Browse Dave’s Collection
“Welcome to the guitar collection. On the second floor of our store we have on display over 300 guitars and more than 50 amps that I’ve accumulated over the years. The friends and customers that have visited us seem to really appreciate being able to view this, so we thought we would share it with our online friends and fellow guitar enthusiasts as well. Enjoy!”
- Dave Rogers
The items in Dave’s Collection are not available for purchase.
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Sunburst, Serial # 025698.
Blonde, Serial # 39470.
This '59 Strat neck is paired with a '56 Strat body.
Sunburst, Serial # 82936.
Sunburst, Serial # 20185.
Sunburst, Serial # 025757.
Blond, Serial # 58699.
Blonde, Serial # 7553.
Lake Placid Blue, Serial # 224909.
Natural, Serial # 354794.
Natural, Serial # 419229.
Candy Apple Red, Serial # 302431.
Blonde, Serial # 7831.
Blonde, Serial # 11093.
Sunburst, Serial # 40771.
In mid-1959 Fender introduced lavishly appointed new versions of its original solid bodies the Telecaster and Esquire. The models were named “Custom Telecaster” and “Custom Esquire” (perhaps influenced by Gibson’s Les Paul Custom). These guitars retained the basic characteristics and functions of the standard versions while showing a polished “classy” new look.
This guitar has the classic appointments of a late 1959 Custom Telecaster, which include an alder body finished in 3-color sunburst, white binding around the top and back, a three ply greenish pickguard, and a gold Fender logo with “Custom Telecaster” written below. The rest of the features match those of a standard late 1959 Telecaster. These consist of a “slab board” rosewood fingerboard with clay dots, a slim neck profile, and single line Kluson Deluxe tuning machines.
Unlike many other late ‘50s Fenders finished in three-color sunburst, this guitar has retained most of the red tint originally applied. The unstable red stain used by Fender at that time would very often fade when exposed to sunlight, leaving only the black to yellow part of the sunburst. Evidence of some fading on this example can be seen when observing the three dark rectangles on the upper bout. As was customary at the time, the original owner had his initials stuck to the guitar with mailbox letters. This shielded those areas from light for more than three decades.
Fiesta Red, Serial # 79584.
Sunburst, Serial # 103833.
Dakota Red, Serial # 263366.
Antigua, Serial # 235002.
Lake Placid Blue, Serial # 501108.
Wildwood I Finish, Serial # 214758.
While Fender had pioneered the solid body guitar in the 1950s, the changing trends of the 1960s caused the company to switch gears and try to expand into other areas of the electric guitar market. The British Invasion bands popular at the time were using hollow, and semi-hollow guitars offered by Gibson (ES-330, ES-335), Epiphone(Casino), Gretsch (Country Gentleman), and Rickenbacker(330, and 360). Fender’s double cutaway hollowbody was released in 1966 and was known as the Coronado.
The Coronados were designed by Roger Rossmeisl, who had been hired by Leo Fender a few years earlier to design a flat-top acoustic. Rossmeisl had experience with these types of guitars as he had designed the Rickenbacker Capri line in the 1950s.
The Coronados were produced at Fender’s separate acoustic guitar plant. The line initially consisted of the Coronado I with one pickup, and the Coronado II with two pickups and optional tremolo. The pickups were made by the DeArmond Company.
The guitars were originally offered in Cherry and Sunburst finishes, but by 1967 Wildwood I (Rainbow Green), Wildwood II (Rainbow Blue) and Wildwood III (Rainbow Gold) also became available. These Wildwood finishes were obtained by injecting colorful dyes into beech trees. In 1968 the Antigua finish was also offered.
The Coronado did not prove popular, and was discontinued by 1972.
Sunburst, Serial # 0756.
Sunburst, Serial # 8154.
Sunburst, Serial # 13673, Body date of 12/56.
This one was purchased from the son of the original owner. It would be safe to say that this guitar did not see too many smoke filled bars or dance halls over the years. The neck shows very little wear and the lacquer has not yellowed.
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