Pedals

EC

With ATA case, EC

EC

EC with box

Envelope filter and distortion, EC

EC

6 switching functions, 4 channels plus reverb or contour, V.L. S. or Master A/B, For use with the Ritchie Blackmore head and Screamer 50 combo

EC, Was $175

The Suhr Koko Boost is the ultimate boost pedal in that not only does it provide an extremely transparent clean boost that does not color the guitar's tone whatsoever, but also a selectable midrange boost that works in conjunction with the clean boost to provide you with maximum versatility. Whether you need a little clean boost of your clean sound (up to 20 decibels) or a midrange boost dialed in to overdrive your tube amp for solos that cut through the mix, the Koko Boost is a musical tool that will enhance the sound and functionality of your entire rig with minimum fuss: just plug it in between your guitar and quality tube amp and you are ready to rock.

The Shiba Drive is a smooth sounding overdrive pedal that will work great with clean amps for a bluesy overdrive tone or with an already overdriven amp to kick it to next gear. Some players even like to use pedals of this class with a heavily overdriven amp for additional sustain and compression. Whatever the application, the Shiba Drive will shine and give you the performance you seek from a high quality overdrive pedal.

There is no harshness or flubbiness in the Shiba Drive's sonic character whatsoever. There is a slight midrange hump that helps you cut through the mix, but the sonic integrity of your guitar and pickups comes through loud and clear. The tone is musical and balanced with firm lows, punchy mids with just the right amount of cut, and sweet silky highs. The Shiba Drive can purr, sing, growl or scream depending on the amp's setup and the amount of signal you're feeding it from your guitar and pickups. Combine the Shiba with the Koko with a single-channel tube amp for an extremely versatile rig. Like all of our products, what you put into this pedal is what you'll get out of it. The Shiba Drive begs you to stomp on it and produce some righteous tones.

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

The RV-5 Digital Reverb offers six of BOSS’ best reverbs in an all-new stereo effects pedal. New reverbs include convincing spring reverb emulation and a high-quality gate reverb, plus an all-new Modulate mode for spacious detuned reverb sounds.

The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.

The BOSS PS-5 Super Shifter is a next-generation intelligent pitch shifting pedal with killer sounds and BOSS first features. This single box provides pitch shifting, harmonies, detuning, and wild tremolo arm/flutter effects--all with simple, knob-based control.

The Catalyst ...is it a clean Booster, an overdrive, a distortion, or a Fuzz? The answer is "all of the above." What does it do best? Clean Boost, non compressed crunch tones and non-compressed distortion/fuzz sounds...accent on NON-compressed. Other unusual traits of the Catalyst are its tight low end and ability to give both flat EQ and accentuated Mid distortions simply by manipulating its 2 band EQ. Until the Catalyst...only Fuzzface-type pedals Truly cleaned up when you turn down the guitar's volume knob, but Fuzzfaces tend to get unuseably bright for most players as you turn the guitar's volume down...not the Catalyst. Catalyst can be a FUZZ/Distortion (with toggle switch set to "Flame" position) Catalyst can be a Phenomenal clean-boost, and overdrive as well (with toggle switch set to "Spark" setting)

The"CLYDE Deluxe" is the newest version of a Fulltone standard. The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original, with the following additions: 10-step Variable Gain Control, True-Bypass w/ bright side-viewable low current Pilotlight status indicator,3 selectable modes: "Wacked" "Jimi" (Clyde Standard) "Shaft" The three-way mode switch and gain control switch will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all!

The Fulltone"CLYDE" was born from taking the best of the best of my more than 25 pc. vintage Vox wah collection, and analyzing every aspect... going so far as sacrificing a few of the vintage inductors to get it right. Our Inductor is a tuned core hand-made unit using EXACTLY the same type wire and inductance as the '60's era Vox, except VERY consistent from one unit to the next. A tuned core inductor is much more expensive to make, but the end result is worth it, drop this into your wah and Experience the difference! The Circuit board uses carbon composition resistors, Polypropylene WIMA .01 capacitors, and our hand- wound "Tuned Core" inductor. The only change from the original '60's Vox design is the addition of a very usable internal "Resonance Control" which is a large durable trimmer, for Bass and gain adjustment, which is easily adjustable by hand without tools and with room to mark your favorite settings.

I don't like the original Vox-type housings that everyone uses, and I had to design and produce one that made more sense. The traditional housings don't give enough travel and potentiometer range, limiting your tonal sweep, and they have little compensation for tension or feel. The Fulltone "Clyde" uses our own custom-made 14 ga. welded steel pedal with nylon pivot points and much more travel than the conventional Vox-style ones that everyone uses. It has nylok nuts so you can adjust the tension of the treadle, and it stays that way until you change it. As with all Fulltone pedals, the "Clyde" has true bypass switching so that when it's "off" it's not coloring your sound or ruining the performance of other pedals in your signal chain.

Features: Class-A , 100% JFET powered, no op amps! The most headroom (before clipping) of any pedal you've tried. Pre-clipping Bass Control (keeps things from getting flabby when using neck pickup. Perfect Treble control, allows lots of sparkle, yet can brown up nicely. One of the byproducts of this well designed multi stage FET device is that it is probably the best compressor you'll ever feel. You Nashville Tele and Strat players are going to LOVE what this feels like and what it does to the Recording Levels. Offers a little bit of Tweed style crunch tone with Drive control turned up, but excels as clean Booster. A better output section (non-inverting, and extremely Low-Z output to drive other pedals and long cables). True Bypass, Super Bright LED, and our exclusive anti-pop switching circuitry.

The Fulltone Fat-Boost 3 is a Discrete, Class-A, FET (Field-Effect-Transistor) pedal offering up to 35dB of non-distorted Gain without changing your signature sound ...unless you so desire You can fatten/distort your tone, brighten or mellow up the sound, add or subtract Bass, and add even-order harmonics! The FB-3 has True-Bypass switching (using the finest switch made, the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to our proprietary anti-pop circuitry. FET's can behave like Tubes in a properly designed circuit.

The Fat-Boost 3 works great in front of non-Master-Volume Tube amps to goose them into submission, as well as through Master-Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on Bass, Acoustic Guitars (with Pickups) and is the best thing you could put at the end of a pedal board effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.

This final version of the Fat-Boost (Model FB-3) incorporates all of the things that people have loved about previous versions of the Fulltone Fat-Boosts without any of the shortcomings, and brings back the 11 step FET Bias "Drive" Knob that was missing from the FB-2.

Housed in a beautiful powder coated Blue 16ga. steel enclosure, the first channel of the Full-Drive 2 Mosfet is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics. There's also a footswitchable second channel "Boost Mode" with its own separate Distortion control for medium to higher gains with a more singing violin-like sustain!

Discrete F.E.T Hi-Gain Distortion and Overdrive Booster IN ONE BOX. You could think of them as 2 separate pedals — or think of them as stages to be linked together for endless combinations. Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. (these new hi-Q sealed minipots don't break BTW).

Hard clipped distortion (the way most pedals achieve distortion) at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amplike, has ridiculous amounts of sustain even at low volume, does the great chunky low string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The GT500 contains 9 x FET's, 2 Mosfets and 1 x Transistor with no opamps or clipping diodes used. This Mid control mixed with a strong Bass and Treble control help give the GT-500 the ability to dial in more variations than a simple tone control, which can only roll off the Highs.

The Series Select Switch allows you to choose which pedal comes first (allowing you to instantly change the order of the 2 circuits)

Booster ------> Distortion or Distortion-------> Booster

For example: A Clean Boost slamming into the front end a Distortion sounds way different than a Distortion followed by the clean Boost, and when the EQ"s of the respective sides come into play, it's a wide open canvas. Regardless of which side of the pedal is designated as "first in line" you can still use each side by itself, completely independent of the other side.

In beautiful vintage Cream color with maroon lettering housed in a sturdy 16 gauge steel housing that measuring ONLY 4" x 5.75". The Deja has that dripping Phase-Chorused tone that made Jimi's "Machine Gun" so epic!

Now it's tiny enough to fit on the most cluttered pedalboard, and because of the mini-DV's unique voltage doubling circuit you can use any standard 9 volt adapter or power supply (our FPS-1 is included) and inside the pedal the power is ramped up to the original Univibe's 18 volts DC!

Features also include a mini-toggle switch to choose between Vintage/Modern settings allowing for warm original '60's Univibe grind (Vintage setting) and louder, with more output (Modern setting). The Deja'Vibe has received a make-over!

Robin Trower says of his Deja'Vibe, "Simply Brilliant. I use it all the time. It's the best of its kind!!"