Browse Dave’s Collection

“Welcome to the guitar collection. On the second floor of our store we have on display over 300 guitars and more than 50 amps that I’ve accumulated over the years. The friends and customers that have visited us seem to really appreciate being able to view this, so we thought we would share it with our online friends and fellow guitar enthusiasts as well. Enjoy!”

- Dave Rogers

The items in Dave’s Collection are not available for purchase.
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Gibson ES-330, '61

Cherry, Serial # 19764.

 

Gibson ES-330, '67

Sparkling Burgundy, Serial # 064094.

 

Gibson ES-335, '67

Sparkling Burgundy, Serial # 170009.

This guitar is weird not just because of the color, but because it has split parallelogram fingerboard inlays like an ES-345.

 

Gibson ES-335, '67

Pelham Blue, Serial # 87604.

 

Gibson ES-335, '63

Cherry, Serial # 113991.

 

Gibson ES-335, '62

Cherry, Serial # 51989.

 

Gibson ES-335, '64

Cherry, Serial # 147790.

 

Gibson ES-335, '64

Sunburst, Serial # 66165.

 

Gibson ES-335, '63

Sunburst, #139877.

 

Gibson ES-335, '61

Sunburst, #10086.

 

Gibson ES-335, '61

Cherry, Serial # A35742.

 

Gibson ES-335, '58

Sunburst, Serial # A28163.

 In the late ‘50s Gibson designed a guitar meant to have the look and feel of a traditional hollowbody, while also having the sonic advantages of a solid body guitar (still new and not universally accepted). The ES-335 was the result.

 This example has features common to most late ‘50s 335s: dot inlays, long pickguard, see-through gold bell knobs, and PAF humbuckers.

Early ES-335s, including this one, often have shallow neck angles. The ABR-1 bridges on these guitars are shaved much thinner than usual to accommodate the neck angle.

Factory installed Bigsbys were also a common feature on ES-335s of the ‘50s and ‘60s. What makes this guitar unusual is the lack of stop tailpiece holes or “Custom Made” plaque usually seen on Bigsby equipped 335s.

 I purchased this guitar from a good friend & fellow dealer in Iowa about 20 years ago. Not the best playing ES-335 that I own (because of the shallow neck angle) but definitely a historically significant guitar that I treasure. 

 

Gibson ES-175, '62

Sunburst, Serial # 85879.

 

Gibson ES-175, '61

Sunburst, Serial # A35924.

A very clean guitar that is a recent addition to the collection. This is complete with the Brown case, all of the hang tags, and the paperwork. The original sales receipt that is dated July 8, 1961 is also included. This guitar sold new for $249.50 and the case was an extra $47.00. What are the chances of the $30 trade credit being for a Danelectro or a Silvertone? One can only imagine.

 

Gibson ES-295, '52

Gold, Serial # A11855.

You do not see these very often, This one is a bit weather checked and way too cool!

 

Gibson ES-295, '53

Sunburst, Serial # A15572.

The Gibson ES-295 was introduced in 1952 as the full sized hollow body complement to the solid body Les Paul Model also debuting that year.  While the ES-295 shared the same flashy gold coloring of the Les Paul, along with the unique tailpiece, it was basically a fancier two-pickup version of the ES –175 (the two-pickup ES-175 D did not appear until 1953). The basic features of an ES-295 were: an all gold finish, two single coil P-90s with cream covers, a cream pickguard with gold floral designs, a Les Paul bridge/tailpiece combination, and gold plated metal parts.

 

The guitar featured is a typical 1953 ES-295 in every way except one: the color. While a tobacco sunburst finish was standard on most Gibsons from the ‘30s through the ‘50s, it is very rare to see an ES-295 in this color. The only other P-90 equipped ES-295 we know of was sold in 1999 at Eric Clapton’s Christie’s auction (two late ‘50s cherry sunburst humbucker equipped examples are also known to exist).

This one was found for me by my good friend and mentor, Jeff Hill.

 

Kay K592 Red Devil, 1963

Cherry, Not an expensive guitar, but this came into the shop and it was very clean with the original hardshell case, so I gave it a home in the collection.

 

Gibson Tal Farlow, '63

Viceroy Brown Sunburst, Serial # 63184.

 

Gibson Barney Kessel Standard, ’68

Cherry Sunburst, Serial # 895535. The Barney Kessel model was introduced in 1961 with input from the famous jazz guitarist. Kessel was a well known stylist and sought after session musician who backed Artie Shaw, Benny Goodman, and many others. His innovative guitar work and arranging for Julie London in the ‘50s established his ability to provide orchestral sounding accompaniment with only an electric guitar and upright bass. The Barney Kessel model came in two versions: the Regular (pictured) and the fancier Custom.
 

Gibson Les Paul Special, '56

Limed Mahogany, Serial # 6 3202.

 

Gibson Les Paul Special, '60

TV Yellow, Seial # 011888.

 

Gibson Les Paul Special, '59

Cherry, Serial # 923508.

 

Gibson Les Paul TV Model, '56

Limed Mahogany, Serial # 614478.

 

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