Fender Guitars & Other Products

Super-Sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious Fender clean tones and expressive modern high-gain tones—all with one no-nonsense tube amp.

The VINTAGE channel of the Super-Sonic 60 Head is based on two legendary Fender favorites (the Vibrolux® and the Bassman®), and the awesome BURN channel ignites musical inspiration with overdrive flavors ranging from bluesy to flamethrower. The Super-Sonic 60 Head has been tweaked for increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine-tuned without masking the tonal character of your guitar. And by popular demand, the new Super-Sonic 60 Head is available in two classic cosmetic treatments: Black/Silver and the iconic 1961 Blonde/Oxblood look, with glorious ivory knobs and flowing Fender logo on each front panel.

The Super-Sonic 212 enclosure mates perfectly with the Super-Sonic 60 head or other quality tube amplifier. Unlike most other 2x12 enclosures, this iconic Fender design includes an oversized baffle board with a slight tilt and internal insulation for a uniquely rich and resonant response. It’s available in two classic cosmetic treatments, Black/Silver and the iconic 1961 Blonde/Oxblood look.

Super-Sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious Fender clean tones and expressive modern high-gain tones—all with one no-nonsense tube amp.

The VINTAGE channel of the Super-Sonic 60 Combo is based on two legendary Fender favorites (the Vibrolux® and the Bassman®), and the awesome BURN channel ignites musical inspiration with overdrive flavors ranging from bluesy to flamethrower. The Super-Sonic 60 has been tweaked for increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine-tuned without masking the tonal character of your guitar. And by popular demand, the new Super-Sonic 60 model is available in two classic cosmetic treatments: Black/Silver and the iconic 1961 Blonde/Oxblood look, with glorious ivory knobs and flowing Fender logo on each front panel.

The 100 preset 15 watt G-DEC 3 Fifteen with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

The 100 preset 30 watt G-DEC 3 Thirty with the Fender FUSE™ software is a great new amp for practicing and recording. It includes digital amp and effects models for every playing style and a huge collection of music to practice and play over. Also included is an onboard mp3 and wav file storage and playback system, a multi function SD card slot for unlimited storage of presets and audio content, Ableton® Live Lite 8 Fender Edition studio quality recording software for creating and editing additional backing track content, AmpliTube® Fender LE software for practicing, playing and recording with classic Fender tones on your computer.

Fender tube combos are considered the most treasured guitar amplifiers of all time. Popular models like the Deluxe Reverb® and Hot Rod Deluxe™ are easily as desirable now as when they were first introduced!

Countless guitarists reach for some version of a Fender Deluxe™ amp when they do a session or a gig, thanks to its grab-and-go 1x12 combo portability, ease of use and great tone. The Deluxe VM amplifier takes the sought-after Deluxe formula into a new era of “Vintage Modified” performance by combining a real tube amp with a complement of essential effects. The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ.

An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies.

The venerable Vibro-King amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing “1964 Transitional” Blackface™/White knob look. We’ve added a pair of powerful 6L6 Groove Tubes for rich, full tone. The 60-watt Vibro-King Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring.

Other premium features include: ’63 Fender Reverb® with dwell, mix and tone controls; three 10” Jensen P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

Fender’s new Acoustasonic SFX II amplifier is the perfect “all-in-one” instrument/vocal amp for clubs, churches, the coffeehouse, or simply losing yourself in shimmering stereo sound in the privacy of your own home!

This dual 80-watt combo houses an 8” low-frequency driver, high-frequency tweeter and side-radiating 6” speaker to maximize our exclusive Stereo Field Expansion (SFX) technology for whole-room, more-than-stereo imagery.

Two separate instrument and microphone channels have individual EQ, feedback notch, and DSP select and level controls. Our patented String Dynamics™ control tames harsh treble notes. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers. XLR line-out with level control and ground lift allows perfect direct input to any mixer, and auxiliary RCA inputs with level control make it easy to add a drum machine or CD player accompaniment.

The new ’65 Twin Reverb Custom 15 is a welcome addition to our venerable Vintage Series amplifier line.

This all-tube combo amp couples an 85-watt ’65 Twin Reverb Reissue chassis with an enlarged cabinet and single 15” speaker instead of the usual pair of 12s. The Twin’s vibrato, reverb and crystal clean tones are great as always, and the 15’s extra-fat clear bottom end, smooth treble and high power handling make are a godsend.

In partnership with Eminence, we created an updated speaker based on the now-collectible JBL® D130F model used by Fender in the 1960s and ’70s. This driver’s cast frame, shallow cone, high flux density, large voice coil and aluminum center cap delivers clean, precision performance for steel, jazz and country players (among others!). The speaker’s 3D bass and treble separation will amaze you!

Other features include a metal badge on the grille, two-button reverb/vibrato footswitch, removable casters, nickel hardware, heavy-duty textured black vinyl covering with silver grille cloth, and an embroidered cover.

The Band-Master VM 212 enclosure mates with the Band-Master VM Head (or other quality amplifier) for onstage versatility and great Fender tone. Its premium birch-ply construction and Celestion® G12P-80 speakers deliver fat, woody bass response and clear highs.

Fender tube amps are considered the most treasured guitar amplifiers of all time. Popular models like the Showman® and Band-Master™, the first professional tube heads on the market, are considered collectors items today. The Band-Master VM amplifier takes the desirable mid-powered tube head concept to “Vintage Modified” performance by combining a real tube amp with a complement of essential effects.

The 40-watt tube platform provides a foundation of great tone to build on, and the versatile tube preamp offers a wide range of tone and gain settings—from world-standard Blackface™ Fender clean to aggressive overdrive with post-gain EQ. An all-new high-quality DSP platform adds reverb, chorus/vibrato, and delay effects with the convenience and “tweakability” of standard stomp boxes, without the need for extra cables or power supplies. The Band-Master VM amp (combined with its companion 212 VM inclosure) is the perfect head/cabinet rig for onstage versatility and big, fat Fender tone.

The Fender design team is proud to introduce the Cyber-Twin SE, the second edition of our flagship amp. It's a 2x12 tube preamp combo with reconfigurable analog and digital circuitry, motorized knobs and a 2x65-watt power amp. Also includes two footswitches, wheels and a cover. It looks just a little different, but does everything the original model did and a whole lot more!

An affordable, easy-to-use addition to our top-selling FM family, the new FM 212 DSP features quality amp modeling and DSP effects (including reverb, delay, chorus, tremolo, flanging, Vibratone and combinations).

The two heavy-duty 12" Special Design speakers are driven by 100 watts of pure Fender tone, making it one of the fullest-sounding small combo amps available today. And it provides lots of opportunity for sonic fun and experimentation! Includes two-button channel selection and effects on/off footswitch.

Fender’s Blackface™ cosmetic treatment (skirted knobs; silver grille cloth) makes these amps look as good as they sound! All Frontman guitar amps, including this, the 15-watt Frontman 15G, feature dual selectable channels ("normal" and "drive"), auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive. Small package; huge Fender sound!

Our great-sounding, top-selling 65-watt combo gets a makeover!  Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.

The 65-watt Frontman 65R features a single 12" Special Design speakers, classic styling, simple controls, a good variety of clean and distorted tones, distortion and channel switching, reverb and a vintage-style footswitch. Oh yeah—and it’s really loud! One of the best "bang-for-the-buck” amps you'll find!

The latest incarnation of our venerable Twin Amp has the responsive, throaty and clean power you know and love, coupled with a high-gain distortion channel.

The 1/4 power switch gives players command of a stunning 100 watts of power when needed or a manageable 25 watts for a club or studio gig, all courtesy of four 6L6 Groove Tube™ output tubes, seven 12AX7 preamp tubes, a single 12AT7 tube and a pair of 12” 8-ohm Fender Special Design Eminence speakers.

Fender’s Vibro-King 212B speaker enclosure gives you 140 watts (at 4 ohms) through a powerful pair of 12” Celestion Vintage 30 speakers. The closed-back cabinet is built with sturdy birch plywood, with a black textured vinyl
covering.

Fender Acoustasonic series amplifiers are the undisputed champions of the acoustic amp arena! The new Acoustasonic 30 DSP (an upgraded version of our top-selling Acoustasonic 30) is a portable, easy-to-use combo amp designed for natural-sounding reproduction of electric-acoustic guitar and vocals. Onboard DSP effects add extra versatility and excitement to an already-great formula.

The 30-watt power amp drives an 8” foam-surround low-frequency driver and a high-frequency tweeter; the instrument and microphone channels each contain individual EQ controls, phase switches for feedback reduction, FX select and FX level. Our patented String Dynamics™ control tames harsh treble notes on the instrument channel, and the feedback notch control removes most feedback problems. Phantom power is supplied at the XLR mic input, and the professional XLR line output with level control and ground lift allows perfect direct input to any mixer. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers.

The Acoustasonic 30 DSP is dressed in our distinctive Brown/Wheat cosmetic treatment. Optional two-button footswitch allows FX on/off for each channel.

The new Acoustasonic Junior DSP (an upgraded version of our top-selling Acoustasonic Junior) is a portable, well built, easy-to-use combo amp designed for natural-sounding reproduction of electric-acoustic guitar and vocals. The new onboard DSP effects and XLR output add extra excitement and usefulness to an already-great formula.

Its two 40-watt power sections drive two 8” drivers and a high-frequency tweeter; the instrument and microphone channels each contain individual EQ controls, phase switches for feedback reduction, FX select and FX level. Our patented String Dynamics™ control tames harsh treble notes, and the feedback notch control removes most feedback problems. Phantom power is supplied at the XLR mic input, and the professional XLR line output with level control and ground lift allows perfect direct input to any mixer. DSP effects include reverb, delay, chorus, vibratone and more, all optimized especially for acoustic performers. Fender tilt-back legs aim the sound where you want it.

The Acoustasonic Junior DSP is dressed in our distinctive Brown/Wheat cosmetic treatment. Optional two-button footswitch allows FX on/off selection for each channel.

You asked for it, and we delivered! The FM 100H is a solid-state “half-stack” offering legendary Fender quality, flexibility and simplicity at an unreal price.

The 100-watt (at 4 ohms) FM 100H, with its versatile "drive/more drive" channel and "mid contour" switch, roars with fantastic distortion tones for rock, blues, punk and metal; the famous Fender “clean” channel rings loud and clear, especially when combined with our on-board spring reverb. The black control panel, chrome hardware and black vinyl covering and grille cloth make for a tough, no-frills appearance. Two- button footswitch and unshielded speaker cable included.

The FM 412SL slant enclosure is the matching companion cabinet for our FM 100H amp.

It includes four all-new 12" Fender Special Design “sound-tested” drivers and is made with premium wood-ply construction (not particle board) for resonant tone. The FM 412SL has a total impedance of 4 ohms, so the FM 100H user will achieve full 100-watt output with only one enclosure. Pop-out swivel casters included.