Fender

50 watts, 6L6 power tubes, High-gain and clean channels, Onboard digital reverb, 12” Celestion speaker, Midrange notch control, Adjustable speaker damping, XLR output with switchable speaker muting and cabinet emulation, Push-pull pots for bright boost and gain boost on the rhythm channel, Black vinyl covering with inlaid white piping, Gray vinyl “steering wheel grip” accents and Black Silver Strand grille cloth, 4 button footswitch is included

The Super Champ X2 puts an incredible variety of tones at your fingertips with 16 different amp modules and it is powered by a pair of 6V6 power tubes and a single 12AX7 preamp tube. A Fender Special Design 10" speaker captures that vintage tone. This combo also packs in 15 effects, and has a USB output for speaker emulated digital recording. You can also take advantage of the included Fender FUSE software allowing even more tonal versatility. This is perfect for performing in smaller settings or home practicing, where a lower volume is required. You will still be able to find that ‘sweet spot’ when dialing in your tone without the excessive volume.

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

Clapton recorded some of his biggest hits with a tweed Champ; a late 1950s practice amp and Fender classic prized by countless pros for its great low-output sound and easy-to-record performance. He still uses one today, and we’ve answered his call for a special model with several distinctive features by introducing the EC Vibro-Champ. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Champ designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). It’s a must for Clapton fans and guitarists who want the ultimate in low-power tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Champ amp model 5F1 (about 5 watts); tremolo speed control and footswitch jack (footswitch optional); single 8” Weber® Signature speaker with alnico magnet for dynamic, sensitive response; Groove Tubes® 6V6GT output tube, two 12AX7 preamp tubes and 5Y3GT rectifier tube; Schumacher custom transformers; internal speaker disconnect (allows use of external 4-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

1950s-era Deluxe and Tremolux amps are prized for the warm, rich compressed tones of blues and early rock ‘n’ roll. Clapton often uses a Deluxe when playing traditional blues, and we’ve answered his call for a special model with several distinctive features by introducing the EC Tremolux amp. Built to Clapton’s own exacting specifications and handmade in the United States, it’s a fascinating variation on the ’57 Deluxe designed with a ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output). A pinnacle of personally inspired amp tone for stage and studio alike, it’s a must for Clapton fans and guitarists who want the ultimate in tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Deluxe amp model 5E3 (about 12 watts); single channel with high-gain and low-gain inputs; tremolo speed control and footswitch; fixed bias for increased headroom; single 12” Celestion® Heritage G12-65 speaker for increased high-gain playing definition; two Groove Tubes® 6V6GT output tubes, three 12AX7 preamp tubes and 5Y3GT rectifier tube; Mercury Magnetics custom transformers; internal speaker disconnect (allows use of external 8-ohm speaker enclosure); finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

In a historic collaboration, Fender introduces its first artist signature amplifiers-EC Series amps bearing the name of legendary guitarist Eric Clapton.

Built to the exacting specifications of Clapton himself, the EC Twinolux is a fascinating variation on the tweed ’57 Twin amp and our answer to his call for a special model with several distinctive features. Handmade in the United States with ’50s-era output tube bias tremolo (which produced a more throbbing pulse than later Fender tremolo circuits) and a switchable power attenuator (reduces speaker output and can disable one speaker for even lower output), it presents the pinnacle of personally inspired amp tone for stage and studio alike and is a must for Clapton fans and guitarists who want the ultimate in tube performance.

Features include hand-wired all-tube circuitry on eyelet board with premium components; circuit based on late-’50s Fender Twin amp model 5E8-A (about 40 watts); single channel with high-gain and low-gain inputs; tremolo with speed and intensity controls (can be selected with included footswitch); dual Special Design 12” Weber® speakers (by Eminence®) with alnico magnets for dynamic, sensitive response; two Groove Tubes® 6L6GE output tubes, four 12AX7 preamp tubes and two 5U4 rectifier tubes; Mercury Magnetics custom transformers; finger-joined solid pine enclosure for warm, resonant tone; lacquered tweed covering with vintage-style brown/gold grille cloth and leather strap handle. Deluxe fitted cover included.

Click here for more information:

http://www.fender.com/products/clapton/index.php

Special Edition Western tolex, The Blues Junior is a 15 watt, warm toned, long time favorite, the perfect grab and go tube amp for the stage or studio. It’s got the fat mid tone characteristics of an EL84 output tube section, warm 12AX7 preamp tube overdrive, real spring reverb, a simple control layout, and a footswitchable FAT boost. New features include an easier to read black control panel, Heavy duty set screw “Chicken Head” knobs, Rattle reducing shock absorbers for the output tubes, the “Sparkle” mod, and a super sensitive Fender Design 12” “Lightning Bolt” speaker by Eminence

Lacquered Tweed, The famous all tube Fender Reverb Unit has been a staple of virtually every "Surf" performance and recording since the early ’60s. Features include: Controls for Dwell, Mix, and Tone, 1-12AX7 and 1-12AT7 preamp tubes, 1 Groove Tubes 6V6 power tube, and an on/off footswitch

The Super-Sonic 100 412 Slant cabinet is the partner of the 100 watt Super-Sonic 100 Head and features four 12” Celestion Vintage 30 speakers, slant design enclosure with high grade Baltic birch ply construction for increased resonance, casters and included cover. Available in Black/Silver and Blonde/Oxblood.

The new 100 watt Super-Sonic Twin combo contains several sonically versatile new features, including an Arena/Club switch that takes the power down to 25 watts (to preserve its great high volume tube tone at lower “club gig” volume levels); a Notch Tune control that lets you move the midrange notch and fine tune the distortion characteristics for a variety of American and British amp sounds; a rear panel damping control that lets you select “normal,” “loose” or “tight” speaker response for sounds ranging from warm and loose to tight and focused; and the new Fender Automatic Bias control, which lets you easily set the output tubes to the recommended factory setting and to your preference of “hotter” or “cooler” bias with no need for meters or tools. Other features include a Vintage channel for shimmering clean tone derived from Fender Twin Reverb and Showman amps or the thick, punchy sound of a 1960s era Bassman amp; a Burn channel for edgy breakup and distortion with variable compression, thickness and sustain; dual 12” Celestion Vintage 30 speakers; tube driven Fender long spring reverb; effects loop with level control that also works as a footswitch operated boost; custom Schumacher transformers; and a choice of Black/Silver or Blonde/Oxblood cosmetic treatments. Cover and pedalboard friendly four button footswitch included.

Super-Sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious Fender clean tones and expressive modern high-gain tones—all with one no-nonsense tube amp.

The VINTAGE channel of the Super-Sonic 60 Combo is based on two legendary Fender favorites (the Vibrolux® and the Bassman®), and the awesome BURN channel ignites musical inspiration with overdrive flavors ranging from bluesy to flamethrower. The Super-Sonic 60 has been tweaked for increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine-tuned without masking the tonal character of your guitar. And by popular demand, the new Super-Sonic 60 model is available in two classic cosmetic treatments: Black/Silver and the iconic 1961 Blonde/Oxblood look, with glorious ivory knobs and flowing Fender logo on each front panel.

The 100 preset 15 watt G-DEC 3 Fifteen with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

The 100 preset 30 watt G-DEC 3 Thirty with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

Fender tube combos are considered the most treasured guitar amplifiers of all time. Popular models like the Deluxe Reverb® and Hot Rod Deluxe™ are easily as desirable now as when they were first introduced!

Countless guitarists reach for some version of a Fender Deluxe™ amp when they do a session or a gig, thanks to its grab-and-go 1x12 combo portability, ease of use and great tone. The Deluxe VM amplifier takes the sought-after Deluxe formula into a new era of “Vintage Modified” performance by combining a real tube amp with a complement of essential effects. The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ.

An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies.

The venerable Vibro-King amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing “1964 Transitional” Blackface™/White knob look. We’ve added a pair of powerful 6L6 Groove Tubes for rich, full tone. The 60-watt Vibro-King Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring.

Other premium features include: ’63 Fender Reverb® with dwell, mix and tone controls; three 10” Jensen P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

The new ’65 Twin Reverb Custom 15 is a welcome addition to our venerable Vintage Series amplifier line.

This all-tube combo amp couples an 85-watt ’65 Twin Reverb Reissue chassis with an enlarged cabinet and single 15” speaker instead of the usual pair of 12s. The Twin’s vibrato, reverb and crystal clean tones are great as always, and the 15’s extra-fat clear bottom end, smooth treble and high power handling make are a godsend.

In partnership with Eminence, we created an updated speaker based on the now-collectible JBL® D130F model used by Fender in the 1960s and ’70s. This driver’s cast frame, shallow cone, high flux density, large voice coil and aluminum center cap delivers clean, precision performance for steel, jazz and country players (among others!). The speaker’s 3D bass and treble separation will amaze you!

Other features include a metal badge on the grille, two-button reverb/vibrato footswitch, removable casters, nickel hardware, heavy-duty textured black vinyl covering with silver grille cloth, and an embroidered cover.

The Band-Master VM 212 enclosure mates with the Band-Master VM Head (or other quality amplifier) for onstage versatility and great Fender tone. Its premium birch-ply construction and Celestion® G12P-80 speakers deliver fat, woody bass response and clear highs.

Fender tube amps are considered the most treasured guitar amplifiers of all time. Popular models like the Showman® and Band-Master™, the first professional tube heads on the market, are considered collectors items today. The Band-Master VM amplifier takes the desirable mid-powered tube head concept to “Vintage Modified” performance by combining a real tube amp with a complement of essential effects.

The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ. An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies. The Band-Master VM amp (combined with its companion 212 VM inclosure) is the perfect head/cabinet rig for onstage versatility and big, fat Fender tone.

Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12" Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

The Fender Champ amp of the late 1950s is well known as the small-but-mighty tone machine that belongs in every serious guitarist’s collection. The release of the '57 Champ adds this iconic, one-of-a-kind product to Fender's '57 Tweed Series.

The tweed Champ is a terrific practice amp, and has been a prized possession of countless pro players for its great sounding, low-output, easy-to-record capabilities. It's well documented that this model has been used on recordings by Johnny Cash, Keith Richards and Eric Clapton (it’s the “Layla” amp). And with its rich tone and touch-sensitive response, the Champ is great for making cool new music today.

This faithful hand-wired recreation of the 1957 Champ amp is not just for collectors or retro-minded guitarists. Any player seeking the ultimate in low-powered, top-quality tube performance need look no further!

The original was used on countless hits over the years, and the new ’65 Princeton® Reverb is easily versatile enough to go from your living room to the recording studio to small gigs. It’s got the vintage vibe that Fender die-hards know and love, but the ’65 Princeton® Reverb isn’t only for the old-school guys who played ’em 30 or 40 years ago—it’s for anybody who craves top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring Fender Reverb and tube Vibrato.

A historically significant amp—the originals fetch more than $2,000 these days—and it’s as valid as ever in today’s musical world. Don’t take our word for it, though—listen for yourself!

This faithful recreation of the legendary Blackface™ Super from the 1963-1968 era is a must-have for vintage enthusiasts and Strat® guitar slingers, but players of all styles enjoy its shimmering tone. The 45-watt (at 2 ohms) Super Reverb amp’s medium output and stage-filling sound makes it the perfect amp to crank up for unmiked club gigs or on a concert stage.

Features include a pair of 6L6 Groove Tube™ output tubes, one 5AR4 rectifier tube, four 12AX7 preamp tubes, two 12AT7 tubes, four 10” 8-ohm Jensen® P10R speakers with alnico magnets, dual channels (normal and vibrato), tube-driven Fender reverb, tube vibrato, two-button footswitch for reverb and vibrato on-off, black textured vinyl covering with silver grille cloth, and tilt-back legs.

This amp has seen action in every imaginable musical venue and continues its musical legacy today! Whether you play rock, jazz, country, or whatever, this is what a clean electric guitar sounds like! Or add an upside-down Stratocaster® guitar and a fuzz box ...

Our 85-watt (at 4 ohms) Vintage Reissue of the ’65 Twin Reverb features four 6L6 Groove Tube™ output tubes, four 12AX7 preamp tubes, two 12AT7 preamp tubes, two 12” 8-ohm Jensen® C-12K speakers, dual channels (normal and vibrato), Fender reverb, vibrato, two-button reverb and vibrato on-off footswitch, tilt-back legs, black textured vinyl covering and silver grille cloth.

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.

Our legendary all-tube Fender Reverb unit has been a staple of virtually every surf performance and recording since the early ’60s. Blues and experimental players love it too! Add it on to any amp.

Features include one 6V6 Groove Tube™, one 12AX7 preamp tube, one 12AT7 tube, on-off footswitch, brown textured vinyl covering with wheat grille cloth, and controls for dwell, mix and tone.