Browse Dave’s Collection

“Welcome to the guitar collection. On the second floor of our store we have on display over 300 guitars and more than 50 amps that I’ve accumulated over the years. The friends and customers that have visited us seem to really appreciate being able to view this, so we thought we would share it with our online friends and fellow guitar enthusiasts as well. Enjoy!”

- Dave Rogers

The items in Dave’s Collection are not available for purchase.
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Gibson ES-335, '67

Sparkling Burgundy, Serial # 170009.

This guitar is weird not just because of the color, but because it has split parallelogram fingerboard inlays like an ES-345.

 

Gibson ES-335, '67

Pelham Blue, Serial # 87604.

 

Gibson ES-335, '63

Cherry, Serial # 113991.

 

Gibson ES-335, '62

Cherry, Serial # 51989.

 

Gibson ES-335, '64

Cherry, Serial # 147790.

 

Gibson ES-335, '64

Sunburst, Serial # 66165.

 

Gibson ES-335, '63

Sunburst, #139877.

 

Gibson ES-335, '61

Sunburst, #10086.

 

Gibson ES-335, '61

Cherry, Serial # A35742.

 

Gibson ES-335, '58

Sunburst, Serial # A28163.

 In the late ‘50s Gibson designed a guitar meant to have the look and feel of a traditional hollowbody, while also having the sonic advantages of a solid body guitar (still new and not universally accepted). The ES-335 was the result.

 This example has features common to most late ‘50s 335s: dot inlays, long pickguard, see-through gold bell knobs, and PAF humbuckers.

Early ES-335s, including this one, often have shallow neck angles. The ABR-1 bridges on these guitars are shaved much thinner than usual to accommodate the neck angle.

Factory installed Bigsbys were also a common feature on ES-335s of the ‘50s and ‘60s. What makes this guitar unusual is the lack of stop tailpiece holes or “Custom Made” plaque usually seen on Bigsby equipped 335s.

 I purchased this guitar from a good friend & fellow dealer in Iowa about 20 years ago. Not the best playing ES-335 that I own (because of the shallow neck angle) but definitely a historically significant guitar that I treasure. 

 

Gibson ES-175, '62

Sunburst, Serial # 85879.

 

Gibson ES-175, '61

Sunburst, Serial # A35924.

A very clean guitar that is a recent addition to the collection. This is complete with the Brown case, all of the hang tags, and the paperwork. The original sales receipt that is dated July 8, 1961 is also included. This guitar sold new for $249.50 and the case was an extra $47.00. What are the chances of the $30 trade credit being for a Danelectro or a Silvertone? One can only imagine.

 

Gibson ES-295, '52

Gold, Serial # A11855.

You do not see these very often, This one is a bit weather checked and way too cool!

 

Gibson ES-225 TDN, ’59

Natural In 1955 Gibson developed a line of thin-bodied electric guitars to appeal to players wanting a smaller more comfortable instrument, but without the weight of a solid body guitar. This line consisted of three guitars: The upscale Byrdland, the mid-priced ES-350T, and the economy ES-225T.   The ES-225T looked much like a plainer ES-175, but measured only 1 and ¾” deep (compared to the ES-175’s 3 and 3/8” depth). When it first debuted in the summer of 1955, it had only a single pickup mid-way between the neck and the bridge. By the summer of 1956, successful sales drove Gibson to introduce a natural finish option, and a two pickup version. The 1959 Gibson catalog states: “The ES-225T series of thin-bodied, cutaway guitars offer outstanding professional instruments in the popular priced field. Combining the rigidity and tone features of a solid body guitar with the light weight, easy-to-hold shape of conventional styling, these instruments are available in single or double pickup models.”   The 1959 ES-225 TDN pictured has all the features typical of that model including: a laminated maple top, back and sides, a single bound top and back, 24 and ¾” scale mahogany neck with bound 20 fret rosewood fingerboard, and two P-90 single coil pickups. The strings are held in place by an original Les Paul style combination bridge-tailpiece.
 

Gibson ES-295, '53

Sunburst, Serial # A15572.

The Gibson ES-295 was introduced in 1952 as the full sized hollow body complement to the solid body Les Paul Model also debuting that year.  While the ES-295 shared the same flashy gold coloring of the Les Paul, along with the unique tailpiece, it was basically a fancier two-pickup version of the ES –175 (the two-pickup ES-175 D did not appear until 1953). The basic features of an ES-295 were: an all gold finish, two single coil P-90s with cream covers, a cream pickguard with gold floral designs, a Les Paul bridge/tailpiece combination, and gold plated metal parts.

 

The guitar featured is a typical 1953 ES-295 in every way except one: the color. While a tobacco sunburst finish was standard on most Gibsons from the ‘30s through the ‘50s, it is very rare to see an ES-295 in this color. The only other P-90 equipped ES-295 we know of was sold in 1999 at Eric Clapton’s Christie’s auction (two late ‘50s cherry sunburst humbucker equipped examples are also known to exist).

This one was found for me by my good friend and mentor, Jeff Hill.

 

Kay K592 Red Devil, 1963

Cherry, Not an expensive guitar, but this came into the shop and it was very clean with the original hardshell case, so I gave it a home in the collection.

 

Gibson Tal Farlow, '63

Viceroy Brown Sunburst, Serial # 63184.

 

Gibson Barney Kessel Standard, ’68

Cherry Sunburst, Serial # 895535. The Barney Kessel model was introduced in 1961 with input from the famous jazz guitarist. Kessel was a well known stylist and sought after session musician who backed Artie Shaw, Benny Goodman, and many others. His innovative guitar work and arranging for Julie London in the ‘50s established his ability to provide orchestral sounding accompaniment with only an electric guitar and upright bass. The Barney Kessel model came in two versions: the Regular (pictured) and the fancier Custom.
 

Gibson Les Paul Special, '56

Limed Mahogany, Serial # 6 3202.

 

Gibson Les Paul Special, '60

TV Yellow, Seial # 011888.

 

Gibson Les Paul Special, '59

Cherry, Serial # 923508.

 

Gibson Les Paul TV Model, '56

Limed Mahogany, Serial # 614478.

 

Gibson SG TV, '60

TV Yellow, Serial # 0 9101.

The successful sales of the solid body Les Paul Model launched in 1952 convinced Gibson to expand the solid body line to include a variety of models aimed at players from beginner to professional. This led to the introduction of the low priced single pickup, flat bodied Les Paul Junior, and the high priced elaborately appointed Les Paul Custom in July of 1954. By 1955 the Les Paul line also included the Les Paul TV and the Les Paul Special.

 

The Les Paul TV was the same as a Junior except for having a bright “limed mahogany” finish (some early TVs had maple bodies) instead of the regular sunburst. The Les Paul Juniors and TVs may have been inexpensive student guitars, but they were built with high quality and playability to encourage beginners to stick with the guitar and eventually want to move up to more expensive Gibsons.

 

In July of 1958 the TV and Junior models received a radical makeover. A new double-cutaway shape was instated that allowed a player full access to the fingerboard. The Junior’s color changed to transparent cherry, while the TV’s limed mahogany became a brighter yellow.  Attractive Tortoise pickguards rounded out the new color-scheme. By 1960 the TV lost the “Les Paul” portion of its name becoming instead the SG (solid guitar) TV. This name predated the pointed cutaway SG shape that came along in 1961.

 

Gibson ES-175, '62

Cherry, Serial #48894.

A very rare color for this model!

 

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