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his might be what you've been looking for in an overdrive/fuzz box! The blend between the two is simply wonderful! The Fuzz Head is designed to work like Fuzz Face pedals that many players use as a LEAD BOOST. A Fuzz Face can be muddy, lacking note definition, too bassy, and lacking sustain. An overdrive sometimes doesn't give enough or is too smooth. In contrast, our design is transparent, has a better frequency response, and gives you that cutting edge for lead breaks.
The Fuzz Head Pedal is very transparent and dynamic. It takes the best qualities of the germanium designs and the overdrives. Roll back the volume on your guitar for clean sounds and a variety of tones, textures, and natural fuzz/overdrive!
After years of modifying overdrives, we have engineered our own unique overdrive pedal! I wanted Keeley Fans to have the best possible overdrive pedal at their feet.
Two and a half years in the making, this is the sum of my ideas and thoughts on overdrive and distortion. Endless tonal possibilities are what I strived for and I think you'll agree. Enjoy!
Sandwiched in between the two styles of overdrive is a high fidelity modified Baxandall tone control, beautifully tuned to a guitar players creative needs. The Luna Overdrive combines modern OP-Amp clipping with tube-like JFET gain stages
The Keeley Electronics Phaser is a 100% analog signal path pedal with modern features like tap tempo.
Perfection to your own tone with the edge control, now you can be in a unique place...from the first most mellow Phasers to the edgiest ones ever thought of.
Our newest effect pedal, the Keeley Phaser! Swirl with deep rich phasing or rock out to some cutting, aggressive phasing. You can speed it up or slow it down with a brake-like function and tap in a phase rate/tempo.
The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.
New In Box
The Java Boost is a germanium based Treble Booster designed to give you classic tones from the 60's and 70's. It is not a clean boost.
It must be used with a cranked amp that is overdriven or distorting a bit already. Cranking the amp and pedal will result in more creamy, beautiful, sustaining distortion with the Java Boost.
The Java Boost is most widely used with a tube amp set to a bit of overdrive or clipping which is the key to getting a great sound from this pedal. Setting the java boost in front of a very clean amp with the volume on 1-2 will surely result in a fairly weak guitar tone! Set the amp for some breakup, then click the Java on. There, you'll have a fantastic sound and see why people rave about the Java Boost.
Want a mirror image of your tone, only louder? This is it. The Katana is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.
Obsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!
The Katana circuit is Robert Keeley's first guitar effect design for Keeley Electronics. It was originally designed for Legendary Tones for the Time Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert's very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. Delay times could be input via a keypad to enter the amount of delay in milliseconds or by potentiometers. The Katana is no less stunning in its beautiful simplicity and stunning sound quality.
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