Fender

Fender's versatile new FM 25 DSP amp gives you dynamic two-channel operation with a feast of amp sounds, effects and features!

Pushing 25 watts through a single 10” Fender Special Design speaker, the FM 25 DSP delivers the famous Fender "clean" tone on channel one; channel two lets you dial in 16 great amp tones.

The FM 25 DSP also gives you 15 on-board effects (reverb, delay, tremolo, chorus, flanging and combinations), and an acoustic simulator that offers great acoustic-electric tone. Convenient cool features include an auxiliary input for playing along with CDs, MP3s or other source material, a headphone output for silent practice, independent gain and master controls in the "drive" channel, and an optional one-button channel footswitch. The black control panel, chrome hardware and black vinyl covering and grille cloth make for a tough, no-frills appearance.

Fender tube combos are considered the most treasured guitar amplifiers of all time. Popular models like the Deluxe Reverb® and Hot Rod Deluxe™ are easily as desirable now as when they were first introduced!

Countless guitarists reach for some version of a Fender Deluxe™ amp when they do a session or a gig, thanks to its grab-and-go 1x12 combo portability, ease of use and great tone. The Deluxe VM amplifier takes the sought-after Deluxe formula into a new era of “Vintage Modified” performance by combining a real tube amp with a complement of essential effects. The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ.

An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies.

The venerable Vibro-King amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing “1964 Transitional” Blackface™/White knob look. We’ve added a pair of powerful 6L6 Groove Tubes for rich, full tone. The 60-watt Vibro-King Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring.

Other premium features include: ’63 Fender Reverb® with dwell, mix and tone controls; three 10” Jensen P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

Fender’s new Acoustasonic SFX II amplifier is the perfect “all-in-one” instrument/vocal amp for clubs, churches, the coffeehouse, or simply losing yourself in shimmering stereo sound in the privacy of your own home!

This dual 80-watt combo houses an 8” low-frequency driver, high-frequency tweeter and side-radiating 6” speaker to maximize our exclusive Stereo Field Expansion (SFX) technology for whole-room, more-than-stereo imagery.

Two separate instrument and microphone channels have individual EQ, feedback notch, and DSP select and level controls. Our patented String Dynamics™ control tames harsh treble notes. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers. XLR line-out with level control and ground lift allows perfect direct input to any mixer, and auxiliary RCA inputs with level control make it easy to add a drum machine or CD player accompaniment.

The new ’65 Twin Reverb Custom 15 is a welcome addition to our venerable Vintage Series amplifier line.

This all-tube combo amp couples an 85-watt ’65 Twin Reverb Reissue chassis with an enlarged cabinet and single 15” speaker instead of the usual pair of 12s. The Twin’s vibrato, reverb and crystal clean tones are great as always, and the 15’s extra-fat clear bottom end, smooth treble and high power handling make are a godsend.

In partnership with Eminence, we created an updated speaker based on the now-collectible JBL® D130F model used by Fender in the 1960s and ’70s. This driver’s cast frame, shallow cone, high flux density, large voice coil and aluminum center cap delivers clean, precision performance for steel, jazz and country players (among others!). The speaker’s 3D bass and treble separation will amaze you!

Other features include a metal badge on the grille, two-button reverb/vibrato footswitch, removable casters, nickel hardware, heavy-duty textured black vinyl covering with silver grille cloth, and an embroidered cover.

The Band-Master VM 212 enclosure mates with the Band-Master VM Head (or other quality amplifier) for onstage versatility and great Fender tone. Its premium birch-ply construction and Celestion® G12P-80 speakers deliver fat, woody bass response and clear highs.

Fender tube amps are considered the most treasured guitar amplifiers of all time. Popular models like the Showman® and Band-Master™, the first professional tube heads on the market, are considered collectors items today. The Band-Master VM amplifier takes the desirable mid-powered tube head concept to “Vintage Modified” performance by combining a real tube amp with a complement of essential effects.

The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ. An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies. The Band-Master VM amp (combined with its companion 212 VM inclosure) is the perfect head/cabinet rig for onstage versatility and big, fat Fender tone.

The Fender design team is proud to introduce the Cyber-Twin SE, the second edition of our flagship amp. It's a 2x12 tube preamp combo with reconfigurable analog and digital circuitry, motorized knobs and a 2x65-watt power amp. Also includes two footswitches, wheels and a cover. It looks just a little different, but does everything the original model did and a whole lot more!

An affordable, easy-to-use addition to our top-selling FM family, the new FM 212 DSP features quality amp modeling and DSP effects (including reverb, delay, chorus, tremolo, flanging, Vibratone and combinations).

The two heavy-duty 12" Special Design speakers are driven by 100 watts of pure Fender tone, making it one of the fullest-sounding small combo amps available today. And it provides lots of opportunity for sonic fun and experimentation! Includes two-button channel selection and effects on/off footswitch.

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 15-watt Frontman 15G, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive. Small package; huge Fender sound!

Our great-sounding, top-selling 65-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 65-watt Frontman 65R features a single 12" Special Design speakers, classic styling, simple controls, a good variety of clean and distorted tones, distortion and channel switching, reverb and a vintage-style footswitch. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

The latest incarnation of our venerable Twin Amp has the responsive, throaty and clean power you know and love, coupled with a high-gain distortion channel.

The 1/4 power switch gives players command of a stunning 100 watts of power when needed or a manageable 25 watts for a club or studio gig, all courtesy of four 6L6 Groove Tube™ output tubes, seven 12AX7 preamp tubes, a single 12AT7 tube and a pair of 12” 8-ohm Fender Special Design Eminence speakers.

Fender’s Vibro-King 212B speaker enclosure gives you 140 watts (at 4 ohms) through a powerful pair of 12” Celestion Vintage 30 speakers. The closed-back cabinet is built with sturdy birch plywood, with a black textured vinyl
covering.

Fender Acoustasonic series amplifiers are the undisputed champions of the acoustic amp arena! The new Acoustasonic 30 DSP (an upgraded version of our top-selling Acoustasonic 30) is a portable, easy-to-use combo amp designed for natural-sounding reproduction of electric-acoustic guitar and vocals. Onboard DSP effects add extra versatility and excitement to an already-great formula.

The 30-watt power amp drives an 8” foam-surround low-frequency driver and a high-frequency tweeter; the instrument and microphone channels each contain individual EQ controls, phase switches for feedback reduction, FX select and FX level. Our patented String Dynamics™ control tames harsh treble notes on the instrument channel, and the feedback notch control removes most feedback problems. Phantom power is supplied at the XLR mic input, and the professional XLR line output with level control and ground lift allows perfect direct input to any mixer. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers.

The Acoustasonic 30 DSP is dressed in our distinctive Brown/Wheat cosmetic treatment. Optional two-button footswitch allows FX on/off for each channel.

The new Acoustasonic Junior DSP (an upgraded version of our top-selling Acoustasonic Junior) is a portable, well built, easy-to-use combo amp designed for natural-sounding reproduction of electric-acoustic guitar and vocals. The new onboard DSP effects and XLR output add extra excitement and usefulness to an already-great formula.

Its two 40-watt power sections drive two 8” drivers and a high-frequency tweeter; the instrument and microphone channels each contain individual EQ controls, phase switches for feedback reduction, FX select and FX level. Our patented String Dynamics™ control tames harsh treble notes, and the feedback notch control removes most feedback problems. Phantom power is supplied at the XLR mic input, and the professional XLR line output with level control and ground lift allows perfect direct input to any mixer. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers. Fender tilt-back legs aim the sound where you want it.

The Acoustasonic Junior DSP is dressed in our distinctive Brown/Wheat cosmetic treatment. Optional two-button footswitch allows FX on/off selection for each channel.

You asked for it, and we delivered! The FM 100H is a solid-state “half-stack” offering legendary Fender quality, flexibility and simplicity at an unreal price.

The 100-watt (at 4 ohms) FM 100H, with its versatile "drive/more drive" channel and "mid contour" switch, roars with fantastic distortion tones for rock, blues, punk and metal; the famous Fender “clean” channel rings loud and clear, especially when combined with our on-board spring reverb. The black control panel, chrome hardware and black vinyl covering and grille cloth make for a tough, no-frills appearance. Two- button footswitch and unshielded speaker cable included.

The FM 412SL slant enclosure is the matching companion cabinet for our FM 100H amp.

It includes four all-new 12" Fender Special Design “sound-tested” drivers and is made with premium wood-ply construction (not particle board) for resonant tone. The FM 412SL has a total impedance of 4 ohms, so the FM 100H user will achieve full 100-watt output with only one enclosure. Pop-out swivel casters included.

Our Frontman amps deliver quality tone at a great price, with custom-voiced built-in overdrive for great tone and the unmistakable Fender Blackface look.

The 10-watt Frontman 10G features a 6" Special Design speaker and a selectable gain control that can rock guitar tones from tube-emulated overdrive to full-strength ultra-saturated distortion; perfect for blues, metal and the famous Fender clean tone. Closed-back design gives a heavier bass response; the 1/8” input lets you play along with your media player of choice; and the 1/8” headphone output is great for silent practicing.

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 15-watt Frontman 15R, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 15R also features great Fender reverb. Small package; huge Fender sound!

Our great-sounding, top-selling 100-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 100-watt Frontman 212R features two 12" Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 25-watt Frontman 25R, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive.

The Frontman 25R also features great Fender reverb and an optional footswitch for remote channel selection.

The Fender Champ amp of the late 1950s is well known as the small-but-mighty tone machine that belongs in every serious guitarist’s collection. The release of the '57 Champ adds this iconic, one-of-a-kind product to Fender's '57 Tweed Series.

The tweed Champ is a terrific practice amp, and has been a prized possession of countless pro players for its great sounding, low-output, easy-to-record capabilities. It's well documented that this model has been used on recordings by Johnny Cash, Keith Richards and Eric Clapton (it’s the “Layla” amp). And with its rich tone and touch-sensitive response, the Champ is great for making cool new music today.

This faithful hand-wired recreation of the 1957 Champ amp is not just for collectors or retro-minded guitarists. Any player seeking the ultimate in low-powered, top-quality tube performance need look no further!

The original Fender Deluxe amp of the 1950s was a medium-powered amp that found its way onto countless smokin’-hot live and recorded performances. Over the past 50 years, from Memphis to Liverpool to Austin, Texas, players of many styles have prized it for its awesome and unmistakable warmth and rich tube tone.

An authentic recreation of one of our most beloved guitar amps, the ’57 Deluxe is a 12-watt, hand-wired tube amplifier with a 12” Jensen® P-12Q speaker. The two 6V6 output tubes, acclaimed 5E3 circuit and solid pine cabinet all contribute to the ’57 Deluxe’s resonant, touch-sensitive performance. Vintage fitted cover included.

The ’57 Twin amplifier—one of the most collectible amps of all time—is the latest member of our acclaimed Custom Series family. Its harmonically rich clean tones are great for vintage rock, blues and country; crank it up for fat, sophisticated distortion.

This all-tube combo amp has hand-wired circuitry; we’ve even reproduced the 1955-57 edition “low powered” 5E8A circuit, which puts 40 watts into a pair of 12” alnico-magnet speakers. Power comes from a pair of GT6L6 output tubes and Fender’s rarely seen mid-’50s dual rectifier arrangement (using 5U4 rectifier tubes). With this design, power amp compression or “sag” is more subtle than in many Fender tweed designs. The Twin’s preamp contains four high-gain 12AX7 tubes, three of which may be substituted with 12AY7s for the original ’50s low-gain sound. An internal bias pot allows easy substitution of various 6L6 types. Control panel details include normal and bright volumes, four inputs (two normal; two bright), treble, bass and presence knobs.

The ’57 Twin’s finger-joined solid pine cabinet resonates with a warm, woody tone. The amp is covered in genuine lacquered tweed fronted with vintage brown/gold grille cloth. Leather strap handle on top and fitted cover included.

The ’50s Fender Bassman was the pro bassist’s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the ’60s and ’70s, the original all-tube “Tweed” 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.

In the 1990s, Fender released an affordable reissue of the now-collectible ’59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency “swirl” make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.

The new ’59 Bassman  LTD is enhanced with:
• Genuine lacquered Tweed covering.
• Finger-joined pine cabinet for woody, resonant tone.
• Original spec 5AR4 rectifier tube for natural compression when playing hard.
• Internal bias pot makes it easier to experiment with various output tubes.
• Two GT-6L6 Groove Tube™ output tubes.
• Three improved 12AX7 preamp tubes.
• Fitted cover.