a session or a gig, thanks to its grab-and-go 1×12 combo portability, ease of use and great tone. The Deluxe VM amplifier takes the sought-after Deluxe formula into a new era of “Vintage Modified” performance by combining a real tube amp with a complement of essential effects. The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ.

An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies.

The venerable Vibro-King amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing “1964 Transitional” Blackface™/White knob look. We’ve added a pair of powerful 6L6 Groove Tubes for rich, full tone. The 60-watt Vibro-King Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring.

Other premium features include: ’63 Fender Reverb® with dwell, mix and tone controls; three 10” Jensen P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

2-12 combo

1-12 combo

Available in Black, Brown, Blue, Red, Grey, and Olive.

Sizes M, L, XL, and 2XL.

Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12″ Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best “bang-for-the-buck” amps you’ll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels (“normal” and “drive”), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

This faithful recreation of the legendary Blackface™ Super from the 1963-1968 era is a must-have for vintage enthusiasts and Strat® guitar slingers, but players of all styles enjoy its shimmering tone. The 45-watt (at 2 ohms) Super Reverb amp’s medium output and stage-filling sound makes it the perfect amp to crank up for unmiked club gigs or on a concert stage.

Features include a pair of 6L6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, four 10” 8-ohm Jensen® P10R speakers with alnico magnets, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering with silver grille cloth, and tilt-back legs.

This amp has seen action in every imaginable musical venue and continues its musical legacy today! Whether you play rock, jazz, country, or whatever, this is what a clean electric guitar sounds like! Or add an upside-down Stratocaster® guitar and a fuzz box …

Our 85-watt (at 4 ohms) Vintage Reissue of the ’65 Twin Reverb features four 6L6 Groove Tube™ output tubes, four 12AX7 preamp tubes, two 12AT7 preamp tubes, two 12” 8-ohm Jensen® C-12K speakers, dual channels (normal and vibrato), Fender reverb, vibrato, two-button reverb and vibrato on-off footswitch, tilt-back legs, black textured vinyl covering and silver grille cloth.

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4×10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.

The 22-watt (at 8 ohms) ’65 Deluxe Reverb amp is for rock, country or blues players who want a moderately powered amp they can crank up on the gig or in the studio. The fat, snappy guitar tones heard on many of our favorite recordings, from Memphis to Abbey Road, were made using the Deluxe amp.

Features include a pair of 6V6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, one 12” 8-ohm Jensen® C-12K speaker, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering and silver grille cloth.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues Deluxe—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod Deluxe, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues Deluxe sends 40 watts of juice into a single 12” Special Design Eminence® speaker, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Fender unveiled its “Tweed” series amps to great success and acclaim in 1993. The concept: What if a great old collectable 1950s Deluxe or Bassman® was customized with channel switching and reverb?

Behold the Reissue Blues DeVille 410—a vintage-style tube amp with “boutique” tone at a great price that many a pro rock, country and blues player has used to superb effect. While its newer cousin, the Hot Rod DeVille, has many modern refinements, more and more enthusiasts continue to request the warm tone, unique circuitry, classic features and sharp look of the original version.

Accordingly, the Reissue Blues DeVille pours 60 watts into four 10” blue Alnico-Magnet Eminence® speakers, fueled by two  6L6  output tubes and three 12AX7 preamp tubes. Its two channels, “normal” (with bright switch) and “drive,” are voiced for classic blues, country and rock; other features include Fender spring reverb, an effects loop and two-button channel footswitch. The great look includes tweed covering, “chicken head” pointer knobs and a chrome control panel.

Not a reissue, but rather a modern interpretation of a classic Fender. Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive all-tube amp. The more dynamic your style, the more you’ll love the 40-watt (at 4 ohms) Custom Vibrolux Reverb’s ability to whisper or scream in reply to changes in your pick attack. Connoisseurs call this one the “Little Vibro-King®!”

Features include a pair of 6L6 Groove Tube™ output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10” 8-ohm Jensen® P10R speakers with alnico magnets, two independent channels (normal and bright), reverb (functions in both channels), vibrato (functions in both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

Russet, Walnut, and Black in stock

Vintage Blonde and Vintage Black in stock

Vintage Sunburst, Historic Collection, Special ordered without the Maestro tremolo, 7.8 pounds, With hardshell case

All Gold, Custom Shop, 2 pickup version, Gold hardware, Rosewood fingerboard, With the certificate and hardshell case, EC+